Bhuvaneshvari

In Hinduism, Bhuvaneshvari is the fourth of the ten Mahavidya goddesses and an aspect of Devi. According to some Hindu traditions, Bhuvaneshvari, who is known for her beauty, co-operates with Shiva in bringing forth from the formless primal light the elements of the physical cosmos, in giving shape to the inchoate; hence her epithet "Creator (or Co-creatrix) of the World". Also Bhuvaneshwari is considered as the supreme goddesses who creates everything and destroys all the unnecessary evils of world. She is also considered as the Mother goddess of Kali, Lakshmi and Saraswati also Gayatri. In Hindu Mythology she is considered as the most powerful goddess in the universe.
Parvati is Sagun Roop of Goddess Bhuvanesvari

More than any other Mahavidya with the exception of Kamalatmika, Bhuvaneshvari is associated and identified with the energy underlying creation. She embodies the characteristic dynamics and constituents that make up the world and that lend creation its distinctive character. She is both a part of creation and also pervades its aftermath.

Bhuvanesvari means Mistress of the World. Bhuvaneshvari's beauty is mentioned often. Her dhyana describes her as having a radiant vermilion complexion resembling the sunrise and a beautiful face, framed with flowing hair the color of black bees. Her eyes are broad, her lips full and red, her nose delicate. Her firm breasts are smeared with sandal paste and saffron. Her waist is thin, and her thighs,and navel are lovely. Her beautiful throat is decorated with ornaments, and her arms are made for embracing. She is seated on a throne, adorned with a flower garland and anklets, bracelets of fine gems. She is also found seated on lions, also group of lions sit around her throne. A crescent moon adorns her forehead, resting atop a jeweled crown. She has three eyes and a pleasant, nurturing smile. She has four arms, in two of which she holds a noose and a goad. With her lower left hand, she makes the gesture (varada-mudra) of offering a boon, and with the lower right she signals fearlessness (abhaya mudra).She is a shakti present everywhere but not seen anywhere.

This beauty and attractiveness may be understood as an affirmation of the physical world. Tantric thought does not denigrate the world or consider it illusory or delusory, as do some other abstract aspects of Indian thought. This is made amply clear in the belief that the physical world, the rhythms of creation, maintenance and destruction, even the hankerings and sufferings of the human condition is nothing but Bhuvaneshvari's play, her exhilarating, joyous sport.

She is also known as Om Shakthi or Adi Shakthi i.e one of the earliest forms of shakthi. She is capable of turning situations according to her wish. It is considered that even the navagrahas cannot stop her from doing anything.

Further reading

*"Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions" (ISBN 81-208-0379-5) by David Kinsley

ee also

*Devi
*Mahavidya