- High Button Shoes
High Button Shoes Music Jule Styne Lyrics Sammy Cahn Book Stephen Longstreet
Basis Novel by Stephen Longstreet
The Sisters Liked Them Handsome
Productions 1947 Broadway
1948 West End
1982 Goodspeed Opera House
2007 Goodspeed Opera House
High Button Shoes is a musical with music by Jule Styne, lyrics by Sammy Cahn and book by George Abbott and Stephen Longstreet. It was based on the semi-autobiographical 1946 novel The Sisters Liked Them Handsome by Longstreet. The story concerns the comic entanglements of the Longstreet family with two con men in Atlantic City.
Many involved with High Button Shoes were Broadway first-timers or relatively unknown, except for the director, George Abbott. The creative team, composer Jule Styne, lyricist Sammy Cahn and writer Stephen Longstreet had worked in Hollywood, as had the producers Monte Proser and Joseph Kipness (who had also produced several short-lived Broadway shows) and actors Phil Silvers, who was known for his on-screen con-man persona, and Nanette Fabray. The designers Oliver Smith and Miles White and choreographer Jerome Robbins were all Broadway veterans. Rumors circulated that the book by Longstreet was "hopeless" and that Abbott and Silvers were "heavily rewriting" it. The Shuberts, involved because the show was to play in one of their theaters, approved an increase in Abbott's percentage to include author's royalties. Historian Ken Mandelbaum agrees that the show's book was originally by Longstreet but that it was extensively rewritten by Abbott.
In New Brunswick, New Jersey in 1913, the Longstreet family, consisting of Mama, Papa, Mama's younger sister Fran, and her college boyfriend Oggle, is affected when a con man, Harrison Floy, and his shill, Mr. Pontdue, come to town. The duos' dubious intentions are made clear as Floy pitches "snake-oil" schemes ("He Tried to Make a Dollar") including selling fake watches and diamond mines, and the shill Mr. Pontdue asks for two. They are chased by the police, and the phoney scheme is repeated. After they cheat the Longstreets in a phoney land deal, Floy and Pontdue try to escape to Atlantic City, New Jersey with their ill-gotten profits and also take Fran (who has become romantically involved with Floy) with them.
As the con men Floy and Pontdue are pursued to the Atlantic City beach while carrying a satchel full of stolen money, the people on the beach dance around them ("The Bathing Beauty Ballet"). They tangle with a large number of people—including bathing beauties, lifeguards, other criminals, identical twins—and one gorilla. The climax occurs when the Keystone Cops arrive, and Floy loses everything when he bets on the wrong football team. But after his being captured we learn that Pontdue has bet on not a football team, but a philly named "Princeton." Floy gives the conned citizens their money back, but before he leaves tries to get the audience to buy one more item of "great worth..."
The highlight of the original production was a long (7-10 minute) ensemble dance number ("The Bathing Beauty Ballet", to the song "On a Sunday by the Sea") at the beginning of the second act. Choreographer Robbins staged this number in the manner of a Mack Sennett silent slapstick film. It uses the music of "On A Sunday By the Sea", Liszt's Second Hungarian Rhapsody, and Offenbach's can-can from "Orpheus in the Underworld". "This number was so basic to the show that deleting it would render the evening incoherent. It was a major evocation of a period, a tribute to silent-film comedy." Amanda Vaill, in her biography of Robbins describes this dance number: "The actors careen across the stage, in and out of a row of boardwalk bathhouses, slamming doors, falling, rolling, leaping to their feet, colliding with one another, in a masterpiece of intricately plotted chaos that bears all the marks of the developing Robbins style: wit, character, drama, and precision."
