Creepshow

Creepshow
Creepshow

Original 1982 theatrical poster
Directed by George A. Romero
Produced by Richard P. Rubinstein
Screenplay by Stephen King
Starring Hal Holbrook
Adrienne Barbeau
Fritz Weaver
Leslie Nielsen
Carrie Nye
E. G. Marshall
Viveca Lindfors
Music by John Harrison
Cinematography Michael Gornick
Editing by George A. Romero
Pasquale Buba
Paul Hirsch
Michael Spolan
Studio Laurel Entertainment Inc.
Distributed by Warner Bros.
Release date(s) May 16, 1982 (1982-05-16) (Cannes Film Festival)
November 12, 1982 (1982-11-12) (United States)
Running time 120 minutes
Country United States
Language English
Budget $8 million
Box office $21,028,755

Creepshow is a 1982 American horror anthology film directed by George A. Romero and written by Stephen King. The film's ensemble cast included Ted Danson, Leslie Nielsen, Hal Holbrook, E.G. Marshall, Gaylen Ross, Adrienne Barbeau and Ed Harris.

It was considered a sleeper hit at the box office when released in November 1982, earning $21,028,755 domestically,[1] and remains a popular film to this day among horror genre fans. The film was shot on location in Pittsburgh and the suburb areas. It consists of five short stories referred to as "Jolting Tales of Horror": "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!". Two of these stories, "The Crate" and "The Lonesome Death of Jordy Verrill" (originally titled "Weeds"), were adapted from previously published Stephen King's short horror tales.

The segments are tied together with brief animated sequences. The film is bookended by scenes, featuring a young boy named Billy (played by Stephen King's own son, Joe King), who is punished by his father for reading horror comics. The film is an homage to the E.C. horror comic books of the 1950s such as Tales from the Crypt, The Vault of Horror and The Haunt of Fear.

In later years, the international rights of the film would be acquired by Republic Pictures, which today is a subsidiary of the Paramount Motion Pictures Group, itself owned by Viacom. The film's UK DVD rights are owned by Universal Studios under license from Paramount/Republic.

Contents

Plot

Prologue

A young boy named Billy (Joe King) gets yelled at and slapped by his father, Stan (Tom Atkins), for reading a horror comic titled Creepshow. His father tosses the comic in the garbage to teach Billy a lesson, but not before threatening to spank him should Billy ever get caught reading Creepshow comic books again. Later after he tosses the comic book away, Stan reminds his wife (Iva Jean Saraceni) that he had to be hard on Billy because he does not want their son to be reading such "crap" as he gives examples of what Billy should not be reading (which incidentally are the basic plotlines for some of the stories in the movie). He then closes out the discussion with the reason why God made fathers: to protect their children from harmful influences. As Billy sits upstairs cursing his father with hopes of him rotting in Hell, he hears a sound at the window, which turns out to be a ghostly apparition in the form of the Crypt-Keeper from the comic book, beckoning him to come closer; this segues into the opening titles.

"Father's Day"

(First story, written by King specifically for the film) Nathan Grantham (Jon Lormer), the miserly old patriarch of a family whose fortune was made through bootlegging and fraud, is killed on Father's Day by his long-suffering spinster daughter Bedelia (Viveca Lindfors). Bedelia was already unstable as the result of a lifetime spent putting up with her father's incessant demands and emotional abuse, which culminated in his orchestrating the murder of her sweetheart. When she could no longer endure Nathan's screams for her to bring him his Father's Day cake, Bedelia picked up a heavy marble ashtray, yelled "Happy Father's Day!" and smashed his skull with it.

The sequence begins seven years later, when the remainder of Nathan's descendants—including Nathan's granddaughter Sylvia (Carrie Nye), his great-grandchildren Richard (Warner Shook) and Cass (Elizabeth Regan), and Cass' husband Hank (Ed Harris)—get together for their annual dinner on the third Sunday in June.

Bedelia, who typically arrives later than the others, stops in the cemetery outside the family house to lay a flower at the grave site and drunkenly reminisce about how she murdered her insufferable, overbearing father. When she accidentally spills her whiskey bottle in front of the headstone, it seems to have a reanimating effect on the mortal remains interred below. All of the sudden, Nathan's putrefied, maggot-infested corpse (John Amplas) emerges from the burial plot in the form of a revenant who has come back to claim the Father's Day cake he never got. Before obtaining his long-desired pastry, the revenant avenges himself on Bedelia and the rest of his idle, scheming, money-grubbing heirs—randomly killing them off one by one.

The final freeze-frame shows the undead Nathan in the kitchen triumphantly carrying a platter that is crowned with Sylvia's freshly severed head and covered with cake frosting. The corpse gurgles hoarsely at a terrified Richard and Cass, "It's Father's Day, and I got my cake! Happy Father's Day!"

