Silverchair

Infobox musical artist
Name = Silverchair


Img_capt = Silverchair on stage on 10 August 2006
Img_size =
Landscape = yes
Background = group_or_band
Origin = Newcastle, New South Wales, Australia
Genre = Alternative rock
Post-grunge
Years_active = 1992 – Present
Label = Murmur, Epic,
Associated_acts = The Dissociatives, The Mess Hall, Tambalane
URL = http://www.chairpage.com/
Current_members = Daniel Johns
Chris Joannou
Ben Gillies
other members =

Silverchair is an Australian alternative rock band. The band formed as Innocent Criminals in Newcastle, New South Wales, in 1992, with their current lineup of vocalist and guitarist Daniel Johns, bass guitarist Chris Joannou, and drummer Ben Gillies. Silverchair have been highly successful in the Australian recording industry, receiving the industry's flagship awards, the ARIA Awards, a record 20 times.cite web|url=http://www.ariaawards.com.au/history-by-artist.php?letter=S&artist=Silverchair |title=Winners by artist: Silverchair|publisher=Australian Recording Industry Association|accessdate=2008-02-04] The band has also received six APRA Awards. [cite web|url=http://www.apra.com.au/awards/music/Nom08_SongOfYear.asp|title=APRA Music Awards - 2008 Nominations|publisher=Australasian Performing Right Association|accessdate=2008-06-19] cite news|author=Cameron Adams|date=17 June 2008|url=http://www.news.com.au/heraldsun/story/0,21985,23875283-2902,00.html|title=Silverchair's Straight Lines wins top APRA award|publisher="Herald Sun"|accessdate=2008-06-19]

Silverchair found early success when one of their first songs, "Tomorrow", won a local music competition run by Australian television network SBS. The band were soon signed by Murmur, and were successful on the Australian and international rock stages. In 2003, following the release of "Diorama", the band announced a , during which time members recorded with side projects The Dissociatives, The Mess Hall, and Tambalane. Silverchair were reunited at the 2005 Wave Aid concerts, and went on to release "Young Modern" and play the Across the Great Divide tour with Powderfinger.

Silverchair's sound has evolved throughout their career, differing sounds on specific albums steadily growing more ambitious over the years, from grunge/post-grunge on their debut to their more recent orchestral prog-infused chamber-pop. The songwriting of Daniel Johns has been noted as improving steadily, while the band has developed an increased element of complexity in later works.

History

Formation and early releases (1992–1996)

In 1992, singer/guitarist Daniel Johns and drummer Ben Gillies started playing music together at their primary school. When they moved on to Newcastle High School, schoolmate Chris Joannou joined the pair on bass. The trio formed a band named "Innocent Criminals". They played numerous shows around the Hunter Valley region in their early teens, as well as unsuccessfully participating in Youthrock in 1994, a competition for school-based bands. [cite web|url=http://www.youthrock.com.au/html/history.html |title=Past performers|publisher=YouthRock|accessdate=2008-02-03] The band's mainstream breakthrough came in 1994, when they won a national competition called "Pick Me" (conducted by the SBS TV show "Nomad" and alternative radio station Triple J) with the song "Tomorrow". As part of the prize, Triple J recorded the song and SBS filmed a video for it. Innocent Criminals were then given the opportunity to change their name before the release of "Tomorrow" as a single. Joannou says they chose the name "Silverchair" from a list of band names, as they thought it sounded best. [cite web|url=http://www.silentuproar.com/interviews.php?ID=11 |title=Interview: Silverchair|publisher=Silent Uproar|date=3 February 2007|accessdate=2008-02-15] However, Johns says the name came about as a misspelling of "Sliver Chair", taken from the Nirvana song "Sliver" and the You Am I song "Berlin Chair". [cite news|title=Interview with Daniel Johns|publisher="Hitkrant"|date=1 June 1996 ]

