- Gaston Paris
Bruno Paulin Gaston Paris (
August 9 ,1839 –March 5 ,1903 ), known as Gaston Paris, was a French writer and scholar.Biography
Paris was born at Avenay (
Marne ). In his childhood, he learned to appreciate Old French romances as poems and stories, and this early impulse for the study ofRomance literature was placed on a solid basis by courses of study atBonn (1856) and at the École des chartes.At first he taught French grammar in a private school [CathEncy|wstitle=Gaston-Bruno-Paulin Paris] , later succeeding his father as professor of
medieval French literature at theCollège de France in 1872; in 1876 he was admitted to the Academy of Inscriptions and in 1896 to theAcadémie française ; in 1895 he was appointed director of the Collège de France. He won aEurope an reputation as a Romance scholar. He had learnt German methods of exact research, but besides being an accurate philologist he was a literary critic of great acumen and breadth of view, and brought a singularly clear mind to bear on his favourite study of medieval French literature. His "Vie de Saint-Alexis" (1872) broke new ground and provided a model for future editors of medieval texts. It included the original text and the variations of it dating from the 12th, 13th and 14th centuries. He contributed largely to the "Histoire littéraire de la France", and withPaul Meyer published "Romania", a journal devoted to the study of Romance literature.In 1877 Gaston Paris was inviteded to
Sweden for the 400 anniversary of theUpsala University , and created an honnorary doctor. Before returning home he also visited Kristiania (Oslo ) to take part in a celebration of the Norwegian philosopherMarcus Jacob Monrad . At the University of Kristiania Gaston Paris also held a lecture, taking about the two folktale collectors,Asbjørnsen and Moe , which he, besides the Grimm Brothers, believed to be the best re-tellers of the genre.He died in
Cannes in 1903.Other works
Among Paris' other numerous works are:
*"Les Plus anciens monuments de la langue française" (1875)
*"Manuel d'ancien Français" (1888)
*"Mystère de la passion d'Arnoul Greban" (1878), in collaboration withGaston Raynaud
*"Deux rédactions du roman des sept sages de Rome" (1876)
*a translation of the "Grammaire des langues romanes" (1874-1878) of Friedrich Diez, in collaboration with MM. Brachet and Morel-Fatio.His works of a more popular nature include:
*"La Poésie du Moyen Âge" (1885 and 1895)
*"Penseurs et poètes" (1897)
*"Poèmes et légendes du moyen âge" (1900)
*"François Villon" (1901), an admirable monograph contributed to the "Grands Écrivains Français" series
*"Legendes du Moyen Âge" (1903).His excellent summary of medieval French literature forms a volume of the "Temple Primers".Paris endeared himself to a wide circle of scholars outside his own country by his unfailing urbanity and generosity. In France he trained a band of disciples at the École des Chartes and the College de France who continued the traditions of exact research that he established. Among them were
Leopold Pannier ;Marius Sepet , the author of "Le Drame chrétien au Moyen Âge" (1878) and "Origines catholiques du théâtre moderne" (1901);Charles Joret ;Alfred Morel-Fatio ; Gaston Raynaud, who was responsible for various volumes of the excellent editions published by the "Sociétés anciens textes français";Arsène Darmesteter ; and others.Further reading
*"Hommage à Gaston Paris" (1903), the opening lecture of his successor,
Joseph Bédier , in the chair of medieval literature at the College de France;
*A. Thomas, "Essais de philologie française" (1897);
*W. P. Ker , in the "Fortnightly Review" (July 1904);
*M. Croiset, "Notice sur Gaston Paris" (1904);
*J. Bédier et M. Roques, "Bibliographie des travaux de Gaston Paris" (1904).References
*1911
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