"The Lonesome Death of Jordy Verrill"

(Second story, originally titled "Weeds", adapted from a previously published short story written by King) Jordy Verrill (Stephen King), a dimwitted backwoods yokel, thinks that a newly discovered meteorite will provide enough money from the local college to pay off his $200 bank loan. Instead, he finds himself being overcome by a rapidly spreading plant-like organism that begins growing on his body after he touches a glowing green substance within the meteorite. Jordy is eventually cautioned by the ghost of his father (Bingo O'Malley) not to take a bath. But when the itching from the growth on his skin becomes unbearable, Jordy succumbs to temptation and collapses into the bathwater. By the next morning, Jordy and his farm have been completely covered with dense layers of the hideous alien vegetation. In despair, he reaches for a shotgun and literally blows the top of his head off. A radio weather forecast announces that heavy rains are predicted and the audience is left with the dire expectation that this will accelerate the spread of the extraterrestrial plant growth to surrounding areas.

"Something to Tide You Over"

(Third story, written by King expressly for the film) Richard Vickers (Leslie Nielsen), a wealthy psychopath whose spry, devil-may-care jocularity belies his cold-blooded vindictiveness, stages a terrible fate for his unfaithful wife, Becky (Gaylen Ross), and her lover, Harry Wentworth (Ted Danson), by burying them up to their necks on the beach below the high tide line. He explains that they have a chance of survival - if they can hold their breath long enough for the sand to loosen once the seawater covers them they could break free and escape. He also sets up several closed-circuit TV cameras so he can watch them die from the comfort of his well-appointed beach house. However, Richard is in for a surprise of his own when the two lovers he murdered return as a pair of waterlogged, seaweed-covered ghosts intent on giving him a dose of his own deadly punishment. The final scene reveals that Richard has been buried in the beach at low tide, facing the approaching tide (and the sight of two sets of footprints disappearing in the surf). While the tide is rising, he laughs hysterically and screams "I can hold my breath for a long time!"

"The Crate"

(Fourth story, adapted from a previously published short story) A college professor, Dexter Stanley (Fritz Weaver) and his graduate student, Charlie Gereson (Robert Harper), find a wooden storage crate, hidden under some basement stairs for over 100 years. Upon opening the crate it is found to contain an extremely lethal creature[2] resembling a Yeti, or Abominable Snowman, which despite its diminutive size promptly kills and entirely devours Gereson, leaving behind only his cap. Escaping, Stanley informs his friend and colleague at the university, the mild-mannered Professor Henry Northrup (Hal Holbrook), of his recent experience. During this exchange, the beast kills and also eats the caretaker Mike (Don Keefer).

Professor Stanley, now traumatized and hysterical, babbles to Northrup that the deadly monster must be disposed of somehow. Northrup sees the creature as a way to rid himself of his perpetually drunk, obnoxious, and emotionally abusive wife, Wilma (Adrienne Barbeau), whom he often daydreams of killing. He contrives a scheme to lure her near the crate where the beast does indeed maul and eat her. Northrup later secures the beast back inside its crate, and drops it into a nearby lake, where it sinks to the bottom, and he returns to assure Professor Stanley that the creature is no more. However, it is subsequently revealed to the audience that the beast has escaped from its cage, and is in fact still alive. Also, watchful eyes will notice the staircase in Northrup's home is the same staircase from "Something To Tide You Over", the previous story, it even has some of the same camera angles.)

"They're Creeping Up on You!"

(Fifth and final story, written by King expressly for the film) Upson Pratt (E.G. Marshall) is a cruel, ruthless businessman whose mysophobia has him living in a hermetically sealed apartment, but finds himself helpless when his flat becomes overrun by countless hordes of aggressive cockroaches—perhaps symbolizing the revenge of all the "little people" he has spent his life stepping on.

Epilogue

The following morning, two garbage collectors (Tom Savini and Marty Schiff) find the Creepshow comic book in the trash. They look at the ads in the book for X-ray specs and a Charles Atlas bodybuilding course. They also see an advertisement for a voodoo doll, but lament that the order form has already been redeemed (Attentive viewers can see the order form had been already cut out in the segues between "The Lonesome Death of Jordy Verrill", "Something To Tide You Over", and "The Crate"). Inside the house, Stan complains of neck pain, which escalates and becomes deadly as Billy repeatedly and gleefully jabs the voodoo doll while his accursed father screams in agony.

