- Hard Times
Title page of serial Household Words, April 3, 1854
Author(s) Charles Dickens Original title Hard Times - For These Times Country England Language English Series Weekly:
April 1, 1854 -
August 12, 1854
Publisher Bradbury & Evans Publication date 1854 Media type Print (Serial, Hardback, and Paperback) Preceded by Bleak House Followed by Little Dorrit
Hard Times - For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book appraises English society and is aimed at highlighting the social and economic pressures of the times.
- 1 Background
- 2 Prevalence of utilitarianism
- 3 Publication
- 4 Synopsis
- 5 Major characters
- 6 Major themes
- 7 Literary significance & criticism
- 8 References
- 9 External links
The novel is unusual in that it did not contain illustrations; nor is it set in or around London (both usual in Dickens's novels). Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, not unlike Manchester, partially based upon 19th-century Preston.
Dickens's reasons for writing Hard Times were mostly monetary. Sales of his weekly periodical, Household Words, were low, and he hoped the inclusion of this novel in instalments would increase sales. Since publication it has received a mixed response from a diverse range of critics, such as F.R. Leavis, George Bernard Shaw, and Thomas Macaulay, mainly focusing on Dickens's treatment of trade unions and his post-Industrial Revolution pessimism regarding the divide between Capitalist mill owners and undervalued workers during the Victorian era.
Prevalence of utilitarianism
The Utilitarians were one of the targets of this novel. Utilitarianism was a prevalent school of thought during this period, its founders being Jeremy Bentham and James Mill, father to political theorist John Stuart Mill. Theoretical Utilitarian ethics hold that promotion of general social welfare is the ultimate goal for the individual and society in general: "the greatest amount of happiness for the greatest number of people." Dickens believed that in practical terms, the pursuit of a totally rationalized society could lead to great misery.
Bentham's former secretary, Edwin Karbunkle, helped design the Poor Law of 1834, which deliberately made workhouse life as uncomfortable as possible. In the novel, this is conveyed in Bitzer's response to Gradgrind's appeal for compassion.
Dickens was appalled by what was, in his interpretation, a selfish philosophy, which was combined with materialist laissez-faire capitalism in the education of some children at the time, as well as in industrial practices. In Dickens' interpretation, the prevalence of utilitarian values in educational institutions promoted contempt between mill owners and workers, creating young adults whose imaginations had been neglected, due to an over-emphasis on facts at the expense of more imaginative pursuits.
Dickens wished to satirize radical Utilitarians whom he described in a letter to Charles Knight as "see[ing] figures and averages, and nothing else." He also wished to campaign for reform of working conditions. Dickens had visited factories in Manchester as early as 1839, and was appalled by the environment in which workers toiled. Drawing upon his own childhood experiences, Dickens resolved to "strike the heaviest blow in my power" for those who laboured in horrific conditions.
John Stuart Mill had a similar, rigorous education to that of Louisa Gradgrind, consisting of analytical, logical, mathematical, and statistical exercises. In his twenties, Mill had a nervous breakdown, believing his capacity for emotion had been enervated by his father's stringent emphasis on analysis and mathematics in his education. In the book, Louisa herself follows a parallel course, being unable to express herself and falling into a temporary depression as a result of her dry education.
The novel was published as a serial in his weekly publication, Household Words. Sales were highly responsive and encouraging for Dickens who remarked that he was "Three parts mad, and the fourth delirious, with perpetual rushing at Hard Times". The novel was serialised, every week, between April 1 and August 12, 1854. It sold well, and a complete volume was published in August, totalling 110,000 words. Another related novel, North and South by Elizabeth Gaskell, was also published in this magazine.
The novel follows a classical tripartite structure, and the titles of each book are related to Galatians 6:7, "For whatsoever a man soweth, that shall he also reap." Book I is entitled "Sowing", Book II is entitled "Reaping", and the third is "Garnering."
