Boston Public Library, McKim Building

Main article: Boston Public Library

Boston Public Library
U.S. National Register of Historic Places
U.S. National Historic Landmark
Boston Public Library, McKim Building in Copley Square
Location:	Boston, Massachusetts
Coordinates:	42°20′57.12″N 71°4′43.48″W / 42.3492°N 71.0787444°W / 42.3492; -71.0787444Coordinates: 42°20′57.12″N 71°4′43.48″W / 42.3492°N 71.0787444°W / 42.3492; -71.0787444
Built:	1895
Architect:	Charles Follen McKim; McKim, Mead and White
Architectural style:	Renaissance Revival, Beaux-Arts
Governing body:	Local
NRHP Reference#:	73000317
Significant dates
Added to NRHP:	May 6, 1973[1]
Designated NHL:	February 24, 1986

The Boston Public Library McKim Building (built 1895) in Copley Square contains the library's research collection, exhibition rooms and administrative offices. When it opened in 1895, the new Boston Public Library was proclaimed a "palace for the people." The building includes lavish decorations, a children's room (the first in the nation), and a central courtyard surrounded by an arcaded gallery in the manner of a Renaissance cloister. The library regularly displays its rare works, often in exhibits that will combine works on paper, rare books, and works of art. Several galleries in the third floor of the McKim building are maintained for exhibits.

Bates Hall has a coffered ceiling in a wide catena-arched barrel vault. Internet and power connections are discreetly beneath the large wooden research tables.

Architecture

Charles Follen McKim's design shows influence from a number of architectural precedents. McKim drew explicitly on the Bibliothèque Sainte-Geneviève in Paris (designed by Henri Labrouste, built 1845 to 1851) for the general arrangement of the facade that fronts on Copley Square, but his detailing of that facade's arcaded windows owes a clear debt to the side elevations of Leon Battista Alberti's Tempio Malatestiano in Rimini. The open-air courtyard at the center of the building is based closely on that of the sixteenth-century Palazzo della Cancelleria in Rome. McKim also exploited up-to-date building technology, as the library represents one of the first major applications, in the United States, of the system of thin tile vaults (or catalan vaults) exported from the Catalan architectural tradition by the valencian Rafael Guastavino. Seven different types of Guastavino vaulting can be seen in the library.^[2]

Murals

Murals include recently restored paintings by John Singer Sargent on the theme of The Triumph of Religion;^[3] Edwin Austin Abbey's most famous work, a series of murals which depict the Grail legend; and paintings of the Muses by Pierre Puvis de Chavannes.

Monumental inscriptions

Architect Charles Follen McKim chose to have monumental inscriptions, similar to those found on basilicas and monuments in ancient Rome, in the entablature on each of the main building's three façades. On the south is inscribed: "MDCCCLII • FOUNDED THROUGH THE MUNIFICENCE AND PUBLIC SPIRIT OF CITIZENS"; on the east: "THE PUBLIC LIBRARY OF THE CITY OF BOSTON • BUILT BY THE PEOPLE AND DEDICATED TO THE ADVANCEMENT OF LEARNING • A.D. MDCCCLXXXVIII"; and on the north: "THE COMMONWEALTH REQUIRES THE EDUCATION OF THE PEOPLE AS THE SAFEGUARD OF ORDER AND LIBERTY".

The last quotation has been attributed to the library's Board of Trustees. Another inscription, above the keystone of the central entrance, proclaims: "FREE TO ALL". Across the street from the central entrance to the library is a twentieth-century monument to the Lebanese-born poet and philosopher Kahlil Gibran who as a young immigrant educated himself in the Boston Public Library. The monument's inscription responds to the McKim building reading "IT WAS IN MY HEART TO HELP A LITTLE, BECAUSE I WAS HELPED MUCH". The text is excerpted from a letter enclosed with Gibran's generous bequest to the library.

Bates Hall

Bates Hall is named for the library's first great benefactor, Joshua Bates. Boston Globe writer Sam Allis described "Bates Hall, the great reading room of the BPL, vast and hushed and illuminated with a profusion of green lampshades like fireflies" as one of Boston's "secular spots that are sacred." ^[4] The form of Bates Hall, rectilinear but terminated with a semi-circular apse on each end, recalls a Roman basilica. A series of robust double coffers in the ceiling provide a sculptural canopy to the room. The east side has a rhythmic series of arched windows with light buffered by wide overhanging hood on the exterior. Heavy deep green silk velvet drapery installed in 1888, and again in the 1920s and 1950s, was not recreated in the 1993 restoration of the room. The drapery helped to muffle sound and lower light levels.

Research collection

Included in the BPL's research collection are more than 1.7 million rare books and manuscripts. It possesses wide-ranging and important holdings, including medieval manuscripts and incunabula, early editions of William Shakespeare (among which are a number of Shakespeare quartos and the First Folio), the George Ticknor collection of Spanish literature, a major collection of Daniel Defoe, records of colonial Boston, the 3,800 volume personal library of John Adams, the mathematical and astronomical library of Nathaniel Bowditch, important manuscript archives on abolitionism, including the papers of William Lloyd Garrison, and a major collection of materials on the Sacco and Vanzetti case. There are large collections of prints, photographs, postcards, and maps. The library, for example, holds one of the major collections of watercolors and drawings by Thomas Rowlandson. The library has a special strength in music, and holds the archives of the Handel and Haydn Society, scores from the estate of Serge Koussevitzky, and the papers of the important American composer Walter Piston.

See also

• Boston Public Library

Notes

1. ^ "National Register Information System". National Register of Historic Places. National Park Service. 2006-03-15. http://nrhp.focus.nps.gov/natreg/docs/All_Data.html. 
2. ^ Shand-Tucci. 2002
3. ^ John Singer Sargent's "Triumph of Religion" at the Boston Public Library: Creation and Restoration, Edited by Narayan Khandekar, Gianfranco Pocobene, and Kate Smith, Harvard Art Museum, Cambridge MA and Yale University Press, New Haven, 2009
4. ^ Allis, Sam (2005): "Holy Hub's hot spots: Fenway Park and other secular spots that are sacred." Boston Globe, December 4, 2005, p. A3

Further reading

• Small, compiler. Handbook of the new Public library in Boston. Boston: Curtis & Co., 1895.
• Peter Wick. A handbook to the art and architecture of the Boston Public Library. 1977.
• Shand-Tucci, Douglass, "Renaissance Rome and Emersonian Boston: Michelangelo and Sargent, between Triumph and Doubt", Anglican Theological Review, Fall 2002, 995-100

External links

Boston portal

• The Boston Public Library
• A Tribute to the Boston Public Library
• Boston Public Library: architectural images
• Great Buildings on-line
• Photos of the Boston Public Library
• Trustees' McKim Construction Photos The Boston Public Library's McKim Construction Photos on Flickr.com

Image gallery

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  Laying cornerstone, 1888

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  Under construction, 1889

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  First floor plan

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  Under construction, 1890

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  Bates Hall in the late 19th century

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  Exterior view

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  Courtyard of the McKim building looking north. The campanile of Old South Church can be seen.

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  Early postcard

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  Copley Square, 1920

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  Henry Vane sculpture

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  Detail, Daniel Chester French's 1904 bronze door, "Knowledge." At the base of the door, Proverbs 24:3: "By knowledge shall the chambers be filled with all pleasant and precious riches."

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  Personification of "Science" at main entrance

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  Dancing Bacchante and Infant Faun, by Frederick William Macmonnies, in the library's courtyard, ca.2006. It is one of his most famous sculptures.

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  2007

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  Entrance stairway, ca.2010