Đàn bầu

Vietnamese woman playing đàn bầu

The đàn bầu (pronounced [ɗǎn ɓə̌w]; đàn độc huyền or độc huyền cầm, 獨絃琴) is a Vietnamese monochord. While the earliest written records of the Dan Bau date its origin to 1770, many scholars^[who?] estimate its age to be up to one thousand years older than that. A popular legend of its beginning tells of a blind woman playing it in the market to earn a living for her family while her husband was at war. Whether this tale is based in fact or not, it remains true that the Dan Bau has historically been played by blind musicians. Until recent times, its soft volume limited the musical contexts in which it could be used. The Dan Bau, played solo, is central to Vietnamese folk music, a genre still popular today in the country. Its other traditional application is as an accompaniment to poetry readings. With the invention of the magnetic pickup, the usage of the Dan Bau spread to ensembles and also to contemporary Asian pop and rock music. Now, electronics designed for the electric guitar are sometimes employed with the Dan Bau to further expand its tonal palate.

Originally, the Dan Bau was made of just four parts: a bamboo tube, a wooden rod, a coconut shell half, and a silk string. The string was strung across the bamboo, tied on one end to the rod, which is perpendicularly attached to the bamboo. The coconut shell was attached to the rod, serving as a resonator. In present days, the bamboo has been replaced by a wooden soundboard, with hardwood as the sides and softwood as the middle. An electric guitar string has replaced the traditional silk string. While the gourd is still present, it is now generally made of wood, acting only as a decorative feature. Also, most Dan Bau now have modern tuning machines, so the base pitch of the string can be adjusted. Usually the instrument is tuned to one octave below middle C, about 130.813 Hz, but it can be tuned to other notes to make it easier to play in keys distant from C.

Playing the Dan Bau is simple but requires a great deal of precision. The pinky of the right hand gently taps the string at one of seven commonly used nodes while the other fingers pluck the string using a long plectrum. The nodes the pinky taps are the notes of the first seven overtones. So the pinky plays flageolets, similar to what guitar players do at the string positions above the octave (1/2), the perfect fifth (2/3), the perfect fourth (3/4), the just major third (4/5), the just minor third (5/6) and two tones not appearing in the Western scale: the septimal minor third (6/7) and the septimal whole tone (7/8). With the left hand, the player can push the flexible rod towards the instrument using the index finger to lower the pitch of the note, or the player can pull the rod away from the instrument with the thumb to raise the pitch of the note. This technique is used both to play notes not available at a node as well as to add vibrato to any note.

The duxianqin, found in southern China, is nearly identical to the Dan Bau, differing only sometimes in materials. The reason for the parallel structure of these two instruments is probably that the Dan Bau was brought over when the Jing people, ethnically Vietnamese, fled to China in the sixteenth century.^{[citation needed]}

External links

• Dan bau page
• Đàn bầu page from DanTranh.com
• Dan bau page from DanTranh.com
• Vietnamese music page

Video

• Dan bau instructional video

See also

• Music of Vietnam
• Duxianqin
• Diddley bow