Silverchair's popularity quickly landed them a three album recording contract with Sony Music, and their Triple J recording was released in August 1994. The single spent six weeks at #1 on the ARIA Singles Chart.cite web|url=http://australian-charts.com/showinterpret.asp?interpret=Silverchair |title=Silverchair Discography|publisher=australian-charts.com|accessdate=2008-02-03] In 1995, a re-recorded version of "Tomorrow" (and a new video) was made for the US market, becoming the most played song on US modern rock radio that year. Silverchair’s debut album, "Frogstomp", was recorded in just nine days, and released in 1995. At the time of recording, the band members were only 15 years old, and still attending high school. "Frogstomp"'s lyrical concepts were fiction-based, drawing inspiration from television, hometown tragedies, and perceptions of the pain of friends. The album was well received; Allmusic and "Rolling Stone" rated it in four and four-and-a-half stars respectively, praising the intensity of the album, especially "Tomorrow". A #1 hit in Australia and New Zealand, "Frogstomp" went on to hit the "Billboard" 200 Top 10, making Silverchair the first Australian band to do so since INXS. The album sold more than 2.5 million copies worldwide.Cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:0xfrxqegldde~T1 |title=Silverchair > Biography|publisher=Allmusic|author=Stephen Thomas Erlewine, Andrew Leahey|accessdate=2008-02-03] As "Frogstomp" and "Tomorrow" continued to gain popularity through that year, the group toured with Red Hot Chili Peppers and played on the roof of Radio City Music Hall, while also continuing with their education in Newcastle that year.cite web|url=http://www.amo.org.au/artist.asp?id=1626 |title=Artist :: Silverchair|publisher=Australian Music Online|accessdate=2008-03-12] In a January 1996 murder case, the defendant counsel for Brian Bassett, 16, and Nicholaus McDonald, 18, claimed that the pair listening to "Israel's Son", from "Frogstomp", caused the murder of Bassett's parents to take place. The band issue a statement denying that they condoned any such acts of violence, and the defense case was rejected. [cite news|title=Attorney wants to open teen's murder trial with rock song|publisher="Seattle Post-Intelligencer"|date=18 January 1996 ]

Critical and commercial success (1997–2001)

While experiencing the success of "Frogstomp" in Australia and the United States, Silverchair began recording their second studio album, "Freak Show", which they released in 1997. The album yielded three Top 10 singles in Australia – "Freak", "Abuse Me", and "Cemetery". The fourth single, "The Door", reached #25. The songs focused on the anger and backlash that the expectations of "Frogstomp" brought upon the band. [cite news|title=Freak Show Review|publisher="JUICE"|author=Simon Wooldridge|date=February 1997] "Freak Show" was certified gold in the United States,cite web|url=http://riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=&artist=Silverchair&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=1&endMonth=1&startYear=1958&endYear=2008&sort=Artist&perPage=25 |title=Gold and Platinum - Silverchair|publisher=RIAA|accessdate=2008-02-17] and global sales eventually exceeded 1.5 million copies.cite web|url=http://www.abc.net.au/rage/guest/1999/silverchair.htm |title=Silverchair|publisher=abc.net.au|work=Rage|date=4 September 1999|accessdate=2008-03-18]

After graduating from school the band was able to spend much more time creating their next album, "Neon Ballroom", released in 1999. The band originally intended to take a 12-month-break, but in the end decided to devote their time to making music. [cite web|url=http://www.abc.net.au/triplej/2000/daniel.htm |title=Daniel Johns of silverchair speaks to Richard Kingsmill|publisher=abc.net.au|work=Triple J|author=Richard Kingsmill|accessdate=2008-02-04|date=2000-11-29] "Neon Ballroom" produced four singles; "Anthem for the Year 2000", "Ana's Song (Open Fire)", "Miss You Love", and "Paint Pastel Princess", three of which reached the top 50 of the ARIA Charts.

