Michael Benson (filmmaker)

This article is about the author and filmmaker. For the TV screenwriter, see Mike Benson (screenwriter).

Michael Benson is an American writer, filmmaker, photographer and exhibitions producer.

Career

Journalism career

Benson worked as a news assistant and contributor to The New York Times, but left the paper after two years to pursue a career as a freelance journalist. In 1986 he began a series of articles for Rolling Stone covering the opening of the Soviet underground rock music scene during the so-called glasnost (“openness”) period, which were published either with his own photographs or with images by noted rock photographer Anton Corbijn. He also wrote an hour-long documentary for MTV on Russian rock titled “Tell Tchaikovsky the News.” During this period Benson worked occasionally as a photojournalist for the Reuters news agency’s Moscow bureau, landing front page shots in The International Herald Tribune among other publications.

As a writer Benson has contributed articles on a diversity of topics to such magazines as Playboy, Maximum, Smithsonian, Artforum, The Nation and Rolling Stone, as well as such newspapers as The New York Times, The Washington Post, and The International Herald Tribune, including many Op-Eds. His 2003 article for The New Yorker on NASA’s mission to Jupiter, “What Galileo Saw,” was selected for inclusion in the anthology The Best American Science Writing 2004 and, in 2010, in The Best of Best American Science Writing (both Ecco/HarperCollins). On July 13, 2008 the Washington Post’s weekend Outlook section published Benson’s piece titled “Send it Somewhere Special,” which advocated retrofitting the International Space Station to convert it into an interplanetary spacecraft. The article proved to be controversial, and prompted heated reactions, with many dismissing Benson’s ideas as impractical while others supported the concept. In a previous Op-Ed, this one titled “Can the Heavens Wait?” and published by the New York Times on January 31, 2004, Benson criticized NASA for its decision, announced only a days previously, not to service the Hubble Space Telescope. He advocated the immediate reinstatement of a Space Shuttle servicing mission, calling Hubble “surely the most important instrument in modern astronomy.” After a sustained campaign by many astronomers, engineers, science writers, editorialists and representatives of the public at large, a Space Shuttle mission to service the Hubble was in fact eventually reinstated. That mission, STS-125, took place in May 2009 and restored the space telescope for service until at least 2014 but probably many more years.

Benson writes occasional columns on US political and cultural affairs for the leading Slovenian daily newspaper, Delo. He lives in Manhattan with his wife, diplomat Melita Gabrič, acting Consul General for the Republic of Slovenia, and their son Daniel.

Film education and career

In 1989 Benson entered NYU Graduate Film School, which he followed in 1991 by moving to Slovenia, then still a republic of a rapidly imploding Yugoslavia, to make a documentary film finally titled Predictions of Fire (1995). He lived in Slovenia for 16 years, finally moving back to New York in the summer of 2007.

Predictions of Fire premiered at the Sundance and Berlin International Film Festivals and which won several best documentary awards internationally, including the National Film Board of Canada’s Best Documentary Feature award at the 1996 Vancouver International Film Festival. The NFB jury released a statement with the award: “Predictions of Fire is intellectual dynamite. It explodes the icons and myths of communism and capitalism. Out of the shattered history of Slovenia, this film constructs a new way of looking at art, politics, and religion.” Despite many good reviews, including in Variety and the LA Times, the film, which also played at New York’s prestigious Film Forum art cinema, didn’t escape criticism. In his review Stephen Holden of the New York Times said the film “throws out such a dense profusion of ideas that it sometimes loses track of itself.” More recently Benson finished the TV broadcast version of a feature-length global road movie titled More Places Forever, which was shown on the German-French channel ZDF/Arte in November 2008. The film, a co-production between ZDF/Arte, TV Slovenia and Benson’s production company Kinetikon Pictures, features a visit to Arthur C. Clarke in Sri Lanka, among many other scenes shot in locations as diverse as Mongolia, Korea, Hong Kong, the United States, and Slovenia.

As author and exhibitions producer

Following the success of Predictions of Fire, by the mid-90’s Benson had begun using the internet to harvest photographs from deep space missions. It was a procedure he wrote about for The Atlantic Monthly magazine in an article titled “A Space in Time” in 2002, which eventually led to a contract with Harry N. Abrams, the New York publisher of illustrated books.

Benson’s book Beyond: Visions of the Interplanetary Probes (Harry N. Abrams, 2003; paperback edition 2008; children's edition 2009), features about 300 highly reprocessed photographs of the planets and moons of the solar system, as well as the sun. The book, which has an introduction by noted science fiction writer and space visionary Arthur C. Clarke and afterword by the award-winning American writer of non-fiction Lawrence Weschler, culled shots from five decades of space probe images and repurposed them, positioning them as a chapter in the history of photography and the landscape. It won First Prize for Design, Special Trade General Books Category at the 2004 New York Book Fair and was called “An aesthetic revelation… a spectacular melding of science and art…” (LA Times) and a "pioneering and magnificent collection of pictures… sublimely exhilarating…” (Booklist). Beyond was printed in English, French, German, Spanish, Japanese and Korean. From April 2007 to April 2008, an exhibition of large-scale photographic prints based on the book was displayed at the American Museum of Natural History in New York, and was described as a “stunning series of pictures” (The New York Times) and an “extraordinary exhibition” (New York Magazine). An exhibition of Beyond images is also being toured around the United States by SITES, the Smithsonian Institution’s Traveling Exhibitions Service. The tour will run until late 2011.

On May 26, 2010 the largest-scale Beyond exhibition opened in the Art Gallery of the Smithsonian Institution's National Air and Space Museum in Washington, DC. Featuring 148 prints spread across seven rooms, Beyond: Visions of Our Solar System is the largest collection of planetary landscape photography ever assembled in one place. The exhibition, which will run for a year, was described as “breathtaking” by The Washington Post.

Benson's latest book, Far Out: A Space-Time Chronicle, was published by Abrams Books in October 2009. A companion volume to Beyond, Far Out covers such deep space phenomena as nebulae, star clusters, galaxies, and galaxy clusters. It also contains a series of short "sidebar" stories that trace various epochs of Earth history and link those periods to the main astronomical subjects of the books. These shorter stories are tied to the astronomical phenomena being depicted according to the light travel time between the Earth and the deep space objects in question. Reviewing the book for The New York Times, Dennis Overbye wrote "Actually 'exquisite' does not really do justice to the aesthetic and literary merits of the book, published in the fall... You can sit and look through this book for hours and never be bored by the shapes, colors and textures into which cosmic creation can arrange itself, or you can actually read the accompanying learned essays. Mr. Benson’s prose is up to its visual surroundings, no mean feat."

External links

• "Kinetikon Pictures", Michael Benson's website

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