Elliott Sharp

Elliott Sharp (b. Cleveland, Ohio, March 1, 1951) is an American multi-instrumentalist, composer, and performer.

A key figure in the avant-garde and experimental music scene in New York City for over thirty years, Sharp has released over sixty-five recordings ranging from blues, jazz, and orchestral music to noise, no wave rock, and techno music. He pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction, as well as the use of computers in live improvisation with his "Virtual Stance" project of the 1980s. He is an inveterate performer, playing mainly guitar, saxophone and bass clarinet. Sharp has led many ensembles over the years, including the blues-oriented Terraplane and Orchestra Carbon.

Biography

Sharp describes himself as a lifelong "science geek," [http://www.furious.com/perfect/elliottsharp.html] having modified and created musical instruments from his teen years.

Sharp attended Cornell University from 1969 to 1971, studying anthropology, music, and electronics. He completed his B.A. degree at Bard College in 1973, where he studied composition with Benjamin Boretz and Elie Yarden; jazz composition, improvisation, and ethnomusicology with trombonist Roswell Rudd; and physics and electronics with Burton Brody. In 1977 he received an M.A. from the University at Buffalo, where he studied composition with Morton Feldman and Lejaren Hiller, and ethnomusicology with Charles Keil.

From the late '70s, Sharp established himself in New York's music scene. His compositions have been performed by the Symphony of the Hessischer Rundfunk, the Ensemble Modern, Continuum, the Orchestra of the SEM Ensemble, Kronos Quartet, Zeitkratzer, the Soldier String Quartet, and the Quintet of the Americas. He releases music under his own label (zOaR music) as well as punk label SST and downtown music labels such as Knitting Factory records and John Zorn's Tzadik label. "Guitar Player" magazine's 30th anniversary issue included Sharp among their list of "The Dirty Thirty - Pioneers and Trailblazers".

He has collaborated regularly with many people, including Christian Marclay, Eric Mingus, Zeena Parkins, Vernon Reid, Bobby Previte, Joey Baron, David Torn, Nels Cline, and Frances-Marie Uitti, as well as qawaali singer Nusrat Fateh Ali Khan, blues legend Hubert Sumlin, and Bachir Attar, leader of the Master Musicians of Jajouka. He also curates the "State of the Union" compilations of one-minute tracks by experimental musicians, and produces records for numerous artists.

Sharp lives in lower Manhattan with designer/video artist Janene Higgins and their two children.

Partial discography

* "Nots" (1982)
* "Monster Curve" (1982)
* "Hammer, Anvil, Stirrup" (1987)
* "In The Land of the Yahoos" (1987)
* "Island of Sanity" (1987)
* "Semantics - Bone of Contention" (1987)
* "Looppool" (1988)
* "George Hurley, Mike Watt, Elliott Sharp - Bootstrappers" (1989)
* "Datacide" (1989)
* "Sili/contemp/tation" (1990)
* "Arc 1: I/S/M" (1990)
* "K!L!A!V!" (1990)
* "Twistmap" (1991)
* "Tocsin" (1991)
* "Trick Moon (1991) with Tsuneo Imahori on guitar
* "Abstract Repressionism: 1990-99" (1992)
* "Beneath the Valley of the Ultra-Yahoos" (1992)
* "Westwerk" (1992)
* "Bootstrappers - GI=GO" (1992)
* "Cryptid Fragments" (1993)
* "Truthtable" (1993)
* "Autoboot" (1994)
* "Bachir Attar, Elliott Sharp - In New York" (1994)
* "Amusia" (1994)
* "Dyners Club" (1994)
* "Terraplane" (1994)
* "Elliott Sharp, Zeena Parkins - Psycho~Acoustic" (1994)
* "Interference" (1995)
* "Tectonics" (1995)
* "Boodlers" (1995)
* "Sferics" (1996)
* "Blackburst" (1996)
* "XenocodeX" (1996)
* "Hoosegow - Mighty" (1996)
* "Spring & Neap" (1997)
* "Tectonics - Field and Stream" (1997)
* "Figure Ground" (1997)
* "Boodlers - Counter fit" (1997)
* "Frances-Marie Uitti & Elliott Sharp - Improvisations" (1997)
* "Revenge of the Stuttering Child" (1997)
* "Poverty line" (1997)
* "Rwong Territory" (1998)
* "Arc 2: The Seventies" (1998)
* "Arc 3: Cyberpunk & the Virtual Stance" (1998)
* "Larynx" (1998)
* "Rheo~Umbra" (1998)
* "John Zorn, Wayne Horvitz, Elliott Sharp, Bobby Previte - Downtown Lullaby" (1998)
* "Vernon Reid, Elliott Sharp, David Torn - GTR OBLQ" (1998)
* "Tectonics - Errata" (1999)
* "Christian Marclay, Elliott Sharp - High Noon" (1999)
* "SyndaKit" (1999)
* "Terraplane - Blues for Next" (2000)
* "Autar" (2000)
* "Joey Baron, Elliott Sharp, Roberto Zorzi -Beyond" (2001)
* "Suspension of Disbelief" (2001)
* "Radiolaria" (2001)
* "Terraplane - Yellowman" (2002)
* "Reinhold Friedl & Elliott Sharp – Anostalgia" (2002)
* "The Prisoner's Dilemma" (2002)
* "Elliott Sharp String Quartets 1986-1996" (2003)
* "Terraplane - Do the Don't" (2003)
* "Velocity of Hue" (2004)
* "Radio Hyper-Yahoo" (2004)
* "John Duncan, Elliott Sharp - Tongue" (2004)
* "Terraplane - Secret Life" (2005)
* "Quadrature" (2005)
* Soundtrack for the film "Commune" (2005)
* Soundtrack for the film "What Sebastian Dreamt" (2005)
* "Elliott Sharp / Merzbow - Tranz" (2006)
* "Sharp? Monk? Sharp! Monk!" (2006)
* "Elliott Sharp, Franck Vigroux - Hums 2 Terre" (2007)
* "Nels Cline & Elliott Sharp - Duo Milano" (2007)
* "Solo Beijing" (2007)
* "April in New York - with Bobby Previte" (2007 DVD)
* "The Velocity of Hue. Live in Cologne" (2007 DVD)

External links

* [http://www.elliottsharp.com/ Elliott Sharp official site]
* [http://www.guitarplayer.com/article/elliott-sharp/apr-07/26808 Interview with Elliott Sharp] in Guitar Player magazine (2007)
* [http://www.bombsite.com/issues/84/articles/2582 Interview with Sharp] by Mike McGonigal, published in "BOMB" magazine (2003)
* [http://query.nytimes.com/gst/fullpage.html?res=940CEEDE1430F937A25754C0A9649C8B63&scp=1&sq=%22makes+for+easy+listening%22&st=nyt No One Said He Makes for Easy Listening] by Adam Shatz, New York Times Arts and Leisure, July 2002
* [http://www.newmusicbox.org/article.nmbx?id=4800 NewMusicBox cover:] Elliott Sharp in conversation with Frank J. Oteri, NewMusicBox, March 22, 2006 (includes video)
* [http://rep.no.sapo.pt/elliott_sharp.htm Interview with Sharp] by the Portuguese journalist Rui Eduardo Paes, September 2004