- Act I
- He Tried to Make a Dollar – Singers
- Can't You Just See Yourself in Love with Me? – Hubert Ogglethorpe and Fran
- There's Nothing Like a Model T – Harrison Floy and Company
- Next to Texas, I Love You – Hubert Ogglethorpe and Fran
- Security – Sara Longstreet, Fran and Singing Girls
- Bird Watcher's Song – Sara Longstreet and Singing Girls
- Get Away for a Day in the Country – Henry Longstreet, Stevie Longstreet and Singers
- Papa, Wont You Dance with Me? – Sara Longstreet, Henry Longstreet, Girls and Boys
- Act II
- On a Sunday by the Sea – Singers
- You're My Girl – Hubert Ogglethorpe and Fran
- I Still Get Jealous – Sara Longstreet and Henry Longstreet
- You're My Boy – Harrison Floy and Mr. Pontdue
- Nobody Ever Died for Dear Old Rutgers – Harrison Floy, Hubert Ogglethorpe and Singing Boys
- He Tried to Make a Dollar (Reprise) – Entire Company
High Button Shoes opened on Broadway at the New Century Theatre on October 9, 1947 and closed on July 2, 1949 after 727 performances. It transferred to the Shubert Theatre on December 22, 1947 and finally to The Broadway Theatre on October 18, 1948 during the run. The cast starred Silvers as Harrison Floy and Fabray as Sara Longstreet (who was replaced by Joan Roberts in June 1948), and featured Joey Faye as Mr. Pontdue and Jack McCauley as Henry (Papa) Longstreet. The direction was by Abbott, choreography by Jerome Robbins, scenic design by Oliver Smith, costume design by Miles White, and lighting design by Peggy Clark. Robbins won the Tony Award for choreography.
A television adaptation was broadcast live on November 24, 1956 on NBC with Nanette Fabray and Joey Faye repeating their original roles, Hal March as Harrison Floy and Don Ameche as Papa Longstreet.
The musical was revived at the Goodspeed Opera House, East Haddam, Connecticut July 1982 through September 11, 1982. It was revived again by Goodspeed Musicals, opening on July 13, 2007 through September 22, 2007.
Brooks Atkinson, theatre critic for The New York Times, wrote that it was a "very happy musical show in a very cheerful tradition." He particularly praised Phil Silvers' performance as "an uproarious comic. He has the speed, the drollery and the shell-game style of a honky-tonk buffoon." He commented that the story was a "sentimentally amusing fable" and that the songs were "simple in style and very pleasant to hear."
- ^ Mordden, Ethan (1999). Beautiful Mornin': The Broadway Musical in the 1940s. Oxford University Press US. ISBN 0-19-512851-6, pp. 205, 221
- ^ Mandelbaum, Ken. "CDs: Papa, Won't You Dance with Me?" broadway.com, March 30, 2005, retrieved June 7, 2010
- ^ Mordden, p. 210
- ^ Vaill, Amanda (2008). Somewhere: The Life of Jerome Robbins. Random House, Inc., ISBN 0-7679-0421-4, p. 143
- ^ "Saturday Spectacular:"High Button Shoes'" movies.amctv.com, Retrieved September 2, 2009
- ^ Shepard, Richard F. "Stage: Goodspeed Offers 'High Button Shoes'", The New York Times, July 27, 1982
- ^ Jones, Kenneth. "High Button Shoes Opens Aug. 8 at Goodspeed; "New" Styne-Cahn Song Added", Playbill, August 8, 2007
- ^ Gold, S."Review:'High Button Shoes'"The New York Times, August 26, 2007
- ^ Atkinson, Brooks. "The New Play in Review", The New York Times, October 10, 1947, p. 32
- High Button Shoes at the Internet Broadway Database
- Plot synopsis and other information at guidetomusicaltheatre.com
- Internet Movie Database High Button Shoes television show
- broadway.com Ken Mandelbaum, "CDs: Papa, Won't You Dance with Me?" 3/30/2005
- playbill article, ON THE RECORD,May 1, 2005
Jule Styne musicals
High Button Shoes · Gentlemen Prefer Blondes · Two on the Aisle · Hazel Flagg · Peter Pan · My Sister Eileen · Bells Are Ringing · Say, Darling · Gypsy: A Musical Fable · Do Re Mi · Subways Are For Sleeping · Mr. Magoo's Christmas Carol · Funny Girl · Wonderworld · Fade Out - Fade In · Hallelujah, Baby! · Darling of the Day · Look to the Lilies · Prettybelle · Sugar · Lorelei · Bar Mitzvah Boy · One Night Stand · Pieces of Eight · The Red Shoes
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