Charles Bernstein

For the composer, see Charles Bernstein (composer).

Charles Bernstein at Writers' and Literary Translators' International Conference (Stockholm, June 30, 2008)

Charles Bernstein (born April 4, 1950) is an American poet, theorist, editor, and literary scholar. Bernstein holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania.^[1] He is one of the most prominent members of the Language poets (or L=A=N=G=U=A=G=E poets). In 2006 he was elected a Fellow of the American Academy of Arts and Sciences.^[2] In 2005, Bernstein was awarded the Dean's Award for Innovation in Teaching at the University of Pennsylvania.^[3] Educated at Harvard College, he has been visiting Professor of Poetry, Poetics, and Creative Writing at Columbia University, Brown University, and Princeton University. A volume of Bernstein's selected poetry from the past thirty years, "All the Whiskey in Heaven," was published in 2010 by Farrar, Straus, and Giroux. Bernstein's continued commitment to small presses remains strong - In the same year that FSG released his major collection, Chax Press released "Umbra," a collection of Berstein's latest translations of poems from multiple languages. The Salt Companion to Charles Bernstein is forthcoming from Salt Publishing. Bernstein will serve as Distinguished Visiting Professor of Poetry, Poetics, and Theory at Princeton University in the Fall Term of 2011. In May of the same year, The University of Chicago Press will release Bernstein's new collection of essays, "Attack of the Difficult Poems: Essays and Inventions."

Early Life and Work

Bernstein was born in New York City to a Jewish family and attended the Bronx High School of Science, graduating in 1968. Bernstein then matriculated at Harvard College, majoring in Philosophy, studying the work of Austin and Wittgenstein under Stanley Cavell, a seminal figure in the Philosophy of Language and Ordinary Language Philosophy. Bernstein graduated Harvard College in 1972, and during his time there worked closely with Stanley Cavell, who oversaw his thesis, a study that pursued the aesthetic and poetic possibilities of the amalgamation of analytical philosophy and avant-garde literature. His first book, Asylums, was published in 1975. Together with Bruce Andrews he edited the magazine L=A=N=G=U=A=G=E, which ran to 13 issues between 1978 and 1981.^[4] This is routinely considered to be the starting point of Language Poetry and was the most significant outlet for both the progressive poetry and progressive poetic theory taking place in New York City and Berkeley. He has said about the creation of L=A=N=G=U=A=G=E, "We tried to trace a history of radical poetics, taking up the model presented in Jerome Rothenberg’s Revolution of the Word, and later by Rothenberg and Pierre Joris in Poems for the Millennium and Marjorie Perloff in The Futurist Moment. When you go back 30 years, you see that poetics that now are widely accepted as foundational for contemporary poetry were harshly rejected then."^[5] Bernstein and Andrews published selected pieces from these 13 issues in The L=A=N=G=U=A=G=E Book. During this period, Bernstein also published three more books of his own poetry, Parsing (1976), Shade (1978) and Poetic Justice (1979), while earning a living as a freelance medical writer.^[6]

Recent Life and Works

From 1989 to 2003, Bernstein was David Gray Professor of Poetry and Letters at the University at Buffalo, where he was co-founder and Director of the Poetics Program.^[7] He is also co-founder of The Electronic Poetry Center at Buffalo. He is currently the Donald T. Regan Professor of English at the University of Pennsylvania, where he is co-founder of the poetry audio archive PennSound.^[8] He has been the recipient of fellowships from the Guggenheim Foundation, the New York Foundation for the Arts, and the National Endowment for the Arts, and of the Roy Harvey Pearce/Archive for New Poetry Prize of the University of California, San Diego. Since 1980, he has published a further eighteen books of poetry, as well as editing a number of anthologies of prose and verse. Working with the composers Ben Yarmolinsky, Dean Drummond, and Brian Ferneyhough, he has written the libretti for five operas and has collaborated with a number of visual artists, including his wife, Susan Bee, Richard Tuttle, and Mimi Gross. Bernstein's Poetry has appeared in four editions of David Lehman's The Best American Poetry series, most recently in the 2008 edition. His work has also regularly appeared in Harper's Magazine, Poetry Magazine, and Critical Inquiry. While Bernstein has supported small presses throughout his career, he has also published on such mainstream academic presses as Oxford University Press, Harvard University Press, Northwestern University Press, and, most recently, The University of Chicago Press, which has published his last three major works. The publication of All the Whiskey in Heaven by Farrar, Straus, and Giroux in 2010 was his most commercial endeavor to date. He has said about his work, "It’s true that, on the one hand, I mock and destabilize the foundation of a commitment to lyric poetry as an address toward truth or toward sincerity. But, on the other hand, if you’re interested in theory as a stable expository mode of knowledge production or critique moving toward truth, again, I should be banned from your republic. (I’ve already been banned from mine.) My vacillating poetics of poems and essays is a serial practice, a play of voices."^[9]