Both "Freak Show" and "Neon Ballroom" topped the ARIA Albums Chart, making them the band's second and third, respectively, to do so.cite web|url=http://www.abc.net.au/dig/stories/s1895177.htm |title=Silverchair Make Chart History|publisher=abc.net.au|work=DIG Radio|date=12 April 2007|accessdate=2008-02-08] The albums charted well overseas; "Freak Show" reached #2 in Canada, and "Neon Ballroom" reached #5.cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:0xfrxqegldde~T5 |title=Silverchair > Charts & Awards > Billboard Albums|publisher=Allmusic|accessdate=2008-02-08] "Freak", "Abuse Me", and "Cemetery" all made the top 10 in Australia, and "Abuse Me" reached #4 on the Hot Modern Rock Tracks and Hot Mainstream Rock Tracks charts. [cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:0xfrxqegldde~T51 |title=Silverchair > Charts & Awards > Billboard Singles|publisher=Allmusic|accessdate=2008-03-12] "Anthem for the Year 2000" was the highest charting single from "Neon Ballroom", at #3, while "Ana's Song (Open Fire)" peaked at #12 on the Hot Modern Rock Tracks.

In 1999, Johns announced that he had developed an eating disorder due to anxiety. Johns noted that the lyrics to "Ana's Song (Open Fire)" dealt with his disorder, where he would "eat what he needed … to stay awake". [cite web|url=http://www.rollingstone.com/artists/silverchair/articles/story/5921593/silverchair_frontman_reveals_battle_with_anorexia |title=Silverchair Frontman Reveals Battle with Anorexia|publisher="Rolling Stone"|date=1999-07-11|accessdate=2008-02-05|author=Blair R. Fisher] Johns later revealed that he had written "Neon Ballroom" while he was suffering from the disorder, and that he "hated music" at the time, but felt that he had to write nonetheless. [Cite web|url=http://www.smh.com.au/articles/2004/06/05/1086377186083.html |title=Anorexia almost killed me: Daniel Johns |publisher="Sydney Morning Herald"|author=Christine Sams|date=2004-06-06|accessdate=2008-02-05]

Silverchair toured extensively in support of "Neon Ballroom", propelling it to stronger worldwide sales than they had achieved with "Freak Show". "Rolling Stone"'s Neva Chonin attributed the success to the album's more "mature" sound. [cite web|url=http://www.rollingstone.com/artists/silverchair/albums/album/91180/review/5943644/neon_ballroom |title=Silverchair: Neon Ballroom|publisher="Rolling Stone"|author=Neva Chonin|date=1999-03-18|accessdate=2008-02-05] In Europe and South America it became the group's most successful album to date, with Silverchair touring live and making appearances at festivals in Reading and Edgefest, amongst others. [cite web|url=http://www.chairpage.com/press_releases/item/450/ |title=Reading Festival - Reading, UK|publisher=Silverchair|accessdate=2008-02-05] Silverchair's only live performance in 2000 was at the Falls Festival on New Year's Eve. [cite web|url=http://www.chairpage.com/press_releases/item/228/ |title=Silverchair, The Falls Festival, Lorne, Victoria, 31/12/00|publisher=Silverchair|author=Les Thomas |work=Massive Magazine|accessdate=2008-02-06] On 21 January 2001, the band played to 250,000 people at Rock In Rio, a show they described as the highlight of their career.cite web|url=http://www.abc.net.au/longway/artist_index/silverchair.htm|publisher=abc.net.au|work=Long Way To The Top|title=Silverchair|accessdate=2008-02-03] Following the tour, the band announced that they would be taking a 12-month-break.

After the release of "Neon Ballroom", Silverchair's three album contract with Sony Music ended. The band were subsequently pursued by record labels during their hiatus. At the end of the break, they announced that they would be signing with Atlantic Records for North and South America, as well as forming their own label, , for Australia and Asia. After the announcement, Sony released "The Best of Volume 1" without the band's consent.