Cast

Prologue and Epilogue
  • Joe King as Billy
  • Iva Jean Saraceni as Billy's Mother
  • Tom Atkins as Stan (uncredited)
  • Marty Schiff as Garbageman #1
  • Tom Savini as Garbageman #2
Father's Day
  • Jon Lormer as Nathan Grantham
  • Viveca Lindfors as Bedelia
  • Elizabeth Regan as Cass Blaine
  • Warner Shook as Richard Grantham
  • Ed Harris as Hank Blaine
  • Carrie Nye as Sylvia Grantham
  • Peter Messer as Yarbro
  • John Amplas as Undead Nathan
  • Nann Mogg as Mrs. Danvers
The Lonesome Death of Jordy Verrill
Something to Tide You Over
The Crate
They're Creeping Up on You
  • E. G. Marshall as Upson Pratt
  • David Early as White
  • Ann Muffly as Voice of Lenora Castonmeyer (uncredited)

Production

Several screenshots from the film, demonstrating the way comic book imagery and effects were used extensively by director George A. Romero to recreate the feel of classic 1950s E.C. horror comics such as "Tales from the Crypt".

In keeping with Romero's tradition of filming in and around the Pittsburgh area, most of the film was shot in an empty all-girls school located outside Greensburg, Pennsylvania. The school was converted into a film studio, and the episodes "The Lonesome Death of Jordy Verrill", and "They're Creeping Up on You", as well as the prologue and epilogue, were filmed in their entirety at the former school. Filming took place at the Greensburg location throughout 1981.

Several additional locations were also used for filming:

  • "The Crate" - Most of the interior and exterior shots for the university sequences were filmed at Carnegie-Mellon University (Romero is a Carnegie-Mellon University alumni), with Margaret Morrison Hall serving as Amberson Hall. The backyard party was filmed in Romero's own backyard at his former residence on Amberson Dr. in Shadyside, Pennsylvania.
  • "Father's Day" - Was filmed on location at a mansion in the Pittsburgh suburb of Fox Chapel, Pennsylvania.
  • "Something to Tide You Over" - Was filmed on location at a beach-front residence in New Jersey.

Cockroaches

The large cockroaches featured in the episode "They're Creeping Up on You" were "Hissing Cockroaches" imported from Guatemala. Romero was unable to obtain an export permit for them, so they were imported on a temporary permit. This meant that each one had to be counted before and after each shot, and accurate records kept of the number of dead specimens. The cockroaches were stored in Styrofoam egg cartons kept inside a large van that was filled with high levels of carbon dioxide to keep the cockroaches quiet. In the final scene of the segment, in which the room is almost filled with cockroaches, a lot of them were nuts and raisins, as specified by Tom Savini.

Prop appearance

Attentive viewers can see that the ashtray which Bedelia used to murder Nathan Grantham in "Father's Day" makes an appearance in each of the four subsequent segments.

Reaction

Creepshow was given a wide release by Warner Bros. on November 12, 1982. It started strongly with an $8 million box-office gross for its first five days.[3] In its opening weekend, Creepshow grossed $5,870,889, ranking #1 in the box office, capsizing First Blood from the top spot.[4] In total it grossed $21,028,755 domestically,[5] making it the highest grossing horror film for the Warner Bros. studio that year.[6]

Reviews

Creepshow received mostly mixed to positive reviews from critics. Roger Ebert gave the film three out of four stars and wrote, "Romero and King have approached this movie with humor and affection, as well as with an appreciation of the macabre".[7] In his review for the New York Times, Vincent Canby wrote, "The best things about Creepshow are its carefully simulated comic-book tackiness and the gusto with which some good actors assume silly positions. Horror film purists may object to the levity even though failed, as a lot of it is".[8] Gary Arnold, in his review for the Washington Post, wrote, "What one confronts in Creepshow is five consistently stale, derivative horror vignettes of various lengths and defects".[9] In his review for the Globe and Mail, Jay Scott wrote, "The Romero-King collaboration has softened both the horror and the cynicism, but not by enough to betray the sources - Creepshow is almost as funny and as horrible as the filmmakers would clearly love it to be".[10] David Ansen, in his review for Newsweek, wrote, "For anyone over 12 there's not much pleasure to be had watching two masters of horror deliberately working beneath themselves. Creepshow is a faux naif horror film: too arch to be truly scary, too elemental to succeed as satire".[11] In his review for Time, Richard Corliss wrote, "But the treatment manages to be both perfunctory and languid; the jolts can be predicted by any ten-year-old with a stop watch. Only the story in which Evil Plutocrat E.G. Marshall is eaten alive by cockroaches mixes giggles and grue in the right measure".[12]

The film has become a cult horror classic.[13]

Home video releases

A 2 disc Special Edition DVD of Creepshow was announced in early March 2007 exclusively for the United Kingdom by Universal Studios Home Entertainment. It was released 22 October 2007. The discs feature a brand new widescreen transfer of the film sourced from the original master, a making-of documentary running 90 minutes (titled Just Desserts: The Making of Creepshow), behind-the-scenes footage, rare deleted scenes, galleries, a commentary track with director George A. Romero and make-up effects artist, Tom Savini, and more. Owner of Red Shirt Pictures, Michael Felsher is responsible for the special edition, the documentary and audio commentary in particular.