Book I: Sowing
Mr. Gradgrind, whose voice is "dictatorial", opens the novel by stating "Now, what I want is facts" at his school in Coketown. He is a man of "facts and calculations." He interrogates one of his pupils, Sissy, whose father is involved with the circus, the members of which are "Fancy" in comparison to Gradgrind's espousal of "Fact." Since her father rides and tends to horses, Gradgrind offers Sissy the definition of horse. She is rebuffed for not being able to define a horse factually; her classmate Bitzer does, however, provide a more zoological profile description and factual definition. She does not learn easily, and is censured for suggesting that she would carpet a floor with pictures of flowers "So you would carpet your room—or your husband's room, if you were a grown woman, and had a husband—with representations of flowers, would you? Why would you?" She is taught to disregard Fancy altogether. It is Fancy Vs Fact.
Louisa and Thomas, two of Mr. Gradgrind's children, pay a visit after school to the touring circus run by Mr. Sleary, only to find their father, who is disconcerted by their trip since he believes the circus to be the bastion of Fancy and conceit. With their father, Louisa and Tom trudge off in a despondent mood. Mr. Gradgrind has three younger children: Adam Smith, (after the famous theorist of laissez-faire policy), Malthus (after Rev. Thomas Malthus, who wrote An Essay on the Principle of Population, warning of the dangers of future overpopulation) and Jane.
Josiah Bounderby, "a man perfectly devoid of sentiment", is revealed as being Gradgrind's boss. Bounderby is a manufacturer and mill owner who is affluent as a result of his enterprise and capital. Bounderby is what one might call a "self-made man" who has risen from the gutter. He is not averse to giving dramatic summaries of his childhood, which terrify Mr. Gradgrind's wife who is often rendered insensate by these horrific stories. He is described in an acerbic manner as being "the Bully of Humility."
Mr. Gradgrind and Bounderby visit the public-house where Sissy resides to inform her that she cannot attend the school any more due to the risk of her ideas propagating in the class. Sissy meets the two collaborators, informing them her father has abandoned her not out of malice, but out of desire for Sissy to lead a better life without him. This was the reasoning behind him enlisting her at Gradgrind's school and Gradgrind is outraged at this desertion. At this point members of the circus appear, fronted by their manager, Mr. Sleary. Mr. Gradgrind gives Sissy a choice: either to return to the circus and forfeit her education, or to continue her education and never to return to the circus. Sleary and Gradgrind both have their say on the matter, and at the behest of Josephine Sleary she decides to leave the circus and bid all the close friends she had formed farewell, hoping she may one day be re-united with her father.
Back at the Gradgrind house, Tom and Louisa sit down and discuss their feelings, however repressed they seem to be. Tom, already at this present stage of education finds himself in a state of dissatisfaction, and Louisa also expresses her discontent at her childhood while staring into the fire. Louisa's ability to wonder, however, has not been entirely extinguished by her rigorous education based in Fact.
We are introduced to the workers at the mills, known as the "Hands." Amongst them is a man named Stephen Blackpool or "Old Stephen" who has led a toilsome life. He is described as a "man of perfect integrity." He has ended his day's work, and his close companion Rachael is about somewhere. He eventually meets up with her, and they walk home discussing their day. On entering his house he finds that his drunken wretch of a wife, who has been in exile from Coketown, has made an unwelcome return to his house. She is unwell, and mumbles inebriated remarks to Stephen, who is greatly perturbed by this event.
The next day, Stephen makes a visit to Bounderby to try and end his woeful, childless marriage through divorce. Mrs. Sparsit, Mr. Bounderby's paid companion, is "dejected by the impiety" of Stephen and Bounderby explains that he could not afford to effect an annulment anyway. Stephen is very bewildered and dejected by this verdict given by Bounderby.
Meanwhile, Mr. Gradgrind prepares to talk to his daughter about a "business proposal", but she is seemingly apathetic in his company, and this seems to frustrate Mr. Gradgrind's efforts. He says that a proposal of marriage has been made to Louisa by Josiah Bounderby, who is some 30 years her senior. Gradgrind uses statistics to prove that an age inequity in marriage does not prove an unhappy or short marriage however. Louisa passively accepts this offer. Bounderby is rendered ecstatic by the news, as is Louisa's mother, who again is so overwhelmed that she is overcome yet again. Sissy is confounded by, but piteous of, Louisa.