"Diorama" (2001–2002)

In June 2001, Silverchair entered a studio in Sydney with producer David Bottrill (Tool, Peter Gabriel, King Crimson) to start work on their fourth album, "Diorama". This time, Daniel Johns formally assumed the role of a co-producer.cite web|url=http://mixonline.com/recording/interviews/audio_silverchair/ |title=Silverchair interview|publisher="Mix"|author=David John Farinella|date=1 January 2003|accessdate=2008-02-07] The album, which Johns described as "a world within a world", [cite web|url=http://www.abc.net.au/rollercoaster/therap/reviews/s540962.htm |title=Diorama|publisher=abc.net.au|work=RollerCoaster|accessdate=2008-02-07] came from his newfound method of writing most of the material on the piano, a technique he had developed during the band's break. [cite news |title=Another Point of View|author=Mark Neilsen|publisher="Drum Media"|date=22 April 2002] In order to complete his vision for "Diorama", several other musicians were drawn in to contribute to the album, including Van Dyke Parks, who contributed orchestral arrangements to "Tuna in the Brine", "Luv Your Life", and "Across the Night".cite web|url=http://www.popmatters.com/music/reviews/s/silverchair-diorama.shtml |title=Silverchair: Diorama|publisher=PopMatters|author=Nikki Tranter |date=6 September 2002|accessdate=2008-02-08] Paul Mac, Jim Moginie and Yon Garfias also collaborated with the band.cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:jjfpxqt0ldje~T2 |title=Diorama > Credits|publisher=Allmusic|accessdate=2008-02-08] While recording "Diorama", Johns referred to himself as an artist, rather than simply being in a "rock band". Upon the album's release, critics commented that the album was more artistic than previous works. [cite web|url=http://www.rollingstone.com/artists/silverchair/albums/album/201588/review/5944466/diorama |title=Silverchair: Diorama|publisher="Rolling Stone"|author=Mark Kemp|date=8 August 2002|accessdate=2008-02-07] [cite web|url=http://www.dymocks.com.au/ProductDetails/ProductDetail.aspx?R=9322225059313 |title=Great Australian Albums:Diorama - Silverchair |publisher=Dymocks|accessdate=2008-02-07]

The first single from "Diorama", "The Greatest View" was released to radio networks in Australia in early December. The single was then released to coincide with the band's appearance on the Big Day Out tour. [cite web|url=http://www.chairpage.com/press_releases/item/101/ |title=Press - Sydney, Australia (Big Day Out)|publisher=Chairpage.com|date=26 January 2001|accessdate=2008-03-18] During the tour, Johns' reactive arthritis made it difficult for him to play the guitar. [cite web|url=http://www.ama.com.au/web.nsf/doc/SHED-5EXHVQ |title=Dr Kerryn Phelps, Health Editor, with Steve Leibmann, Channel Nine, 'Today'|publisher=Australian Medical Association|date=6 May 2002|accessdate=2008-02-08] cite web|url=http://news.ninemsn.com.au/article.aspx?id=283969 |title=Daniel Johns wows fans with buff bod|publisher=NineMSN|date=6 August 2007|accessdate=2008-02-08]

"Diorama" topped the ARIA Albums chart, and spent 50 weeks in the top 50. Five singles were released; "The Greatest View", "Without You", "Luv Your Life", "Across the Night", and "After All These Years". Of these, "The Greatest View" charted strongest, reaching #3 on the ARIA Singles Chart. "Diorama" was successful at the 2002 ARIA Awards, winning five awards including "Best Rock Album" and "Best Group". The band played "The Greatest View" at the ceremony; the song was also nominated for "Best Video". [cite web|url=http://www.chairpage.com/news/item/61/ |title=Silverchair to bring Diorama live at ARIAs|publisher=Silverchair|date=12 October 2002|accessdate=2008-02-09] The album, and singles from it, were nominated for several awards in 2003. Following the 2002 ARIA Awards, the band announced an indefinite hiatus. Johns says it was necessary "given the fact the band were together for over a decade and yet were only, on average, 23 years old".cite web|url=http://jam.canoe.ca/Music/Artists/S/Silverchair/2007/07/13/4336258-sun.html |title=Silverchair makes most of break|publisher=JAM! Music|author=Jason MacNeil|date=13 July 2007|accessdate=2008-02-09]

Extended break and side projects (2005)

