The Life of Saint Mary the Harlot

The Life of Saint Mary the Harlot

The Life of Saint Mary the Harlot (c. 370) is a hagiography which can be found in Book 1 of Rosweyde's Vitae patrum[1]

Contents

Authorship

The work is attributed to Ephraem, deacon of Edessa and was likely written towards the end of his life.[2] Certain parallels have been noticed between Ephraem and Abraham, the uncle of St. Mary, notably that both were hermits who gave up their hermitage for work in the world only to return just before their deaths.[3] The character of Abraham may be a semi-autobiographical representation of Ephraem, or else their personal similarities may have motivated Ephraem to record the story.

Ephraem writes that he is recounting the story in response to the unanimous request of his brethren, though this practice of claiming that one has been compelled into writing is a common convention among ascetic authors as an expression of humility.[4]

The translator of the text from Syriac into Greek is unknown.

Plot synopsis

Chapter 1

The prologue, in which Ephraem recounts being compelled to write this story. It is to serve as a lesson in "compunction and humility"[5] for those in their old age.

Chapter 2

Abraham the hermit had a brother who died, leaving behind a seven-year-old daughter. The orphan, Mary, was brought to Abraham by her father's friends, and the hermit took her in. He housed her in the outer room of cell. Through a small window between the two rooms, Abraham taught her the psalter and the ascetic disciplines. Mary became great in spiritual virtue until she was an ascetic in her own right. She lived with him for twenty years.

Mary's father left her a large sum of money. Abraham, not wishing that either should be ensnared by the cares of the world, had the money given to the poor.

Chapter 3

A monk, who is called "a monk in profession only,"[6] came to visit Abraham, as was his habit. When he saw Mary, beautiful as she was, he lusted after her. He whispered things to her through the window, trying to goad her into sin. Finally, after a year had passed she came out to him, and they had sex.

Mary regretted the act immediately. She enters into a soliloquy about her sin, at one point making a veiled allusion to the author by name, wishing she had been true to his writings. Finally, she concluded "I am a sinner full of sordid uncleanness - how shall I even try to speak with my holy uncle? If I even dared to attempt it, wouldn't a blast of fire burst from him to burn me to ashes?"[7] and left her uncle without a word.

Chapter 4

Abraham did not notice that Mary had gone. Instead, the truth of what had happened was revealed to him in a series of two dreams. In the first dream, an enormous dragon approached his cell. Finding a dove there, the dragon swallowed it whole. Abraham interpreted this dream to mean that some great heresy would befall the church, and he beseeched God to prevent it. Two days later, he had a second dream in which the dragon returned with his gut split open. Abraham could see that the dove was still alive in the beast's stomach, so he reached in and pulled it out. Only then did he understand.

In the dreams, the dragon represents the devil, the dove represents Mary, and the two days between the dreams represents the two years that Abraham waits before pursuing his niece.

Chapter 5

After two years, Abraham sent a friend to find Mary and to give him a report on what she was doing. When he discovered the shameful life she was leading and where, he disguised himself as a soldier, with a borrowed horse and uniform, and rode out to find her.

Here Ephraem breaks in to explain the hermit's behavior. He draws an analogy between the patriarch Abraham who rode out to do war with kings in order to save Lot and the hermit Abraham who rode out to do war with Satan in order to save Mary.

Chapter 6

Abrahamed arrived at the inn where Mary worked. There, under the guise of an old soldier looking for companionship, he convinced the innkeeper to send Mary out to him. When she appeared, Mary was dressed as a prostitute, and Abraham has to fight back tears. Mary did not recognize him.

Chapters 7–8

Mary proceeded to try to seduce Abraham, not knowing who he was, but when she smelled "the familiar scent of an abstinent body"[8] she became very agitated. Ephraem once again injects himself into the story, pausing from the narrative to praise God at length for the strength of the monk.

Abraham and the innkeeper both work to calm her down, until finally she sat and enjoyed supper with him. When they had eaten, Mary once again began to entice the monk, and Abraham consented to go up to Mary's room with her.

Chapters 9-10

Once they were alone and the door had been locked, Abraham revealed himself to her. Mary sat petrified through the night as Abraham wept and prayed and pleaded with her to return. Finally, he convinced her, and she returned with him doing penance the whole way.

Chapters 11-14

The remainder of the narrative gives an account of the final years of both Abraham and Mary, with eulogies of both. Abraham lived ten years after they returned, and Mary five years longer than he. Of Abraham, it was said that he remained constant in all virtue and "lived each day as if it was his last."[9] Mary became famous not only for her piety but particularly for her mourning.

