- Elaine Hamilton-O'Neal
Elaine Hamilton-O'Neal, the American
artist , was born Elaine Hamilton in 1920 inCatonsville ,Maryland , nearBaltimore .[Please note: the primary source of information for this article is the [http://www.marylandartsource.org/artists/detail_000000112.html article on Elaine Hamilton O'Neal at marylandartsource.com] , a website maintained by and therefore carrying the authority of [http://www.marylandartsource.org/institutions/all_institutions.html the following institutions] : the
Baltimore Museum of Art ; theEnoch Pratt Free Library ;Johns Hopkins University ; theMaryland Institute College of Art ; theMaryland Historical Society ; the Maryland State Department of Education; theUniversity of Maryland, Baltimore County ; and theWalters Art Museum .]Rolling stone: a cosmopolitan career
After graduating in 1945 from the
Maryland Institute College of Art (MICA) inBaltimore , Elaine Hamilton went on to study withRobert Brackman inNew York as a member of the Art Students League. Thereafter she worked as an assistantmuralist underDiego Rivera inMexico and received amural commission forMexico 's Instituto Allende in 1952. She mounted a solo exhibition at theBaltimore Museum of Art in 1951 and then won aFulbright scholarship to studypainting inItaly in 1952; the Fulbright grant was then extended for another year. She spent most of the rest of her career abroad.Elaine Hamilton was an invited exhibitor at the
Venice Biennial in 1956 and again in 1958. During her extensive travels in the 1950s, she remained prominent in theBaltimore contemporary art scene, winning the Popular Prize in theBaltimore Museum of Art 'sMaryland Artists Exhibition in 1952 and again in 1959. During the 1950s and 1960s, she had solo exhibitions of her work in major galleries and museums all over the world, in cities includingRome ,Milan ,Turin ,Florence ,Mexico City ,Osaka ,Tokyo , andKarachi (Pakistan ), and she was featured in numerous multi-artist exhibitions in these cites as well as inParis ,New York (theWhitney Museum ),Washington, DC (Corcoran Gallery ),Tokyo , and others. She won first prize in the Biennale deMenton , France, in 1968.According to Partha Mitter in "
Indian Art (Oxford History of Art)", Elaine Hamilton was an important influence on the young Pakistani artistIsmail Gulgee (or Guljee, as it is sometimes spelled): "Impressed by the visiting American painter Elaine Hamilton,Guljee enthusiastically plunged intoaction painting ...." [p.214] . Similarly, Jane Turner writes in her "Dictionary of Art": "In 1960, Ismail Gulgee, known for his portraiture, began experimenting with non-objective painting (in the manner ofJackson Pollock ) after working with visiting American artist Elaine Hamilton" [page 799] . In fact, according to David Craven, Hamilton became something of an ambassador forabstract expressionism in South Asia: " [Abstract expressionism] was promoted as a 'universal style' in Pakistan during the 1950s by a U.S. artist named Elaine Hamilton" [p. 23] .It is ironic that (if Craven is correct) Elaine Hamilton apparently was received as a kind of representative American abstract expressionist abroad, because she appears to have gotten pushed in the direction of
abstract painting not in America, but in Europe, perhaps partly through her association with a certain Frenchman by the name ofMichel Tapié de Céleyran . Tapié was an early exponent of "tachisme ", as well as the curator ofJackson Pollock 's first solo exhibition in Paris, in 1952. It was while in Italy or France that HamiIton gained the admiration and support of Tapié, a highly influential French critic and respected painter who was also co-founder of the International Center of Aesthetic Research in Turin,Italy . But even Hamilton's association with Tapié did not immediately result in her taking up purely abstract painting. It must be noted that, according to marylandartsource.com, Hamilton did not create her first purely abstract painting, entitled "Burst Beyond the Image", until 1960, after an expedition to K-2 inPakistan . This painting is not only purely abstract; it is a particular kind of abstract painting which dramatically records the gestural action of painting itself, i.e., "action painting ". Hamilton sustained and developed this approach to painting for the rest of her life. Full of inspiration after her Himalayan adventures, she quickly created many more of these huge "action" canvases for her solo and group exhibitions in Japan, in association with Tapié and theGutai group (a patronage noted by Shinichiro, 1990: "Patrocinio dell'esposizione personale di Elaine Hamilton, gallería Fujikawa, Osaka..." [page 184] ).In 1971, Elaine Hamilton-O'Neal purchased a
chateau inFrance , where she lived and worked for the next 30 years (though from 1952 on, she and her husband always maintained a residence in Birmingham,Alabama as well). She returned in 2001 to her native town ofCatonsville inBaltimore County ,Maryland (where she still resides). Today her work is in the collections of the Museum of the International Center of Aesthetic Research (Turin ,Italy ) and theBirmingham Museum of Art (Alabama ), as well as in many private collections throughout the world. Below, the reader can find external links to images of her work in a recent (May 2006)auction record fromParis , and in the bio at MarylandArtSource.com (the primary information source for this article). It appears that she is known exclusively as a painter of oil-on-canvas works (excepting themural s), there being no mention in the available sources of her having created other kinds ofvisual art (such assculpture , for example).tyle: realism, then abstraction, and finally "action"