In 2000, while also working with Silverchair, Johns and Paul Mac released an internet-only EP titled "I Can't Believe It's Not Rock". After the announcement of Silverchair's hiatus, the pair re-united and formed The Dissociatives, releasing a self-titled album in 2004.cite web|url=http://www.abc.net.au/triplej/review/album/s1079132.htm |title=The Dissociatives|publisher=abc.net.au|work=Triple J|date=2 April 2004|accessdate=2008-02-09] Johns also collaborated with then-wife Natalie Imbruglia on her "Counting Down the Days" album, released in April 2005.cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:3zfoxqysldte~T2 |title=Counting Down the Days > Credits|publisher=Allmusic|accessdate=2008-02-09] Meanwhile, Joannou worked with side project The Mess Hall, producing their second album "Feeling Sideways". [cite web|url=http://www.amo.org.au/release.asp?id=5086 |title=Releases :: Feeling Sideways|publisher=Australian Music Online|accessdate=2008-03-12] The album was nominated for the ARIA Award for "Best Independent Release" in 2003. [cite web|url=http://www.ariaawards.com.au/history-by-artist.php?letter=M&artist=Mess%20Hall%20%20The |title=Awards by artist: The Mess Hall|publisher=Australian Record Industry Association|accessdate=2008-02-09] Gillies also worked with a side project; releasing a self titled album with Tambalane, and touring across Australia. [cite web|url=http://www.amo.org.au/artist.asp?id=4074 |title=Tambalane|publisher=Australian Music Online|accessdate=2008-02-09]

Following the Boxing Day Tsunami, Silverchair reformed for one show at the Wave Aid fundraising concert in Sydney in 2005, to raise funds for aid organisations working in disaster affected areas. At the same time, the band decided to reunite. [cite web|url=http://www.news.com.au/perthnow/story/0,21598,22672110-5005381,00.html |title=Silverchair's Daniel Johns tells of his musical journey|publisher=news.com.au|work=PerthNow|author=Rod Yates|date=30 October 2007|accessdate=2008-03-12] Reflecting on the occasion, Gillies put the band's reuniting down to a special "chemistry" between band members, telling "The Sydney Morning Herald" "It only took us 15 years, but recently we've realised, 'We've really got something special and we should just go for it.'"cite web|url=http://www.smh.com.au/news/entertainment/homecoming-heroes/2006/11/29/1164777658197.html |title=Homecoming heroes|publisher="Sydney Morning Herald"|author=Kelsey Munro|date=1 December 2006|accessdate=2008-02-23]

Return from hiatus (2006–present)

After performing at Wave Aid, Silverchair reunited and began preparations for their next album. In 2006, "Young Modern" was demoed in the Hunter Valley, and recorded at Los Angeles' Seeny Underbelly Studios with producer Nick Launay. [cite web|url=http://bigpondmusic.com/Album/Silverchair/Young-Modern.aspx |title=Young Modern|publisher=Bigpond Music|accessdate=2008-03-18] Van Dyke Parks again worked with the band, who travelled to Prague to record with the Czech Philharmonic Orchestra.cite web|url=http://www.amazon.com/Young-Modern-Silverchair/dp/B000NQR8AQ |title=Silverchair - Young Modern|publisher=Amazon.com|accessdate=2008-02-10] Silverchair produced the album independently, to ease the pressures faced previously when working with a record label.

The band toured extensively before releasing the album, performing at Homebake and numerous other shows. They performed a cover of Midnight Oil's "Don't Wanna Be the One" at the 2006 ARIA Awards as part of Midnight Oil's induction into the ARIA Hall of Fame. During the performance Johns spray painted "PG4PM" (Peter Garrett for Prime Minister) on a stage wall, paying tribute to the band's frontman, now a Federal Member of Parliament and Minister for the Environment, Heritage and the Arts. [cite web|url=http://www.channelv.com.au/V/Article.aspx?id=1518 |title=Obama Recruits Kanye West, Arcade Fire Let Loose|publisher=Channel V|accessdate=2008-03-12] On 12 June 2007, Silverchair and fellow rock group Powderfinger announced the Across the Great Divide Tour. The tour aimed to promote the efforts of Reconciliation Australia in mending the 17-year gap in life expectancy between Indigenous and non-Indigenous children. [cite web|url=http://www.reconcile.org.au/music/media/ReconciliationAustralia.pdf |title=Across the Great Divide for Reconcile.org.au|publisher=Reconciliation Australia|format=PDF|accessdate=2008-03-18] cite web|url= http://www.brisbanetimes.com.au/news/music/in-concert--rock-and-reconciliation/2007/06/12/1181414306040.html |title=In concert - rock and reconciliation|date=13 June 2007|publisher=Brisbane Times|author=Emily Dunn |accessdate=2008-03-18]

