Divorce, Italian Style

Divorce, Italian Style
Directed by	Pietro Germi
Produced by	Franco Cristaldi
Written by	Ennio De Concini Pietro Germi Alfredo Giannetti Agenore Incrocci (uncredited)
Starring	Marcello Mastroianni Daniela Rocca Stefania Sandrelli Leopoldo Trieste Odoardo Spadaro
Music by	Carlo Rustichelli
Cinematography	Carlo Di Palma Leonida Barboni
Editing by	Roberto Cinquini
Distributed by	Embassy Pictures
Release date(s)	1961
Running time	108 minutes
Country	Italy
Language	Italian

Divorce, Italian Style (Italian: Divorzio all'italiana) is a 1961 Italian comedy film directed by Pietro Germi. The screenplay was written by Ennio De Concini, Pietro Germi, Alfredo Giannetti, and Agenore Incrocci; based on the novel Un delitto d'onore (Crime of Honor) by Giovanni Arpino. It stars Marcello Mastroianni, Daniela Rocca, Stefania Sandrelli, Lando Buzzanca, and Leopoldo Trieste.

Plot

Ferdinando Cefalù (Marcello Mastroianni), an impoverished Sicilian nobleman, is married to Rosalia (Daniela Rocca) an unattractive but devoted wife. However, he is in love with his cousin Angela (Stefania Sandrelli), a very much younger and attractive woman that he sees only during the summers because her family sends her away to the city to a nunnery to receive her education. Besides his wife, he shares his life with his elderly parents and his spinster sister and her boyfriend that runs a funeral business; the family share their once stately Palace with his uncles, who are slowly but surely eating away the remainders of the then rich estate of the Baron.

Ferdinando spends his spare time (which is most of it) imagining several ways in which he can do away with his wife, such as throwing her into a boiling caldron to turn her into soap or sending her into space in a rocket. After a chance encounter with Angela during a family trip, he discovers that she shares his feelings. With this, he resolves carrying out his plans and is inspired by a local story of a woman who killed her husband in a rage of jealousy, to make his wife have an affair so that he can catch her in flagrante delicto, murder her, and receive a light sentence for committing an honor killing, studying very carefuly the Criminal Code. As he goes along fleshing out his plan, he first needs to find a suitable man for his wife, which he finds in the local priest's godson, Carmelo Patanè, who has had feelings for Rosalia for years and was presumed dead in Africa during World War II. He then also lures the State Prosecutor's undying friendship by feeding his love for alcohol. The final stage of his plan is arranging to have Carmelo's constant presence in his house, which is achieved by his interest in having his Palace restored.

The plan takes a while to take off the ground, because Carmelo is very shy and Rosalia is more than a match in conjugal fidelity. Ferdinando is aware of the development of his plan because he has been taping all their conversations and has to ward off the help's infatuation with Carmelo. During his monitoring of the entire plan, Ferdinando discovers that Carmelo is actually married with three children and a philanderer that could be easily distracted for any other passing skirt. However his plan turns better than expected when Rosalia and Carmelo finally give in to their passion, but as he eavesdrops the tape runs out in the precise moment the adulterers arrange for their next illicit meeting, all Ferdinando knows is that it will take place the next evening.

Rosalia feigns to have a terrible headache and remains home while the rest of the family go out to the theatre to see the première of a film so scandalous that no one wishes to miss it out. Ferdinando sneaks out of the theatre and goes back to the Palace and arrives just in time to see Rosalia running to the train station, he initially has to run out after her but still has to retrieve the gun to kill the couple and as a result he misses the train and the lovers in it. He revisits his plan and the Criminal Code, which calls for a crime of passion to be executed in the heat of the moment or in defense of one's honor, this then means changing his plan and pass off as the cuckold.

All the while Angela has been writing to Ferdinando to assure her of her undying love no matter what, however one of her letters gets misdelivered to her father who dies of a stroke upon reading it. At the funeral, Ferdinando is approached by Mrs. Patanè who demands to know what he will do to avenge their situation, since Ferdinando is still doing nothing, she spits in his face in front of the entire town, which gives him all that he needed: an open insult to the family's honor due to his wife's elopement. The local mafia boss offers to find the lovers under 24 hours, which he does, as Ferdinando goes to the lover's hideout, he comes across Mrs. Patanè, who has just shot her husband, which actually leaves him in a worse position than before. As he sees no other choice he follows in Mrs. Patanè's steps and finally kills his wife. During his trial he is actually defended by the State Prosecutor who blames the whole thing on Ferdinando's father and his lack of love when raising him as a boy. He spends no more than three years in jail and finally comes back home to find a loving Angela waiting for him.

In the film's epilogue, Ferdinando and Angela live happily, and as he states "life begins at 40", the camera pans down to Angela's feet to reveal that Ferdiando is in in much more than he bargained for.

Awards

This film won the Academy Award for Best Writing, Story and Screenplay - Written Directly for the Screen; it was nominated both for Best Actor in a Leading Role (Marcello Mastroianni) and for Best Director. The film was also entered into the 1962 Cannes Film Festival.^[1]

Cast

• Marcello Mastroianni as Ferdinando Cefalù
• Daniela Rocca as Rosalia Cefalù
• Stefania Sandrelli as Angela
• Leopoldo Trieste as Carmelo Patanè
• Odoardo Spadaro as Don Gaetano Cefalù
• Margherita Girelli as Sisina
• Angela Cardile as Agnese
• Lando Buzzanca as Rosario Mulè
• Pietro Tordi as Attorney De Marzi
• Ugo Torrente as Don Calogero
• Antonio Acqua as Priest
• Bianca Castagnetta as Donna Matilde Cefalù
• Giovanni Fassiolo
• Ignazio Roberto Daidone
• Francesco Nicastro

Adaptations

In 2008 Divorce, Italian Style was turned into an opera by Giorgio Battistelli; as Divorce à l'Italienne, it was premiered by the Opéra national de Lorraine on September 30 of that year. Tenor Wolfgang Ablinger-Sperrhacke took the role created by Mastroianni. Battistelli chose to set every female role, except for Angela, for low male voice; to that end, Bruno Praticò sang the role of Rosalia.^[2]

References

1. ^ "Festival de Cannes: Divorce, Italian Style". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/3186/year/1962.html. Retrieved 2009-02-22. 
2. ^ Opera News review

External links

• Divorce, Italian Style at the Internet Movie Database
• Divorce, Italian Style at AllRovi
• Divorce, Italian Style at Rotten Tomatoes
• Criterion Collection essay by Stuart Klawans