Ernest Chausson

Ernest Chausson

Amédée-Ernest Chausson (January 20, 1855 – June 10, 1899) was a French romantic composer who died just as his career was beginning to flourish.

Life

Ernest Chausson was born in Paris into a prosperous bourgeois family. His father made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s.

To please his father, Chausson studied law and became a lawyer at the Court of Appeals; but, in truth, he had little or no interest in the law. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. He dabbled in writing and drawing before definitively deciding on his career.

In October 1879, at the age of 25, he began attending the composition classes of the opera composer Jules Massenet at the Paris Conservatoire. Chausson had already composed some piano pieces and songs; however, the earliest manuscripts that have been preserved are those corrected by Massenet.

Chausson enjoyed travelling and in 1882 and 1883, he made the pilgrimage to Bayreuth to attend the operas of Wagner. On the first of these journeys, Chausson went with d'Indy to see the premiere of "Parsifal", and on the second trip he went with his new spouse Jeanne Escudier, who was the sister of Henry Lerolle's wife Madeleine.

From 1886 until his death in 1899, Chausson was secretary of the Société Nationale de Musique. He received many of the Paris artistic elite in his salon, including the composers Henri Duparc, Gabriel Fauré, Claude Debussy, and Isaac Albéniz, the poet Stéphane Mallarmé, the Russian novelist and playwright Ivan Turgenev, and the impressionist painter Claude Monet. Chausson also assembled an important collection of impressionist art.

At the age of 44, Chausson died in Limay (Yvelines) as a result of a fluke accident. It appears that he lost control of the bicycle he was riding on a downhill slope of his estate, ran straight into a brick wall, and died instantly. He was buried in Père Lachaise Cemetery in Paris.

Music

The creative work of Chausson is commonly divided into three periods. Of those, the first was dominated by Massenet and exhibits fluid and elegant melodies. The second period, dating from 1886, is marked by a more dramatic character, deriving partly from his contacts with the artistic milieux in which he moved. The third period dates from his father's death in 1894, and was influenced by his reading of the symbolist poets and Russian literature, particularly Turgenev, Fyodor Dostoevsky, and Leo Tolstoy.

Chausson's work is deeply original, but it does reflect some technical influences of both Franck and Wagner. Stylistic traces of Massenet and even Brahms can be detected sometimes. Chausson's compositional idiom bridges the gap between the Romanticism of Massenet and Franck and the Impressionism of Debussy.

Several delicate and admirable songs came from Chausson's pen. He completed one opera, "Le roi Arthus" ("King Arthur"). His orchestral output was comparatively small, but significant. The works of his that involve orchestra include the Symphony in B flat, his sole symphony; "Poème" for Violin and Orchestra, an important piece in the violin repertoire; and the dramatic mélodie, "Poème de l'amour et de la mer".

Chausson's œuvre is relatively modest in quantity. There are only 39 opus numbers. (See: List of compositions by Ernest Chausson.) However, the quality and originality of his compositions are extremely high, and they continue to make occasional appearances on programs of leading singers, chamber music ensembles, and orchestras.

External links

*IckingArchive|idx=Chausson|name=Ernest Chausson
*IMSLP|id=Chausson%2C_Ernest|cname=Ernest Chausson
* [http://hdl.handle.net/1802/2846 "Hymne védique" Chorus accompanied by orchestra, op. 9] Vocal Score (Paris: Hamelle, 1886) From Sibley Music Library Digital Scores Collection
* [http://hdl.handle.net/1802/3068 "Mélodies pour chant et piano", op. 2] (Paris: J. Hamelle, 1890) From Sibley Music Library Digital Scores Collection
* [http://hdl.handle.net/1802/3238 "Les Vêpres du Commun des saint", op. 31] (Paris: Editions de la Schola Cantorum, 1907) From Sibley Music Library Digital Scores Collection
* [http://www.jmc.co.il/musicfile.asp?mid=8 Recording of Piano Trio in G minor Op. 3]


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