Katsukawa Shunshō

Katsukawa Shunshō (勝川春章)(1726-1792) was a Japanese painter and printmaker in the "ukiyo-e" style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well-known for introducing a new form of "yakusha-e", prints depicting Kabuki actors. However, his "bijinga" (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the [18th] century"Paine, Robert Treat and Alexander Soper (1955). "The Art and Architecture of Japan." New Haven: Yale University Press. p263.] .

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began his own style, which would later be dubbed the Katsukawa school. Among his students were the famous ukiyo-e artists Shunchō, Shun'ei, and Hokusai.

Most of Shunshō's actor prints are in the "hoso-e" (33x15cm) format common at the time, but he created a great number of works in triptych or pentaptych sets. The depiction of large portrait-style heads and the insides of actors' dressing rooms is what truly set his work apart from that of earlier artists, however. He was also one of the first to pioneer realistic depictions of actors; in Shunshō's prints, unlike in the works of the Torii school, it was possible for the first time to distinguish not only the theatrical role, but also the actor portraying that role. Shunshō also made use often of the long and narrow "hashira-e" format.

Though he painted many revered paintings of "bijin", he produced very few prints depicting the same. "Seirō Bijin Awase Sugata Kagami" (晴朗美人あわせ鏡, "A Mirror Reflecting the Forms of Fair Women of the Green-Houses"), a printed book on which he collaborated with Kitao Shigemasa, is one of the only printed works containing "bijinga" by Shunshō. His paintings not only depicted elegantly painted women and fashions, but great attention is also paid to the landscape elements and architecture of the backgrounds. Though his prints belie a strong fascination with the theatre world, his paintings suggest the complete opposite.

Names

Originally Katsumiyagawa Yūsuke, "Katsukawa Shunshō" is one of many art-names ("gō") taken on by the artist during his life. Others include Jūgasei, Ririn, Yūji, Kyokurōsei, and RokurokuanFrederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts: Harvard University Press.] . Prior to signing his works with one of these "gō", he used a stamp in the shape of a gourd surrounding the character "mori" (森), meaning "forest."

It has been conjectured that he is the same person as publisher Hayashiya Shichiemon. He often stamped his prints with an urn in which was written the single character "Hayashi."

References

External links

* [http://www.artnet.com/library/04/0459/T045996.asp Grove Art Dictionary]
* [http://search.famsf.org:8080/search.shtml?keywords=&artist=shunsho&country=&period=&sort=&submit.x=44&submit.y=23 FAMSF]
* [http://www.mfa.org/collections/search_art.asp?coll_keywords=Shunsho&submit.x=0&submit.y=0 Shunshō in the collections of the Museum of Fine Arts, Boston]