- Najm-al-Din Razi
Abū Bakr 'Abdollāh b. Moḥammad b. Šahāvar b. Anūšervān al-Rāzī
Title Najm Al-Din Razi Born 573/1177 Died 654/1256 Ethnicity Persian Maddhab Sufi Main interests Sufism Works Mirsad Al-Ibad Men Mabda' Ela Al-Ma'ad Influences Najmeddin Kubra
Abū Bakr 'Abdollāh b. Moḥammad b. Šahāvar b. Anūšervān al-Rāzī (Persian: نجمالدین رازی) commonly know by the laqab, or sobriquet, of Najm al-Dīn Dāya, meaning "wetnurse". Hamid Algar, translator of the Persian Merṣād to English, states the application of "wetnurse" to the author of the Merṣād derives from the idea of the initiate on the Path being a newborn infant who needs suckling to survive (573 AH/1177 - 654 AH/1256) was a 13th century Sufi Persian from Khwarezmia. Dāya followed the Sufi order, Kubrawiyya, established by one of his greatest influences, Najm al-Dīn Kubrā. Dāya traveled to Kārazm and soon became a morīd (pupil, one who follows the shaykh master and learns from him, undergoing spiritual training) of Najm al-Dīn Kubrā. Kubrā then appointed Shaikh Majd al-Dīn Bagdādī as the spiritual trainer who also became Dāya's biggest influence. Dāya constantly refers to al-Dīn Bagdādī as "our shaikh."
There he put the teachings of his master Najmeddin Kubra into a writing in Persian called Merṣād al-ʻebād men al-mabdāʼ elāʼl-maʻād (Persian: مرصاد العباد من المبدا الی المعاد) which is shortly known as Merṣād al-ʻebād, and has gained prominence as a major reference text on Sufism and Islamic theology. The critical edition of Merṣād al-ʻebād by Mohammad-Amin Riahi was published in 1973 in Tehran and since then has been continued to be in print. This is a closely annotated scholarly edition, along with a comprehensive introduction on the life and works of Najmeddin Razi, which has been the major reference for later studies on Najmeddin Razi and Sufism. Merṣād al-ʻebād was translated by Hamid Algar into English as The Path of God's Bondsmen: From Origin to Return.
Najm al-Dīn Rāzī lived at a time when the Islamic Middle East was going through a turbulent period of its history, marked by may disruptions and calamities, culminating in the Mongol invasion. The Crusaders descended on the Islamic world from the west, and the Mongols from the east. But Rāzī, who like Ghazālī adhered to the Sunnite branch of Islam and followed the Ash'arite theology, focused his attention on the exploration and analysis of the visionary states experienced by the Sufis in the course of their mystical journey.
Dāya was born in Rey, then one of the major centers of urban life and culture in pre-Mongol Iran, in 1117. At the age of 26, Rāzī travelled through Syria, Egypt, Ḥejāz, Iraq, and Azerbaijan. He finally settled in Kārazm and soon become a morīd to Najm al-Dīn Kubrā, a mystical Sufi and founder of the Kubrawiyya Order. Rāzī wasthen tutored by Shaikh Majd al-Dīn Baḡdādī, who Rāzī often refers to as "our shaikh." Rāzī then flees Kārazm due to Kubrā’s prophecy of a Mongol invasion. Finally, Rāzī fled Rey as well, willingly abandoning his family to the Mongol invasion. Traveling via Hamadān, Erbīl, and Diyarbekir, he reached Kayseri in central Anatolia in Ramadān 618/October 1221. Thanks to Seljuq patronage, Anatolia was a center for the cultivation of Persian literature.
At Malatya, Razi met Shaikh Sehab al-Din Abu Hafs ‘Omar al-Sohravardi, nephew of the founder of the Sohravardi order. In October 1221 he reached Kayseri. He completed the Merad at Sivas in August 1223.
The Path of God's Bondsmen: From Origin to Return
The term Merṣād refers to the path from Qur'anic verse 89:14; "Verily thy Lord watches over the path". The divine vigilance implied here is generally taken as referring to God's omniscience of men's deeds, but it is plain that Dāya takes it in a slightly different sense, that of a protective and guarding vigilance. The second part of the title, men al-mabda' elā' l-ma'ād ("from origin to return") is to be found in the titles of many works that purport to treat in comprehensive fashion both cosmogony and eschatology and all that lies between.
The comprehensiveness promised in this title of the work is amply fulfilled in its text. It deals, in a systematic manner, with the origins of the various realms and orders of creation, prophethood and the different dimensions of religion, the ritual practices, mores, and institutions of Sufism, the destinations that await different classes of men in the hereafter, and the fashion in which different professions and trades may come to yield spiritual benefit and heavenly reward.