Bernstein was elected a Fellow of the American Academy of Arts and Sciences in 2006.^[10] He appeared in the 2000 movie Finding Forrester, as Dr. Simon^[11] and in a series of 1999 TV commercials, with Jon Lovitz, for the Yellow Pages.^[12]

Bibliography

Full-length collections

• All the Whiskey in Heaven (Farrar, Straus, and Giroux, 2010)
• Girly Man (University of Chicago Press, 2006)
• Shadowtime (libretto for an opera with music by Brian Ferneyhough) (Los Angeles: Green Integer, 2005)^[13]
• With Strings (Chicago: University of Chicago Press, 2001)
• Republics of Reality: 1975-1995 (Los Angeles: Sun & Moon Press, 2000)
• Dark City (Los Angeles: Sun & Moon Press, 1994)
• Rough Trades (Los Angeles: Sun & Moon Press, 1991)
• The Sophist (Los Angeles: Sun & Moon Press, 1987; rpt. Cambridge, UK: Salt Publishing, 2004)
• Islets/Irritations (New York: Jordan Davies, 1983; rpt. New York: Roof Books, 1992)
• The Nude Formalism, with Susan Bee (Los Angeles: Sun & Moon Press, 1989; rpt Charlottesville, VA: Outside Voices, 2006)
• Controlling Interests (New York: Roof Books, 1980)
• L E G E N D, with Bruce Andrews, Steve McCaffery, Ron Silliman, Ray DiPalma (New York: L=A=N=G=U=A=G=E/Segue, 1980)
• Poetic Justice (Baltimore: Pod Books, 1979)
• Shade (College Park, MD: Sun & Moon Press, 1978)
• Parsing (New York: Asylum's Press, 1976)
• Asylums (New York: Asylum's Press, 1975)

Essays

• Attack of the Difficult Poems (Chicago: University of Chicago Press, 2011)
• My Way: Speeches and Poems (Chicago: University of Chicago Press, 1999)
• A Poetics (Cambridge: Harvard University Press, 1992)
• Content's Dream: Essays 1975-1984 (Los Angeles: Sun & Moon Press, 1986; rpt Northwestern University Press, 2001)
• A Conversation with David Antin (New York: Granary Books, 2002)
• "Artifice of Absorption: An Essay" (Singing Horse Press, 1987) (Potes & Poets Press, 1988)