Stylistically, Elaine Hamilton passed through a number of stages, generally tending toward greater abstraction as time went on. Having won the prize for
portrait painting at MICA, it was natural that she went on to study inNew York withRobert Brackman , a master of realisticportraiture and other figurative painting. In the late 1940s to early 1950s, the influence of her mentorDiego Rivera is evident in the earthy textures and colors as well as in the heavy, sculpted, quasi-cubist forms of her increasingly abstract paintings (see the above example). Meanwhile, the scale of her work increases, also as a result of her study with the Mexicanmuralist (according to the MarylandArtSource essay). In the early 1950s there are other canvases that show nightmarish, contorted, bloody-looking images suggestive of slaughtered but unidentifiable bodies or body parts, somewhat in the manner ofFrancis Bacon . In about 1960, as noted above, she took up a very personal approach to "action painting " (or "gestural abstraction ", as it is sometimes called), and it is for her paintings in this later,abstract expressionist manner that she is probably best known. She is also sometimes classed as a "lyrical abstraction ist".The 2006 Benezit "Dictionary of Artists" is emphatic in its praise:
"A globetrotter who has scaled the heights of the
Himalayas , Hamilton makes profoundly serious work. Clearly part of the movement known as 'lyricalgestural abstraction ', her painting is full of verve and invention and manifests an extraordinary gift for colour and substance."Life as she lived it: from a tent in the woods to a castle in France
The sources do not say precisely when during her dizzying peregrinations Elaine Hamilton married, taking on the "O'Neal" surname, but it was certainly no later than 1952 (the year in which, according to marylandartsource.com, she and her husband began to maintain a residence in Birmingham, Alabama).
It is evident, judging from the fact that she purchased a French
chateau in 1971, that at some point Elaine Hamilton became quite a wealthy woman; but as a child, she certainly got used to doing without creature comforts from time to time. According to a 2002 interview (quoted in the context of a paper at the Maryland Department of Natural Resources on the history of the forest reserve), during the 1920s Elaine and her family (parents and two brothers) lived nearly half of each year in an "army -style walltent " inMaryland 'sPatapsco state forest reserve (this interview can be found in the external link given below):“ 'We had what we needed,' she later recalled. Her experience at the park was a blend of rugged outdoor living complemented with the trappings of the modern middle-class lifestyle. Her family, on the one hand, was forced to dig a privy, sleep on straw mattress cots, and make several trips a day down to the local spring for fresh water; however, on the other hand, they cooked on a modern oil stove, owned a
piano , and had electric power wired in from Bloede’s Dam for lighting and a radio... O’Neal’s experience at thePatapsco was simultaneously rugged and refined." [http://www.dnr.state.md.us/centennial/BesleyPaper.pdf]The Hamilton family apparently did not camp in the park out of economic necessity, but rather for enjoyment. The state park service encouraged middle class and working families to camp there for extended periods, "roughing it pleasantly" for their spiritual and physical refreshment. Nevertheless, these long stays in the forest were rather more rigorous than today's typical family camping adventure, which doesn't ordinarily last for months or include having to dig one's own privy. According to O'Neal, it was because of this experience of making a cultured life in the wilderness that she “learned to be creative and inventive.” This material is summarized in Robert F. Bailey's 2006 book, "Maryland's Forests and Parks : a Century of Progress": "Growing up in the park contributed to Elaine's creativity and, by her own testimony as an adult, helped sharpen her skills as a professional artist." [p. 41]
The MarylandArtSource biography also mentions that over the course of Hamilton's travels in the Indo-Pakistan region, she made expeditions to K-2 and
Mount Everest and eventually became aBuddhist .For the researcher, this is a biography with many missing pieces, but it is clear that Elaine Hamilton-O'Neal — having resided in
New York ,Mexico City ,Rome ,Karachi ,Tokyo ,Alabama , andParis before returning to her nativeCatonsville — has led quite an adventurous life. She began in a kind of picturesque, sylvan rusticity, progressed to high scholastic honors and artistic achievement, and at length arrived at a life of wealth, privilege, and complete artistic freedom. Along the way, she sojourned in the midst of fantastically varied peoples, cultures, andlandscape s.Possible political intrigue: the painter who came in from the cold?