A particular virtue of the book is its clear demonstration of the Qur'anic origins of Sufism. The numerous quotations from the Qur'an are not to be regarded as mere ornament, nor even as scriptural proofs adduced in support of various statements. Rather, they bear witness to the fact that for Dāya, as for other Sufis, the Qur'an constitutes a well-structured , seamless, and coherent universe. The Qur'anic verses encountered throughout the book are the loom on which it is woven, a particular sense for each verse being implied by the context in which it occurs.
Another prominent feature of the book is the frequency with which it draws parallels between the inner and the outer worlds, particularly with references to processes of growth and development i.e. seed, tree, branch, fruit; the emergence of the hen from the egg. Dāya says in his commentary of the Qur'an, "Verily all that God created in the world of form has its like in the world of meaning; all that He created in the world of meaning- this being the hereafter- has its true essence in the world of reality, which is the uttermost unseen. Know too that of all that God created in all the worlds, a specimen and sample is present in man." It follows, then, that inner and unseen processes may be accurately described in terms of their outer counterparts.
The literary importance of the Merṣād is considerable: it ranks among the masterpieces of Persian literature, and certain sections - particularly the narrative of the creation and appointment of Adam - bear comparison with the best prose written in Persian. Dāya's choice of illustrative verses- both those of his own composition and those of his predecessors -is judicious, and makes of his work an incidental anthology of Sufi poetry, particularly quatrains.
- First Part
- First Chapter: The Utility of Composing This Work
- Second Chapter: The Reason fro Writing the Book
- Third Chapter:The Manner and Methond the Book is Written
- Second Part
- First Chapter: The Creation of Spirits and the Degrees of Knowledge
- Second Chapter: The World Of Dominion
- Third Chapter: The Different Realms of Kingship and Dominion
- Fourth Chapter: The Creation of the Human Frame
- Fifth Chapter: The Attachment of the Spirit to the Frame
- Third Part
- First Chapter: The Veils That Cover the Human Spirit
- Second Chapter: The Wise Purpose for Attachment of the Spirit to the Frame
- Third Chapter: The Need for Prophets
- Fourth Chapter: The Abrogation of Previous Religions
- Fifth Chapter: The Cultivation of the Human Frame
- Sixth Chapter: The Refinement of the Soul
- Seventh Chapter: The Purification of the Heart
- Eight Chapter: The Adornment of the Spirit
- Ninth Chapter: The Need for a Shaikh
- Tenth Chapter: The Conditions and Attributes of the Shaikh
- Eleventh Chapter: The Conditions, Attributes, and Customs of the Morīd
- Twelfth Chapter: The Need for Zekr
- Thirteenth Chapter: The Method of Zekr
- Fourteenth Chapter: The Transmission of Zekr
- Fifteenth Chapter: The Need for Seclusion
- Sixteenth Chapter: Visions Deriving from the Unseen
- Seventeenth Chapter: The Witnessing of Lights
- Eighteenth Chapter: Manifestation of the Divine Essence
- Twentieth Chapter: Attaining to the Divine Presence
- Fourth Part
- First Chapter: The Return of the Oppressive Soul
- Second Chapter: The Return of the Inspired Soul
- Third Chapter: The Return of the Foremost Soul
- Fourth Chapter: The Return of the Most Wretched Soul
- Fifth Part
- First Chapter: The Wayfaring of Kings
- Second Chapter: Kings and Their Conduct
- Third Chapter: The Wayfaring of Minister and Deputies
- Fourth Chapter: The Wayfaring of Different Classes of Scholar
- Fifth Chapter: The Wayfaring of the Holders of Wealth
- Sixth Chapter: The Wayfaring of Farmers
- Seventh Chapter: They Wayfaring of Merchants
- Eight Chapter: The Wayfaring of Tradesmen and Craftsmen
- His most famous was Merṣād al-'ebād men al-mabdā' elā'l-ma'ād or The Path of God's Bondsmen: From Origin to Return.
- Marmūzāt-e Asadī dar mazmūrāt-e Dā'ūdī or The Symbolic Expressions of Asadī Concerning the Psalms of David. Also known as the "special edition" of the Merṣād because it includes much of the same material while diminishing the strictly Sufi portion and expanding the section on kingly power.
- Dāya's own Arabic version of the Merṣād, Manārāt al-sā'erin elām'llāh wa maqāmāt al-ṭā'erīn be 'llāh or Light Towers for Those Voyaging to God. and the Stations of Those Plying with God.
- Tafsīr al-Ta'wīlāt al-najmīya, 'Ayn al-ḥayāt, or Baḥr al-ḥaqā'eq.
- A brief allegory in Persian called Resālat al-ṭoyūr or Treatise of the Birds.