The album was released in 2007, as was the first single, "Straight Lines". "Reflections of a Sound", "If You Keep Losing Sleep", and "Mind Reader", were subsequently released. "Young Modern" became the fifth Silverchair album to top the ARIA Albums chart.cite web|url=http://www.news.com.au/perthnow/story/0,21598,22672110-5005381,00.html |title=Silverchair's Daniel Johns tells of his musical journey|publisher=news.com.au|work=PerthNow|author=Rod Yates|date=30 October 2007|accessdate=2008-04-27] "Straight Lines" also became the band's third #1 single in Australia. The album and song each won three awards at the 2007 ARIA Awards, taking Silverchair to a total of 20. Silverchair won three APRA Awards for their song "Straight Lines", including Songwriter of the Year, which Johns was awarded for a record third time.

Musical style

Silverchair are generally a alternative rock/post grunge band, although their loyalty to specific genres has changed as they have matured. Much of the band's early post-grunge work was inspired by Nirvana, Pearl Jam, Soundgarden, and Black Sabbath. [cite web|url=http://www.rollingstone.com/artists/silverchair/articles/story/5925227/qa_daniel_johns |title=Quick Silverchair Messenger|publisher="Rolling Stone"|date=27 December 1996|accessdate=2008-03-18] Gillies agreed, noting the band were inspired by the "Seattle sound", as well as The Beatles and The Doors, and were highly impressionable in their youth.cite news|title=Seattlest Interview: Silverchair Drummer Ben Gillies|publisher="Seattlest"|author=Clint Brownlee|date=18 July 2007]

In writing "Young Modern", Johns tried to make the music sound very simple, in spite of a complex musical structure. The lyrics were written after the music was produced, sometimes as late as the day of recording. As Johns has said he dreads writing lyrics, he suggested that the band could produce an instrumental album at some stage in the future. [cite web|url=http://suicidegirls.com/interviews/Daniel%20Johns%20of%20Silverchair/ |title=Interviews > Daniel Johns of Silverchair|publisher=SuicideGirls|author=Erin Broadley|date=16 August 2007|accessdate=2008-02-16] Johns is the band's primary songwriter, and argues Joannou and Gillies do not have a significant on what he writes. However, he says they are very influential on the band's overall sound. [cite web|url=http://www.expressnightout.com/content/2007/07/young_moderns_silverchair.php |title=Young Moderns: Silverchair|publisher="Express"|author=Tim Follos|date=24 July 2007|accessdate=2008-10-03]

Joannou believed that "Young Modern" was more simple than "Diorama", but "still as complex underneath with simple pop song elements". He said that much of the success of him and the band resulted from Silverchair trying to push themselves harder in recording and writing. Self-producing allowed the band to do so without the pressures of a record label.cite web|url=http://www.reaxmusic.com/articles/view/silverchair_interview_with_chris_joannou-426 |title=Silverchair: Interview with Chris Joannou|author=Stephanie Bolling|publisher="reax"|accessdate=2008-02-16]

Gillies notes that Silverchair will often "run the risk of losing fans" in their work, and this was evident in the changes in musical direction in "Diorama" and "Young Modern". However, he described this as a good thing, describing the fact "that we haven’t been pigeonholed, and people really don’t know what to expect" as one of the attractive elements of the band. Despite the ups and downs of success at a young age, Gillies says the band "appreciate what we’ve achieved and what we’ve got" in their careers.