A tantalizing question comes up concerning the life of Elaine Hamilton: was she somehow involved with the
CIA ? The answer is: apparently not; however, this has not prevented speculation to this effect from surfacing at a reputable academic conference.At Britain's Oxford Brookes University, in September 2004, an academic conference called "1956: Legacies of Political Change" included artist-scholar Rasheed Araeen's presentation entitled [http://ah.brookes.ac.uk/conferences/1956legacies/programme.html "The Cold War, Abstract Expressionism and the Presence of the American Artist, Elaine Hamilton, at the Time of the CIA’s Supported Military Coup in Pakistan in 1957"] . Unfortunately, the text of this provocatively titled paper (or perhaps it was only a presentation) is not available on line, so one must avoid leaping to conclusions. Yet it must also be noted that Frances Stonor Saunders's groundbreaking book, [http://www.worldcatlibraries.org/wcpa/oclc/43114251?loc=#tabs "The Cultural Cold War - The CIA and the World of Arts and Letters"] reveals that the
CIA was indeed involved in the funding and promotion of Americanabstract expressionist artists as part of itspropaganda strategy. So the role of Elaine Hamilton-O'Neal in this - if any - might make a good subject for additional research. Nevertheless, it must be noted at the outset that the marylandartsource.com chronology appears to preclude Hamilton's being in Pakistan in 1957, and so Mr. Araeen would seem to be mistaken (see section on chronology problems).Nomenclature: note to researchers
As so often happens with
women artists , one sees this artist's name in many forms. The greaterBaltimore telephone directory shows her name in the hyphenated form used at the top of this article, but other sources (such as Askart.com) call her simply Elaine Hamilton, as though she'd never married, while yet others list her as "Elaine Hamilton O'Neal", omitting the hyphen. Moreover, she signed her work inconsistently — sometimes signing herself (even after marrying) "Elaine Hamilton", sometimes "Elaine H. O'Neal", and sometimes simply "Hamilton". The 2006 Benezit dictionary lists her as "Elaine Hamilton", with no mention of the married name (which, to further complicate matters, is sometimes spelled without the apostrophe as "O Neal," "ONeal," or "Oneal"); yet the fully up-to-date MarylandArtSource.com article gives her name as "Elaine Hamilton O'Neal." She is listed among 2003 donors toBaltimore 'sWalters Art Museum as "Ms. Elaine H. Oneal" (no apostrophe). And finally, there is artvalue.com, which lists her as "Hamilton-O'Neil, Elaine" [http://www.artvalue.com/default.aspx?ID=21&ARTISTE_ID=107681] . All this being said, it does appear that she can be most commonly found named in sources as simply "Elaine Hamilton".Problems of chronology in the life of Elaine Hamilton-O'Neal
It is difficult to establish a clear chronology on many points in the life of this artist. For example, the reader may have noticed an apparent discrepancy above: Craven writes that Elaine Hamilton was promoting abstract expressionism as a "universal style" in Pakistan during the 1950s, yet Marylandartsource.com asserts that she did not paint her first purely abstract painting until 1960. This would appear to be a contradiction, yet it must be remembered that
Willem De Kooning 's paintings of women are not purely abstract either, yet they are considered quintessential examples of abstract expressionism. But it is also possible that one of these two sources is simply in error.Here is another example of apparent discrepancy: not only does David Craven place Hamilton in Pakistan "during the 1950s", but also Rasheed Araeen (who is Pakistani [http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=2364&page=1] ) explicitly asserts that Hamilton was in Pakistan "at the time of the CIA’s supported military coup in Pakistan in 1957". Yet Marylandartsource.com tells us that after she went to Italy on a Fulbright in 1952 "the award was extended through 1953 and she chose to remain in Italy until 1959." It's very confusing: did she fly off for a brief side trip to Pakistan during her stay in Italy? One can only guess at explanations.