- Me'yār al-ṣedq fī meṣdāq al-'ešq or The Criterion of Veracity Concerning the Touchstone of Love.
- ^ The Path of God's Bondsmen: From Origin to Return. Islamic Publications International. North Haledon, New Jersey (1980), Page 8, Footnote 21.
- ^ Dr. Cyrus Ali Zargar. Augustana College. (2009)
- ^ "The Path of God's Bondsmen: From Origin to Return.", Page 9
- ^ "The Path of God's Bondsmen: From Origin to Return."page 16-17
- ^ "The Path of God's Bondsmen: From Origin to Return." Islamic Publications International. North Haledon, New Jersey (1980). Quoted from page 17
- ^ "The Path of God's Bondsmen: From Origin to Return." Quoted from page 17-18
- ^ Quoted in Esmā'īl Ḥaqqī, Rūḥ al-bayān, Istanbul, 1389/1970, I, 404.
- ^ "The Path of God's Bondsmen: From Origin to Return." Islamic Publications International. North Haledon, New Jersey (1980). Quoted from page 18
- ^ "The Path of God's Bondsmen: From Origin to Return." Quoted from page 19.
- Najmeddin Razi, Merṣād al-ʻebād men al-mabdāʼ elāʼl-maʻād, Edited by Mohammad-Amin Riahi, (first published by Bongahe Tarjome va Nashre Ketab), Tehran, 1973
- Daya, Naim-al-Din in Encyclopædia Iranica by Mohammad-Amin Riahi 
- E.G. Browne. Literary History of Persia. 1998. ISBN 0-7007-0406-X
- Jan Rypka, History of Iranian Literature. Reidel Publishing Company. ASIN B-000-6BXVT-K
Persian literature Old MiddleAyadgar-i Zariran · Counsels of Adurbad-e Mahrspandan · Dēnkard · Book of Jamasp · Book of Arda Viraf · Karnamak-i Artaxshir-i Papakan · Cube of Zoroaster · Dana-i_Menog_Khrat · Shabuhragan of Mani · Shahrestanha-ye Eranshahr · Bundahishn · Greater Bundahishn · Menog-i Khrad · Jamasp Namag · Pazand · Dadestan-i Denig · Zadspram · Sudgar Nask · Warshtmansr · Zand-i Vohuman Yasht · Drakht-i Asurig · Bahman Yasht · Shikand-gumanic Vichar Classical900s–1000s1000s–1100sBābā Tāher · Nasir Khusraw (1004–1088) · Al-Ghazali (1058–1111) · Khwaja Abdullah Ansari (1006–1088) · Asadi Tusi · Qatran Tabrizi (1009–1072) · Nizam al-Mulk (1018–1092) · Masud Sa'd Salman (1046–1121) · Moezi Neyshapuri · Omar Khayyām (1048–1131) · Fakhruddin As'ad Gurgani · Ahmad Ghazali · Hujwiri · Manuchehri · Ayn-al-Quzat Hamadani (1098–1131) · Uthman Mukhtari · Abu-al-Faraj Runi · Sanai · Banu Goshasp · Borzu-Nama · Afdal al-Din Kashani · Abu'l Hasan Mihyar al-Daylami · Mu'izzi · Mahsati Ganjavi1100s–1200sHakim Iranshah · Suzani Samarqandi · Ashraf Ghaznavi · Faramarz Nama · Shahab al-Din Suhrawardi (1155–1191) · Adib Sabir · Am'aq · Najm-al-Din Razi · Attār (1142–c.1220) · Khaghani (1120–1190) · Anvari (1126–1189) · Faramarz-e Khodadad · Nizami Ganjavi (1141–1209) · Fakhr al-Din al-Razi (1149–1209) · Kamal al-din Esfahani · Shams Tabrizi (d.1248)1200s–1300sAbu Tahir Tarsusi · Najm al-din Razi · Awhadi Maraghai · Shams al-Din Qays Razi · Baha al-din Walad · Nasīr al-Dīn al-Tūsī · Baba Afdal al-Din Kashani · Fakhr al-din Araqi · Mahmud Shabistari (1288–1320s) · Abu'l Majd Tabrizi · Amir Khusro (1253–1325) · Saadi (Bustan / Golestān) · Bahram-e-Pazhdo · Zartosht Bahram e Pazhdo · Rumi · Homam Tabrizi (1238–1314) · Nozhat al-Majales · Khwaju Kermani · Sultan Walad1300s–1400s1400s–1500s1500s–1600s1600s–1700s1700s–1800sNeshat Esfahani · Forughi Bistami (1798–1857) · Mahmud Saba Kashani (1813–1893)Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of Iran, Tajikistan and one of the two official languages of Afghanistan.
- First Part
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