Ambroise Thomas

Ambroise Thomas
Ambroise Thomas, 1811–1896
Thomas circa 1880, taken by Antoine Samuel Adam-Salomon.

Charles Louis Ambroise Thomas (5 August 1811, Metz – 12 February 1896, Paris) was a French composer, best known for his operas Mignon (1866) and Hamlet (1868, after Shakespeare) and as Director of the Conservatoire de Paris from 1871 till his death.

Contents

Biography

"There is good music, there is bad music, and then there is Ambroise Thomas." - Emmanuel Chabrier

Early life and studies

Thomas's parents were music teachers. By the age of 10, he was already an experienced pianist and violinist. In 1828, he entered the Paris Conservatoire, where he studied with Jean-François Le Sueur (who also taught Berlioz) while at the same time taking piano lessons privately from the famous virtuoso Frédéric Kalkbrenner. In 1832, his cantata Hermann et Ketty won the Conservatory's prestigious composition prize, the Grand Prix de Rome, which allowed him to travel to and study in that city for three years. He took with him a love for Mozart and Beethoven; but once in Rome, he became an ardent admirer of the Italian cantilena and melodic tradition. It was during his Italian sojourn that he wrote all of his chamber music: namely, a piano trio, a string quintet and a string quartet.

Career

The first opera Thomas composed, La double échelle (1837), was produced at the Opéra Comique and subsequently received 247 performances. Le caïd (1849), did still better, and achieved over 400 performances. For the next quarter of a century Thomas's productivity was incessant, and several of his operas (he wrote 24 altogether) enjoyed a considerable, if ephemeral, popularity. The questionable quality of their libretti hampers them, but a few have been revived now and then as historic curiosities or recorded as vehicles for bel canto singers, such as Le songe d'une nuit d'été (1850; loosely adapted from Shakespeare's A Midsummer Night's Dream) or Psyché (1857). The overture to Raymond (1851) has also been given the occasional modern performance.

To his theatrical successes, Thomas added administrative achievements. In 1856 he acquired a professorship at the Conservatoire, where he taught, among others, Jules Massenet, one of the few French composers of the younger generation whose music interested him. He succeeded Auber as director of the Conservatoire in 1871. Baffled by the musical unconventionality of César Franck, Gabriel Fauré, and certain other Conservatoire colleagues, he nevertheless was rather well liked as a man, even by those who found his output old-fashioned.

Success

Ambroise Thomas wearing his medals from the Légion d'honneur.

With Mignon (premiered at the Opéra Comique in 1866), Thomas achieved his first great acclaim outside, as well as within, France. Goethe's celebrated Wilhelm Meister had provided inspiration for a highly sentimentalized libretto; Marie Galli-Marié (1840–1905), it was said [1], "had modelled her conception of the part upon the well-known picture by Ary Scheffer". Mignon was a success all over Europe, to audiences who had embraced Charles Gounod's indirectly Goethe-inspired Faust (1859); and in Paris Mignon received more than a thousand performances by 1894, thereby becoming one of the most successful operas in French history. [2] It is still heard sometimes today, more often in the form of extracts for concert use, or in recordings, than in complete stagings. One of its arias, "Connais-tu le pays", was for generations among the most famous operatic excerpts by any composer.

Thomas turned to Shakespeare again for his Hamlet (Paris Opera, 1868), with a libretto by the seasoned team of Jules Barbier and Michel Carré. This opera has a strong, dramatic libretto, although it closes with a traditional (and, surprising for Hamlet) happy ending. It enjoyed a long vogue, and like Mignon it continues to have a certain following; during 2010 it was heard at New York's Metropolitan Opera.

His last opera, Françoise de Rimini (Paris Opéra, 1882) based on a passage from Dante's Inferno, failed to stay in the repertoire. Seven years later La tempête, a ballet (and yet another treatment of a Shakespeare play, this time The Tempest), was produced at the Opéra, again with little effect. He died in 1896. Massenet had hopes of succeeding him in the job of Conservatoire director, abandoning this plan only when told by the government that the post would no longer carry lifelong tenure. The man who got the job was not Massenet but, rather, organist-composer Théodore Dubois.

Works

Ambroise Thomas, about 1865.

Operas

See List of operas by Ambroise Thomas

Ballets

  • La gipsy, second act ballet at the Opéra de Paris, 1839
  • La tempête, ballet, ("The Tempest", based on Shakespeare), 1889

Other works

  • String Quartet in e major, Op.1

References

Cited sources
Other sources
  • Georges Masson, 1996. Ambroise Thomas (Metz: Editions Serpentoise)

External links

 This article incorporates text from a publication now in the public domainHerbermann, Charles, ed (1913). Catholic Encyclopedia. Robert Appleton Company. 


Wikimedia Foundation. 2010.

Игры ⚽ Поможем сделать НИР

Look at other dictionaries:

  • Ambroise Thomas — vers 1885 Nom de naissance Charles Louis Ambroise Thomas Naissance …   Wikipédia en Français

  • Ambroise Thomas — (* 5. August 1811 in Metz; † 12. Februar 1896 in Paris) war ein französischer Komponist. Inhaltsverzeichnis …   Deutsch Wikipedia

  • Ambroise Thomas — CHARLES LOUIS AMBROISE THOMAS Nacimiento …   Wikipedia Español

  • Ambroise Thomas — Charles Louis Ambroise Thomas (Metz, 5 de agosto de 1811 París, 12 de febrero de 1896) fue un compositor de óperas francés. Es muy conocido por su ópera Mignon …   Enciclopedia Universal

  • Rue Ambroise-Thomas — Fin de la rue Ambroise Thomas, sous le porche du 57 rue du Faubourg Poissonnière. Arrondissement(s) …   Wikipédia en Français

  • Thomas I. — Thomas ist ein männlicher Vorname, der auch als Nachname eine nennenswerte Verbreitung hat. Herkunft und Bedeutung des Namens Der Name stammt aus dem aramäischen te oma (תאומא) und bedeutet „Zwilling“. So wird er auch im Johannesevangelium[1]… …   Deutsch Wikipedia

  • Ambroise Roux-Alphéran — Portrait d Ambroise Roux Alphéran (1859). Nom de naissance Ambroise Thomas Roux Alphéran Autres noms Roux Alphéran Activités …   Wikipédia en Français

  • THOMAS (A.) — THOMAS AMBROISE (1811 1896) Élève de Lesueur, comme Berlioz, Ambroise Thomas gravit rapidement les échelons de la hiérarchie musicale: Grand Prix de Rome en 1832, élu membre de l’Institut (contre Berlioz) en 1851, professeur puis directeur du… …   Encyclopédie Universelle

  • Ambroise Roux-Alpheran — Ambroise Roux Alphéran Ambroise Thomas Roux Alphéran (1776 1858) était greffier à la cour d Aix en Provence pendant la Restauration[1]. Son œuvre principale, Les Rues d Aix, publiée en 1846 1848, est considérée comme une référence sur l histoire… …   Wikipédia en Français

  • Thomas (Familienname) — Thomas ist ein Familienname. Zur Etymologie des Namens siehe unter Thomas. Namensträger Inhaltsverzeichnis A B C D E F G H I J K L M N O P Q R S T U V W X …   Deutsch Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”