Bounderby and Louisa get married, and they set out to their honeymoon in "Lyon"; so Bounderby can observe the progress of his 'Hands' (labourers who work in his factories there). Tom, her brother, bumps into her before they leave. They hug each other, Tom bidding her farewell and promising to look for her after they come back from their honeymoon.
Book 2: Reaping
Book Two opens with the attention focused on Bounderby's new bank in Coketown, of which Bitzer alongside the austere Mrs. Sparsit keep watch at night for intruders or burglars. A dashing gentleman enters, asking for directions to Bounderby's house, as Gradgrind has sent him from London, along with a letter. It is James Harthouse, a languid fellow, who became an MP out of boredom.
Harthouse is introduced to Bounderby, who regales him with improbable stories of his childhood. Harthouse is utterly bored by the blusterous millowner, yet is astounded by his wife, Louisa, and notices her melancholy nature. Louisa's brother Tom works for Bounderby, and he has become reckless and wayward in his conduct, despite his meticulous education. Tom decides to take a liking to James Harthouse, on the basis of his clothes, showing his superficiality. Tom is later debased to animal status, as he comes to be referred to as the "whelp", a denunciatory term for a young man. Tom is very forthcoming in his contempt for Bounderby in the presence of Harthouse, who soaks up all these secretive revelations.
Stephen is called to Bounderby's mansion, where he informs him of his abstention from joining the union led by the orator Slackbridge, and Bounderby accuses Stephen of fealty and of pledging an oath of secrecy to the union. Stephen denies this, and states that he avoided the Union because of a promise he'd made earlier to Rachael. Bounderby is bedevilled by this conflict of interest and accuses Stephen of being waspish. He dismisses him on the spot, on the basis that he has betrayed both employer and union. Later on a bank theft takes place at the Bounderby bank, and Stephen Blackpool is inculpated in the crime, due to him loitering around the bank at Tom's promise of better times to come, the night before the robbery.
Sparsit observes that the relationship between James Harthouse and Louisa is moving towards a near tryst. She sees Louisa as moving down her "staircase", metaphorically speaking. She sets off from the bank to spy upon them, and catches them at what seems to be a propitious moment. However, despite Harthouse confessing his love to Louisa, Louisa is restrained, and refuses an affair. Sparsit is infatuated with the idea that the two do not know they are being observed. Harthouse departs as does Louisa, and Mrs. Sparsit tries to stay in pursuit, thinking that Louisa is going to assent to the affair, though Louisa has not. She follows Louisa to the railway station assuming that Louisa has hired a coachman to dispatch her to Coketown. Sparsit however, misses the fact that Louisa has instead boarded a train to her father's house. Sparsit relinquishes defeat and proclaims "I have lost her!" When Louisa arrives at her father's house, she is revealed to be in an extreme state of disconsolate grief. She accuses her father of denying her the opportunity to have an innocent childhood, and that her rigorous education has stifled her ability to express her emotions. Louisa collapses at her father's feet, into an insensible torpor.
Book 3: Garnering
Mrs. Sparsit arrives at Mr. Bounderby's house, and reveals to him the news her surveillance has brought. Mr. Bounderby, who is rendered irate by this news, journeys to Stone Lodge, where Louisa is resting. Mr. Gradgrind tries to disperse calm upon the scene, and reveals that Louisa resisted the temptation of adultery. Bounderby is inconsolable and he is immensely indignant and ill-mannered towards everyone present, including Mrs. Sparsit, for her falsehood. Bounderby finishes by offering the ultimatum to Louisa of returning to him, by 12 o'clock the next morning, else the marriage is forfeited. Suffice it to say, Mr. Bounderby resumes his bachelorhood when the request is not met.
The discomfited Harthouse leaves Coketown, on an admonition from Sissy Jupe, never to return. He submits. Meanwhile, Mr. Gradgrind and Louisa cast suspicions that Tom, the "whelp", may have committed the bank robbery. Stephen Blackpool who has been absent from Coketown, trying to find mill work under a pseudonym, tries to exculpate himself from the robbery. On walking back to Coketown, he falls down the Old Hell Shaft, an old pit, completing his terminal bad luck in life. He is rescued by villagers, but after speaking to Rachael for the last time, he dies.