On the Blu-ray format, it was released by Warner Bros on 8 September 2009 in America.

Sequels and adaptations

Cover for the Creepshow comic book adaptation.

The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, an artist fittingly influenced by the 1950s E.C. Comics.

A sequel, Creepshow 2 was released in 1987, and was once again based on Stephen King short stories with a screenplay from Creepshow director George A. Romero. The film contained only three tales of horror, as opposed to the original's five stories.

The general concept and plot of the film was adapted for the song "Everything Went Black" by The Black Dahlia Murder. However, the segments "They're Creeping Up on You," and "Father's Day" were omitted from the video.

On November 10, 2009, it was announced that Taurus Entertainment had a 3-D remake planned.[14]

Unofficial sequels

A further unofficial sequel, Creepshow III, featuring no involvement from Stephen King, George A. Romero, or anyone else involved in the production of the first two films, was released direct-to-video in 2007 (though it was finished in 2006) to mostly negative reviews. This film, in a fashion similar to the original Creepshow, features five short darkly comedic horror stories. The company behind the film was Taurus Entertainment, also responsible for the in-name-only Romero sequel, Day of the Dead 2: Contagium, a follow-up to 1985's Day of the Dead.

Creepshow make-up artist and Creepshow 2 actor, Tom Savini, has said that Tales from the Darkside: The Movie (1990) is the real Creepshow 3.

Television series

The moderate success of Creepshow sparked interest in a television series in the same mold. After a few changes, Laurel Productions renamed the television version Tales from the Darkside, which lasted four years (1984–88).

The series spawned a film adaptation very similar to Creepshow, entitled Tales from the Darkside: The Movie (1990), directed by Creepshow composer John Harrison.

The TV series was followed by a virtually identical series named Monsters, which lasted another three years (1988–91).

Creepshow 4 & Creepshow: RAW

Warner Bros. is one of the companies currently involved in developing a "revival" or remake of the film, to be titled Creepshow 4[citation needed].

Taurus Entertainment (rights holders of the original Creepshow) have licensed the rights to Jace Hall, of HDFILMS, a Burbank, California company, to produce Creepshow: RAW, a web series based upon the original film.

The pilot episode for Creepshow: RAW wrapped on July 30, 2008. The pilot was directed by Wilmer Valderrama and features Michael Madsen.

References

  1. ^ Creepshow (1982)
  2. ^ (The monster in the crate was nicknamed "Fluffy" by the film's director, George A. Romero.
  3. ^ Harmetz, Aljean (November 18, 1982). "Autumn at the Movies". New York Times: pp. 23. 
  4. ^ "Weekend Box Office Results for November 12–14, 1982 - Box Office Mojo". Box Office Mojo. http://www.boxofficemojo.com/weekend/chart/?yr=1982&wknd=46&p=.htm. Retrieved 2010-08-09. 
  5. ^ "Creepshow". boxofficemojo.com. http://boxofficemojo.com/movies/?id=creepshow.htm. Retrieved 2011-04-02. 
  6. ^ "1982 Domestic Grosses". boxofficemojo.com. http://boxofficemojo.com/yearly/chart/?yr=1982&p=.htm. Retrieved 2011-04-02. 
  7. ^ Ebert, Roger (January 1, 1982). "Creepshow". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19820101/REVIEWS/201010314/1023. Retrieved 2009-01-23. 
  8. ^ Canby, Vincent (November 10, 1982). "Creepshow, in Five Parts". New York Times. http://movies.nytimes.com/movie/review?_r=2&res=9807EED81038F933A25752C1A964948260&partner=Rotten%20Tomatoes. Retrieved 2009-01-23. 
  9. ^ Arnold, Gary (November 12, 1982). "Oh, Horror! Oh, Yawn! Creepshow; Five Stale Vignettes Plus One Redeeming Monster". Washington Post: pp. 17. 
  10. ^ Scott, Jay (November 10, 1982). "It may be slow at times, but Creepshow has its share of spookies". Globe and Mail. 
  11. ^ Ansen, David (November 22, 1982). "The Roaches Did It". Newsweek. 
  12. ^ Corliss, Richard (November 22, 1982). "Jolly Contempt". Time. http://www.time.com/time/magazine/article/0,9171,955051,00.html. Retrieved 2009-01-23. 
  13. ^ http://www.bloody-disgusting.com/film/3046/userreview
  14. ^ "AFM '09: Taurus Entertainment Prepping 'Creepshow 3D'". http://www.bloody-disgusting.com/news/18055. 

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