The Hylozoists

Infobox Musical artist
Name = The Hylozoists


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Background = group_or_band
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Origin = Nova Scotia
Genre = Instrumental rock
Indie
Years_active = 2001–present
Label = Boompa
Zunior
Associated_acts = Broken Social Scene, The Weakerthans, The Sadies, Cuff the Duke, Do Make Say Think, FemBots, Tricky Woo, Rockets Red Glare, Sea Snakes, Heavy Blinkers, The Guthries, Christine Fellows, Hummer, Hopeful Monster
URL = [http://thehylozoists.com thehylozoists.com]
Current_members = Paul Aucoin, Randy Lee, Paul Lowman, Greg Millson, Christopher Sandes, François Turenne, Eric Woolston
Past_members = Bryden Baird, Jason Ball, Dave Christensen, Patrick Conan, Peter Conrad, Matthew Faris, Jonina Gibson, Rob Gordon, Monica Guenter, Taylor Knox, Nathan Lawr, Dave MacKinnon, Ruth Minnikin, Damian Monyhan, Dale Murray, Michael Olsen, Owen Pallett, Lukas Pearse, Julie Penner, Wayne Petti, Brian Poirier, Jeremy Strachan, Jason Tait, Leanne Zacharias

The Hylozoists are a Canadian instrumental rock supergroup, initially started as a project for the music of record producer and multi-instrumentalist Paul Aucoin. The name is derived from hylozoism, the belief that all matter holds life.

History

The Hylozoists is an instrumental band conceived by producer Paul Aucoin in 2001. Aucoin wrote and recorded their first album La Nouvelle Gauche (using a line up of musicians mainly from Halifax) in his studio in Nova Scotia. Sadly, The Hylozoists were moved to the back burner as Aucoin had to return to his responsibilities for the band The Sadies.

In 2004 Aucoin moved to Toronto where he revived The Hylozoists. This conception of The Hylozoists would consist of musicians from other bands such as The Weakerthans, FemBots, and Cuff the Duke. It was here that Aucoin started fresh and captured the collective sound of his new collaborators, he shed the idea of a “solo project” and created a full blown super group.

Music

Their MySpace page describes their music as Indie/Classcial/Emotronic. This is a pretty accurate description of their music, especially considering their instrumentation. A majority of their instruments (vibs, glock, organ, violin, viola) are primarily used in classical music, and in some instances jazz. What makes it unique is how they interact with the other “non-classical”, the “Indie” part, (for lack of a better term) instruments (drums, pedal steel, guitar, bass). What makes their sound unique is the application of the instruments, not necessarily the instrumentation itself. While using vibs and a glock is unique for an indie band, what makes it interesting is that some of their songs sound like something out of a feature film. Aucoin had a musical education (i.e. he had either conservatory tutoring or maybe even post-secondary, classical training) and he uses it in an effective way, not just in writing but also in orchestrating. In their song Warning Against Judging the opening minute is played on glock, organ and a little bit of a guitar, if you were to replace it with strings it would be something from an orchestral movie score. After the first minute of the song drums and bass come in, as well as violin and a trumpet. It still keeps the feeling of a movie score, something that has been thought out by someone knowledgeable in orchestration.

Their sound is at the same time unique as it is common. Some of their songs are ones that you would expect from an indie band; Rock beat, simple guitar melodies, etc… But then they throw you a curve ball and introduce a vibraphone or glockenspiel.

What is interesting about this band is not only its make up, instrumentation wise, but also it’s origins and albums. Technically this band originated in Halifax and then moved to Toronto during its second inception. Their first album, done in Halifax, was titled La Nouvelle Gauche. Their second album, done in Toronto, was titled La Fin Du Monde. Over the 20 odd tracks of the two albums only one is titled in French (La fin du monde). It is not clear why the band which has no apparent French roots, beyond Aucoin, would title their albums in French.

Personnel

* Paul Aucoin (vibraphone, glockenspiel, drums) — founder, also from The Sadies, Cuff the Duke, Hopeful Monster
* Randy Lee (violin)
* Paul Lowman (bass) — from Cuff the Duke
* Greg Millson (drums) — from Gentleman Reg
* Christopher Sandes (piano, organ) — from Cuff the Duke
* François Turenne (guitar)
* Eric Woolston (vibraphone, glockenspeil, drums)

Regular touring members

* Patrick Conan (vibraphone, glockenspiel, drums) — from Tricky Woo, Cuff the Duke
* Matthew Faris (drums) — from Cuff the Duke

Past (and part-time touring) members

* Bryden Baird (horns)
* Jason Ball (organ, vocals) — from Hopeful Monster
* Dave Christensen (woodwinds) — from the Heavy Blinkers, Hopeful Monster
* Peter Conrad (cello)
* Jonina Gibson (viola)
* Rob Gordon (drums)
* Monica Guenter (viola) — from Christine Fellows' band
* Taylor Knox (drums)
* Nathan Lawr (drums) — from Sea Snakes
* Dave MacKinnon (vocals) — from FemBots, Hummer
* Ruth Minnikin (vocals) — from the Heavy Blinkers, The Guthries
* Damian Monyhan (drums) — from Hopeful Monster
* Dale Murray (pedal steel, guitar) — from The Guthries, Hopeful Monster
* Michael Olsen (cello)
* Owen Pallett (violin) — aka "Final Fantasy"
* Lukas Pearse (double bass)
* Julie Penner (violin) — from Broken Social Scene, Do Make Say Think
* Wayne Petti (piano, vocals) — from Cuff the Duke
* Brian Poirier ("weird") — from FemBots, Hummer
* Jeremy Strachan (guitar) — from Rockets Red Glare, Sea Snakes, Hopeful Monster
* Jason Tait (vibraphone, glockenspiel) — from The Weakerthans, FemBots, Broken Social Scene, Christine Fellows' band
* Leanne Zacharias (cello) — from Christine Fellows' band

Discography

* "La Nouvelle Gauche" (2002)
* "La Fin du Monde" (2006)

References

External links

* [http://thehylozoists.com/ thehylozoists.com] — Official website