Reception

"Frogstomp" was described as similar to Nirvana and Pearl Jam; Allmusic's Stephen Thomas Erlewine noting it followed in "the alternative rock tradition" of the bands. The band's songwriting was poor at that stage, with Erlewine stating that "their songwriting abilities aren't as strong" as those of their peers.Cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:d9fqxquhldae |title=Frogstomp > Overview|publisher=Allmusic|author=Stephen Thomas Erlewine|accessdate=2008-02-13] "Rolling Stone" however, claimed that the band had risen above their peers, applauding Johns' "ragged vocals".cite web|url=http://www.rollingstone.com/artists/silverchair/albums/album/129990/review/5941363/frogstomp |title=Silverchair: Frogstomp|publisher="Rolling Stone"|date=2 February 1998|accessdate=2008-02-13] "Freak Show" saw the band show more of their own musical style, rather than copying others, [cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:gxfoxqthldde |title=Freak Show > Overview|publisher=Allmusic|author=Stephen Thomas Erlewine|accessdate=2008-02-13] and thus received more praise for its songwriting than its predecessor. Yahoo! Music's Sandy Masuo described the lyrics as "moving" and "emotional". [cite web|url=http://music.yahoo.com/read/review/12062572 |title=Freak Show|publisher=Yahoo! Music|author=Sandy Masuo |date=12 April 1997|accessdate=2008-02-13]

"Entertainment Weekly" approved of the further advancement in "Neon Ballroom", drawing comparisons to AC/DC, and commenting on "plush strings on these adult arrangements". There were once again significant advancements in songwriting; Johns was described as "furious, motivated, and all grown up".cite web|url=http://www.ew.com/ew/article/0,,274828,00.html |title=Neon Ballroom ! Music Review|publisher="Entertainment Weekly"|author=Tom Lanham|date=19 March 1999|accessdate=2008-02-13] However, "Rolling Stone" said the album seemed confused, commenting that Silverchair "can't decide what they want to do" with their music. [cite web|url=http://www.rollingstone.com/artists/silverchair/albums/album/91180/review/5943644/neon_ballroom |title=Silverchair: Neon Ballroom|publisher="Rolling Stone"|author=Neva Chonin|date=18 March 1999|accessdate=2008-02-13] Meanwhile, "Diorama" was seen as an extension of the band's originality, with its " [h] eavy orchestration, unpredictable melodic shifts and a whimsical pop sensibility".cite web|url=http://www.rollingstone.com/artists/silverchair/albums/album/201588/review/5944466/diorama |title=Silverchair: Diorama|publisher="Rolling Stone"|author=Mark Kemp|date=8 August 2002|accessdate=2008-02-13] According to PopMatters' Nikki Tranter, the album stood out in an otherwise dull Australian music market.cite web|url=http://www.popmatters.com/music/reviews/s/silverchair-diorama.shtml |title=Silverchair: Diorama|publisher=PopMatters|author=Nikki Tranter|date=6 September 2002|accessdate=2008-02-13]

Allmusic's Clayton Bolger described "Young Modern" as an improvement by the band, praising "catchy melodic hooks, inspired lyrical themes, and stunning string arrangements". He claimed the album was the pinnacle of the band's development.cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0xfexzl5ldke~T1 |title=Young Modern > Review|publisher=Allmusic|author=Clayton Bolger|accessdate=2008-02-13] PopMatters' Nick Pearson saw the opposite, claiming that " [o] nce you reach the level of intellectual maturity where you can tell the difference between cryptic but poetic lyrics and nonsensical crap, you have outgrown Silverchair". Pearson called the album an attempt to secure a safer territory and assure sales, after the success of past works, calling it more boring than its predecessors.cite web|url=http://www.popmatters.com/pm/music/reviews/33751/silverchair-young-modern/ |title=Silverchair: Young Modern|publisher=PopMatters|author=Nick Pearson|date=22 May 2007|accessdate=2008-02-13]

Discography

* "Frogstomp" (1995)
* "Freak Show" (1997)
* "Neon Ballroom" (1999)
* "Diorama" (2002)
* "Young Modern" (2007)

ee also

* List of Silverchair awards
* Music of Australia

References

External links

*
*