Certainly the exact chronology of events in the life of someone who traveled, worked, and exhibited so widely and frequently as Elaine Hamilton-O'Neal is a daunting task. Even while technically in residence in some particular place - whether Baltimore, New York, Mexico City, Florence, Karachi, Paris, or Birmingham, Alabama - she appears frequently to have been away on far-flung junkets to other places. The Benezit Dictionary does not exaggerate when it calls her a "globetrotter". Moreover, it does not help matters that she was apparently not in the habit of dating her paintings when she signed them (with any of the several versions of her name). In terms of chronology, any future biographer will have quite a job sorting all of this out.
ee also
*
Abstract expressionism
*Action painting
*Robert Brackman
*Diego Rivera
*Ismail Gulgee
*Michel Tapié
*Tachisme
*Art Students League of New York
*Fulbright Scholarship
*Mural
*Maryland Institute College of Art
*Catonsville,Maryland
*Baltimore
*Baltimore County,Maryland
*Women in art References
[Please note: where possible, these book sources have been externally linked to WorldCat's "Find in a library" service: simply follow the instructions there, using a zip code to find a copy of the book in a library within a given area.]
1. Bailey, Robert F. [http://worldcat.org/search?q=Maryland%27s+Forests+and+Parks%3A+A+Century+of+Progress&qt=owc_search "Maryland's forests and parks : a century of progress"] (
Charleston, S.C. : Arcadia Pub., 2006) ISBN 0738543519; ISBN 97807385435122. Benezit, E. [http://www.worldcatlibraries.org/wcpa/oclc/61030041 "Dictionary of Artists"] (
Paris : Gründ, 2006) [seeBenezit Dictionary of Artists ]3. Craven, David. [http://www.worldcatlibraries.org/oclc/39523558&tab=holdings "Abstract expressionism as cultural critique : dissent during the McCarthy period"] (Cambridge;
New York :Cambridge University Press, 1999) (See page 23 on Elaine Hamilton.) ISBN 0-521-43415-74. Dunbier, Lonnie. [http://www.worldcatlibraries.org/wcpa/oclc/46913212 "North American artists : the artists bluebook"] (
Scottsdale, AZ : AskART.com) [quarterly, every 3 months]OCLC 469132125. Galeria "Arte moderno" (Mexico). [http://www.worldcatlibraries.org/oclc/78562603&referer=brief_results "Exposicion de Elaine Hamilton O'Neal, 18 ene.-6 feb. 1952."] [solo exhibition catalogue] (Mexico : [s.n.] , 1952)
OCLC 785626036. Hamilton, Elaine. [http://www.worldcatlibraries.org/oclc/39556032&referer=brief_results "Elaine Hamilton "exhibition of paintings"] (
Karachi ,Pakistan , 1960) [solo exhibition catalogue]OCLC 39556032. Worldcat also lists this with the title [http://www.worldcatlibraries.org/oclc/78122245&referer=brief_results "Elaine Hamilton : "exhibition of paintings" ... Arts Council Galleries ... Apr. 24 to May 5, 1960"] , withOCLC 781222457. Hamilton, Elaine, Minami Gallery. [http://www.worldcatlibraries.org/oclc/83884181&referer=brief_results "Elaine Hamilton"] [solo exhibition catalogue] (
Tokyo : Minami Gallery, 1961)OCLC 838841818. Mitter, Partha. [http://www.worldcatlibraries.org/oclc/45829423&referer=brief_results "Indian art (Oxford History of Art)"] (Oxford :
Oxford University Press, 2001) ISBN 0-19-284221-89. Osaki, Shinichiro; Augusta Monferini; Marcella Cossu; Galleria nazionale d'arte moderna (Italy). [http://worldcat.org/oclc/24551407&referer=brief_results "Giappone all'avanguardia : il Gruppo Gutai negli anni Cinquanta" ("Japan in the vanguard: the Gutai group in the 1950s"] [Catalog of an exhibition held at the Galleria nazionale d'arte moderna, Rome, Dec. 6, 1990 - Feb. 28, 1991; text in Italian] (Milan, Italy : Electa, 1990) ISBN 8843534262; ISBN 9788843534265
10. Plenn, Virginia; and Jaime Harrysson Plenn. [http://www.worldcat.org/search?q=%22guide+to+modern+mexican+murals%22&qt=owc_search "A guide to modern Mexican murals"] (Mexico, D.F. : Ediciones Tolteca, 1963)
OCLC 5193584 (Please note: this source misspells the artist's name as "Elaine Hamilton O'Neil", as confirmed by a Google book search: [http://books.google.com/books?q=%22elaine+hamilton+o%27neil%22&btnG=Search+Books] .)11. Smithsonian Institution, in cooperation with the Institute of International Education. [http://www.worldcatlibraries.org/wcpa/oclc/3226790 "Fulbright painters"] (New York: Institute of International Education, 1958) [exhibition catalogue]
OCLC 322679012.