Chapters 15-16

Ephraem concludes by drawing an unfavorable comparison between himself and Abraham and Mary. He begins by declaring "O what a wretch am I" and concludes "I mourn for the days of my negligence, for I have not any excuse to offer."[10]

St. Ephraem's Prayer

At the end of the hagiography is appended a prayer of St. Ephraem, which has theological implications in its fourth-century context:

Have mercy upon me, Thou that alone are without sin, and save me, who alone art pitiful and kind: for beside Thee, the Father most blessed, and Thine only begotten Son who was made flesh for us, and the Holy Ghost who giveth life to all things, I know no other, and believe in no other. And now be mindful of me, Lover of men, and lead me out of the prison-house of my sins, for both are in Thy hand, O Lord, the time that Thou shalt bid me go out from it elsewhere. Remember me that am without defence, and save me a sinner: and may Thy grace, that was in this world my aid, my refuge, and my glory, gather me under its wings in that great and terrible day. For Thou knowest, Thou who dost try the hearts and reins, that I did shun much of evil and the byways of same, the vanity of the impertinent and the defence of heresy. And this not of myself, but of Thy grace wherewith my mind was lit. Wherefore, holy Lord, I beseech Thee, bring me into Thy kingdom, and deign to bless me with all that have found grace before Thee, for with Thee is magnificence, adoration, and honour, Father, Son, and Holy Ghost.[11]

Much of the content of the prayer appears to be targeted at the Arian heresy, against which Ephraem was a combatant.

See also

References

  1. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page2.html. Retrieved 2011-09-28. 
  2. ^ Hellen Waddell, Introduction to the Life of St. Mary the Harlot, in The Desert Fathers (London: Constable and Company, Ltd., 1936), 285-287.
  3. ^ "Waddell, 286". Newadvent.org. 1909-05-01. http://www.newadvent.org/cathen/05498a.htm;. Retrieved 2011-09-28. 
  4. ^ "for other examples of this practice, see the introductions to the works of John Climacus or Anselm". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page44.html;. Retrieved 2011-09-28. 
  5. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page44.html. Retrieved 2011-09-28. 
  6. ^ The Life of St. Mary the Harlot, in The Desert Fathers, 290.
  7. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page44.html. Retrieved 2011-09-28. 
  8. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page44.html. Retrieved 2011-09-28. 
  9. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page45.html. Retrieved 2011-09-28. 
  10. ^ "Page Title". Vitae-patrum.org.uk. http://www.vitae-patrum.org.uk/page45.html. Retrieved 2011-09-28. 
  11. ^ The Life of St. Mary the Harlot, in The Desert Fathers, 302.

Wikimedia Foundation. 2010.

Игры ⚽ Поможем сделать НИР

Look at other dictionaries:

  • The Magdalen Reading — Rogier van der Weyden, The Magdalen Reading, 62.2 cm × 54.4 cm (24.5 in × 21.4 in). Date unknown but possibly 1435–38. Oil on oak panel. National Gallery, London. The Magdalen Reading is one of three surviving fragments of a large mid 15th… …   Wikipedia

  • Constantine the Great — This article is about Constantine as an Emperor. For Constantine as a Saint, see Constantine I and Christianity. Constantine I redirects here. For other uses, see Constantine I (disambiguation). Constantine I 57th Emperor of the Roman Empire …   Wikipedia

  • Papal Tiara — The Papal Tiara, also known as the Triple Tiara, or in Latin as the Triregnum , and in Italian as the Triregno , is the three tiered jewelled papal crown, supposedly of Byzantine and Persian origin, that is a prominent symbol of the papacy. The… …   Wikipedia

  • biblical literature — Introduction       four bodies of written works: the Old Testament writings according to the Hebrew canon; intertestamental works, including the Old Testament Apocrypha; the New Testament writings; and the New Testament Apocrypha.       The Old… …   Universalium

  • Jehovah's Witnesses — Jehovah s Witnesses …   Wikipedia

  • Penguin Classics — is a series of books published by British publisher Penguin Books. Books in this series are seen by literary critics as important members of the Western canon, though many titles are translated or of non western origin. The first Penguin Classic… …   Wikipedia

  • Genealogy of Jesus — Rose window in Basilica of St Denis, France, depicting the ancestors of Christ from Jesse onwards …   Wikipedia

  • Culture of Australia — Culture of Australia …   Wikipedia

  • List of prostitutes and courtesans — This is a list of famous persons who have engaged in prostitution, as well as pimping and courtesan work. Historical* Polly Adler New York Madam, 1920s 1940s * Aspasia, hetaera companion of Pericles * Laura Bell, the Queen of London whoredom *… …   Wikipedia

  • Lost artworks — are original pieces of art that cannot be accounted for in museums, private collections, or known to have been destroyed or neglected through ignorance and lack of connoisseurship.For lost literary works, see Lost work.Works are listed… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”