Editor

• Modern and Contemporary Poetics, Editor, with Hank Lazer, of a book series from the University of Alabama Press (1998 — )
• Electronic Poetry Center, Editor, with Loss Pequeno Glazier (1995 — )
• PENNSound, Director , with Al Filries (2003 — )
• Poetry Plastique, ed. with Jay Sanders, exhibition catalog (New York: Granary Books / Marianne Boesky Gallery, 2001)
• 99 Poets/1999: A Special Issue of boundary 2 (Vol.26, No.1: Duke University Press, 1999)
• Close Listening: Poetry and the Performed Word (New York: Oxford University Press, 1998)
• LINEbreak: poetry interviews, host/co-producer. Twenty-six 30-minute programs, dist. Public Radio Satellite Program and on the Internet at the EPC (1995–96)
• Live at the Ear : A CD anthology of Ear Inn readings (Pittsburg: Elemenope Productions, 1994)
• "13 North American Poets", with Susan Howe, in TXT #31 (Le Mans, France and Bussels: 1993)
• The Politics of Poetic Form: Poetry and Public Policy (NY: Roof, 1990)
• Patterns/Contexts/Time: A Forum: 1989, with Phillip Foss in Tyuonyi (Sante Fe, 1990).
• "L=A=N=G=U=A=G=E Lines" in The Line in Postmodern Poetry, ed. Frank/Sayre (Urbana:
  University of Illinois, 1988)
• "43 Poets (1984)" in Boundary 2 (Binghamton, 1987)
• The L=A=N=G=U=A=G=E Book, with Bruce Andrews (Carbondale: Southern Illinois University Press, 1984)
• "Language Sampler" in Paris Review, No. 86 (New York: 1982)
• L=A=N=G=U=A=G=E, with Bruce Andrews (New York: 1978-1981); Vol. 4 co-published as Open Letter 5:1 (Toronto: 1982)
• Louis Zukofksy: Selected Poems, [American Poets Project], (Library of America; distributed by Penguin Putnam, Inc) (New York: 2006)

Translation

• Red, Green, and Black by Olivier Cadiot (Hartford: Potes & Poets, 1990)
• The Maternal Drape by Claude Royet-Journoud (Windsor, VT: Awede Press, 1984)
  95)

Notes/References

1. ^ http://www.english.upenn.edu/People/CharlesBernstein
2. ^ http://www.amacad.org/news/alpha2006.aspx
3. ^ http://www.sas.upenn.edu/home/news/teaching_awards05.html
4. ^ http://english.utah.edu/eclipse/projects/LANGUAGE/language.html
5. ^ Sanders, Jay http://bombsite.com/issues/111/articles/3454 “Charles Bernstein” BOMB Magazine Spring 2010, retrieved August 1, 2011
6. ^ http://www.greeninteger.com/green_integer_review/issue_1/Charles-Bernstein-interview.htm
7. ^ http://epc.buffalo.edu/poetics/prog.html
8. ^ http://writing.upenn.edu/pennsound/news/press-release-launch.php
9. ^ Sanders, Jay http://bombsite.com/issues/111/articles/3454 “Charles Bernstein” BOMB Magazine Spring 2010, retrieved August 1, 2011
10. ^ "Book of Members, 1780–2010: Chapter B". American Academy of Arts and Sciences. http://www.amacad.org/publications/BookofMembers/ChapterB.pdf. Retrieved June 24, 2011. 
11. ^ http://www.imdb.com/title/tt0181536/fullcredits#cast
12. ^ http://writing.upenn.edu/pennsound/x/Bernstein-YP.html
13. ^ According to the publisher's website (here) : "Shadowtime is a thought opera based on the work and life of the German philosopher, essayist, and cultural critic, Walter Benjamin. The libretto was written by Charles Bernstein for composer Brian Ferneyhough and had its premiere in May 2004 at the Munich Biennale, with subsequent productions at the Festival d’Automne in Paris, and the Lincoln Center Festival in New York."

External links

• Charles Bernstein Home Page at EPC
• Charles Bernstein on PennSound
• Charles Bernstein's CV
• L=A=N=G=U=A=G=E Magazine (complete run)
• Works by or about Charles Bernstein in libraries (WorldCat catalog)

Writing

• Asylums (e-reprint)
• Disfrutes (e-reprint)
• The Nude Formalism (e-reprint)
• Parsing (e-reprint)
• Rough Trades (e-reprint)
• "Against National Poetry Month As Such" - a short essay by Charles Bernstein.

Others on Bernstein

• Poet and Anti-Poet Review from the New York Times by Daisy Fried, published April 7, 2010
• Of Time and Charles Bernstein’s Lines: A Poetics of Fashion Statements by Susan M. Schultz, in Jacket, July 2001

Interviews with Bernstein

• Interview with Romina Freschi, June 2005
• Interview with Jay Sanders in BOMB, Spring 2010

Persondata
Name	Bernstein, Charles
Alternative names
Short description
Date of birth	April 4, 1950
Place of birth
Date of death
Place of death