Tapié, Michel ; Elaine Hamilton; International Center of Aesthetic Research. [http://www.worldcatlibraries.org/oclc/78457310?tab=details "Michel Tapié presents Elaine Hamilton"] : [exhibition] International Center of Aesthetic Research, Torino (Italy), 1969.OCLC 78457310 (This listing may be redundant with that following: it is not clear from comparison between the Worldcat information and the marylandartsource information.)13. Tapié, Michel. Elaine Hamilton: Edizione del Dioscuro (
Torino ,Italy : International Center of Aesthetic Research), 1969. [Journal article byMichel Tapié ; this source and the one following are listed at Marylandartsource.com.]14. Tapié, Michel. [http://www.worldcatlibraries.org/oclc/81011323?tab=details "Elaine Hamilton: Exhibition of Paintings"] (
Osaka ,Japan : Fujikawa Gallery), April 12-18, 1961.OCLC 81011323 [solo exhibition catalogue with text byMichel Tapié ; this source and the one immediately preceding are listed at Marylandartsource.com.]15. Turner, Jane. [http://worldcat.org/oclc/34409675&referer=brief_results "Dictionary of Art"] (New York : Grove, 1996) ISBN 1884446000; ISBN 9781884446009; ISBN 0195170687; ISBN 9780195170689
16. U.S. Centre culturel américain, Paris. "Trois américains :
Art Brenner ,Robert Colescott , Elaine Hamilton.- Exposition à Paris, Centre culturel américain, 26 février-26 mars 1969" [http://www.worldcatlibraries.org/oclc/38695859&referer=brief_results Worldcat link] [exhibition catalogue in French] (Paris , Centre culturel américain, 1969) OCLC 38695859External links
* [http://www.marylandartsource.org/artists/detail_000000112.html MarylandArtSource.com] [includes several color images of the work] : [Please note: Marylandartsource.com is maintained by and therefore implicitly carries the authority of [http://marylandartsource.com/institutions/institution_barocpartners_page1.html the following institutions] : the
Baltimore Museum of Art ;Enoch Pratt Free Library ;Johns Hopkins University ;Maryland Institute College of Art ;Maryland Historical Society ; Maryland State Department of Education;University of Maryland, Baltimore County ;Walters Art Museum ]
* [http://www.dnr.state.md.us/centennial/BesleyPaper.pdf Pdf file containing (on p. 31) an interview with Elaine Hamilton-O'Neal (interview conducted for MD state forest service history project) on her childhood experience living in a Maryland state forest] [author: Robert F. Bailey]
* [http://www.findartinfo.com/search/listprices.asp?keyword=231365 Auction record, May 2006, Paris] [includes a color image]
* [Please note: at artnet.de/artist/424565431/elaine-hamilton.html, a page at a German art auction information site, there is an independent record of the same auction sale, with a color image. However, for some reason, saving this as a live link triggers the Wikipedia spam filter. The spam filter doesn't accept the domain 'artnet.de', though it is the first and foremost art market information site worldwide.]
* [http://www.askart.com/askart/artist.aspx?artist=109695 Askart.com page on Elaine Hamilton]
* [http://ah.brookes.ac.uk/conferences/1956legacies/resources/1956programme2.pdf Pdf version of program for Brookes University (UK) 2004 symposium, "1956: Legacies of Political Change", featuring paper by R. Araeen entitled "The Cold War, Abstract Expressionism and the Presence of the American Artist, Elaine Hamilton, at the Time of the CIA’s Supported Military Coup in Pakistan in 1957]
* [http://www.waikato.ac.nz/film/research/thirdtext/thirdtext.html Website of "Third Text"] an online journal of which Rasheed Araeen is founding editor, and which presents "Third world perspectives on contemporary art and culture"
* [http://www.sil.si.edu/DigitalCollections/Art-Design/artandartistfiles/AAPG/AAPG_details.cfm?id=52372 Artist file on Elaine Hamilton at the Smithsonian American Art Museum] ["Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs."]
* [http://www.lib.unc.edu/art/artistsfile.html#h Artist file listing for Elaine Hamilton at Joseph Curtis Cloane Art Art Library] , University of North Carolina: "The Artists File is a collection of art ephemera including exhibition announcements, press releases, newspaper clippings and fliers...."
* [http://bmoa.sirsi.net:6622/uhtbin/cgisirsi/fseTRfUH0J/0/57580005/88 Artist file listing for Elaine Hamilton at E. Kirkbride Miller Art Research Library at the Baltimore Museum of Art] (How to access the file record: ignore "timed out" message; just click on 'OK'; then type "Elaine Hamilton" in the box and click on 'subject' button.)
* [http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=2364&page=1 Pages on Rasheed Araeen at the Tate Gallery, London, including bio]
* [http://www.catonsvillehistory.org/ Catonsville Historical Society]
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