Can-Can (musical)

Can-Can (musical)

Infobox Musical
name= Can-Can
subtitle=


caption=
music= Cole Porter
lyrics= Cole Porter
book= Abe Burrows
basis=
productions= 1953 Broadway
1954 West End
1981 Broadway revival
1988 West End revival
awards=

"Can-Can" is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows. The story concerns the showgirls of the Montmartre dance halls during the 1890s.

The original Broadway production ran for over two years beginning in 1953, and the 1954 West End production was also a success. Gwen Verdon, in only her second Broadway role, and choreographer Michael Kidd won Tony Awards and were praised, but both the score and book received tepid reviews, and revivals generally have not fared well.

Production history

It premiered on Broadway at the Shubert Theatre on May 7, 1953, and closed on June 25, 1955 after 892 performances. The original production, which Burrows also directed, starred Lilo, Hans Conried, Peter Cookson, and Gwen Verdon. Michael Kidd was the choreographer.

The London premiere took place at the Coliseum Theatre in October 1954, and ran for 394 performances. The cast included Irene Hilda, Edmund Hockridge, Alfred Marks, Gillian Lynne and Warren Mitchell.

A 1981 Broadway revival opened April 30, 1981 at the Minskoff Theatre and closed after five performances and sixteen previews. It was directed by Burrows with choreography by Roland Petit and starred Zizi Jeanmaire.

The London revival at the Strand Theatre ran from October 26, 1988 through January 21, 1989 [ [http://www.nodanw.com/london_shows_chronology/1988.htm listing] ] , and featured Donna McKechnie, Bernard Alane, Norman Warwick, Janie Dee and Milo O'Shea. It had a revised book which incorporated songs from "Fifty Million Frenchmen", "Nymph Errant", "Silk Stockings", "Out of This World" and other Cole Porter musicals.

In 2004, a City Center Encores! staged concert production featured Patti LuPone, Michael Nouri, Charlotte d'Amboise, Reg Rogers, and Eli Wallach. This production was directed by Lonny Price, with sets by John Lee Beatty and lighting by Kenneth Posner. [ [http://query.nytimes.com/gst/fullpage.html?res=9A07E6D81E3AF937A25751C0A9629C8B63 NYTimes review, 2004 Encores!] ]

A 2007 production at the Pasadena Playhouse in California used a rewritten book by Joel Fields and David Lee, who also directed. Lee and Fields created a back story for the protagonists, tightened the plot, and reintroduced a song that had been cut from the original ("Who Said Gay Paree?"). The cast featured Michelle Duffy and Kevin Earley, and the production received critical praise for Patti Colombo's choreography, Steve Orich's new orchestrations and scenic design by Roy Christopher.

Musical numbers

;Act I
* Introduction
* Maidens Typical of France
* Never Give Anything Away
* C'est Magnifique
* Quadrille
* Come Along with Me
* Live and Let Live
* I Am in Love
* If You Loved Me Truly
* Montmartre
* Garden of Eden Ballet
* Allez-Vous-En;Act II
* Who Said Gay Paree?
* Never, Never Be An Artist
* It's All Right With Me
* Every Man is a Stupid Man
* The Apaches
* I Love Paris
* Can-Can
* Finale

Awards and nominations

;Original 1953 production
Tony Awards
*Best Featured Actress in a Musical Gwen Verdon [winner]
*Best Choreography Michael Kidd [winner]
Theatre World Award
*Gwen Verdon (winner);1981 revival
Tony Awards
*Best Scenic Design David Mitchell [nominee]
*Best Costume Design Franca Squarciapino [nominee]
*Best Choreography Roland Petit [nominee]

Critical response

"The New York Times" wrote: "Mr. Porter and Mr. Burrows are fascinated by the wickedness of Montmartre in the Nineties. But it is Mr. Kidd, the choreographer, who makes real theatre out of revelry in the dance halls. He and his dancers are dry and satirical about it, and also enormously expert in their performing." [Atkinson, Brooks. [http://www.nytimes.com/books/98/11/29/specials/porter-can.html "First Night at the Theatre",] "New York Times", May 8, 1953] In a later article, the "New York Times" commented: "No doubt the ballet has become the major entertainment medium in "Can-Can" by default. For Cole Porter's score is not one of his best works, and Abe Burrows' book is old-fashioned and pedestrian." [Atkinson, Brooks [http://www.nytimes.com/books/98/11/29/specials/porter-recan.html "Regarding 'Can-Can'",] "New York Times, May 17, 1953]

References

External links

* [http://www.ibdb.com/show.asp?ID=2374 "Can-Can"] at the Internet Broadway Database
* [http://www.sondheimguide.com/porter/ "Can-Can" listing on sondheimguide.com]
* [http://www.nodanw.com/shows_c/can_can.htm "Can-Can" information at nodanw.com]
* [http://www.reuters.com/article/stageNews/idUSN0825484120070709 Review of Pasadena Playhouse 'Revisal'] from Reuters


Wikimedia Foundation. 2010.

Игры ⚽ Нужно решить контрольную?

Look at other dictionaries:

  • Can-Can (Musical) — Can Can ist ein Musical von Cole Porter; mit einem Buch von Abe Burrows; es wurde von Cy Feuer und Ernest Martin produziert. In den Hauptrollen waren Lilo (de la Passardière) und Gwen Verdon zu sehen. Can Can wurde nach Kiss Me, Kate Porters… …   Deutsch Wikipedia

  • Catch Me If You Can (musical) — Catch Me If You Can is a work in progress musical adaptation of the 2002 film of the same name, with a book by Terrence McNally, music and lyrics by Marc Shaiman and Scott Wittman, and choreography by Jerry Mitchell. The musical had a reading in… …   Wikipedia

  • Can-Can — bezeichnet: einen französischen Tanz, siehe Cancan ein Musical aus dem Jahr 1953 von Cole Porter, siehe Can Can (Musical) eine Verfilmung dieses Musicals aus dem Jahr 1960 von Walter Lang, siehe Can Can (Film) 28px Diese Seite ist eine… …   Deutsch Wikipedia

  • Musical acoustics — or music acoustics is the branch of acoustics concerned with researching and describing the physics of music – how sounds employed as music work. Examples of areas of study are the function of musical instruments, the human voice (the physics of… …   Wikipedia

  • Musical improvisation — (also known as Musical Extemporization) is the creative activity of immediate ( in the moment ) musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other… …   Wikipedia

  • Musical historicism — signifies the use of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism is evident to a… …   Wikipedia

  • Musical quotation — is the practice of directly quoting another work in a new composition. The quotation may be from the same composer s work (self referential), or from a different composer s work (appropriation). Sometimes the quotation is done for the purposes of …   Wikipedia

  • Musical expression — is the art of playing music with communication. The elements of music that comprise expression include dynamic indications, forte or piano, phrasing, differing qualities of touch and articulation, color, intensity, energy and excitement all at… …   Wikipedia

  • Can-Can — (film) Pour les articles homonymes, voir Cancan (homonymie). Can Can …   Wikipédia en Français

  • Can-can (film) — Pour les articles homonymes, voir Cancan (homonymie). Can Can …   Wikipédia en Français

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”