Louisa suspects that Tom had a word with Stephen, making a false offer to him, and therefore urging him to loiter outside of the bank. Mr. Gradgrind and Sissy concur with this theory and resolve to find Tom, since he is in danger. Sissy makes a plan for rescue and escape, however, and she reveals that she suspected Tom early on during the proceedings. She sends Tom off to the circus that she used to be a part of, namely Mr. Sleary's. Louisa and Sissy travel to the circus; Tom is there, disguised in blackface. Remorselessly, Tom says that he had little money, and that robbery was the only solution to his dilemma. Mr. Sleary is not aware. The two have feelings of acrimony towards each other. Bounderby dies of a fit in a street one day. Tom dies in the Americas, having begged for penitence in a half-written letter to his sister, Louisa. Louisa herself grows old and never remarries. Mr. Gradgrind abandons his Utilitarian stance, which brings contempt from his fellow MPs, who give him a hard time. Rachael continues to labour while still consistently maintaining her work ethic and honesty. Sissy is the moral victor of the story, as her children have also escaped the desiccative education of the Gradgrind school and grown learned in "childish lore."
Thomas Gradgrind is a utilitarian who is the founder of the educational system in Coketown. "Eminently practical" is Gradgrind's recurring description throughout the novel, and practicality is something he zealously aspires to. He represents the stringency of Fact, statistics and other materialistic pursuits. He is a "square" person and this can be seen not only through Dickens´description of his personality but also through the description of his physical appearance, "square shoulders".
Only after his daughter's breakdown does he come to a realisation that things such as poetry, fiction and other pursuits are not "destructive nonsense." In the third book, not only does he notice the existence of the unknown thought of "fancy" but he ironically asks Bitzer (one of his students in book the first, who gives a perfect description of a horse) if he has a heart (to save Tom) and in this situation, Bitzer again gives a very scientific response.
Josiah Bounderby is a business associate of Mr. Gradgrind. A thunderous merchant given to lecturing others, and boasting about being a self-made man. He employs many of the other central characters of the novel, and his rise to prosperity is shown to be an example of social mobility. He marries Mr. Gradgrind's daughter Louisa, some 30 years his junior, in what turns out to be a loveless marriage. They have no children. Bounderby is the main target of Dickens' attack on the supposed moral superiority of the wealthy, and is revealed to be a hypocrite in his sensational comeuppance at the end of the novel. He is the " bully of humility" as he tells everyone that he is a "self made man" and that his mother left him to be looked after by his grandmother but then, due to Mrs. Sparsit's wrong accusation of thinking that Mrs. Pegler was the bank robber, we find that he has been lying.
He uses Mrs. Sparsit in order to give him status as she belonged to the "Powlers," a prominent and high-class family. Bounderby takes advantage of Mrs. Sparsit by expecting people of a lower status to respect her presence.
Louisa (Loo) Gradgrind, later Louisa Bounderby, is the unemotional, distant and eldest child of the Gradgrind family. She has been taught to abnegate her emotions, and finds it hard to express herself clearly, saying as a child she has "unmanageable thoughts." She is married to Josiah Bounderby, in a very logical and businesslike manner, representing the emphasis on factuality and business pathos of her education. Her union is a disaster and she is tempted into adultery by James Harthouse, yet she manages to resist this temptation with help from Sissy.
All her life she has been "gazing into the fire" "wondering" in the first book we find that she wonders not knowing what it is she is wondering about, in book two with Mrs. Gradgrind's death we get the impression that she well will find out as Mrs. Gradgrind (another victim of the system) says: "there is something wrong" she dies without knowing what it is. It is at the end of book two after Harthouse's love declaration when Louisa understands the meaning of love, fancy, everything that until that moment her life had lacked. She realizes how immature the decision of marrying Bounderby was (only because of Tom's insistence). She then goes to complain to her father and all he says is: "I never knew you were unhappy my child". This shows how Louisa has made him recognize the existence of fancy. Fancy is transmitted through a chain, as Harthouse does to Louisa and Louisa to Gradgrind. The chain breaks at the end of the novel when Gradgrind tries to pass it onto Bitzer.
Cecilia (Sissy) Jupe is the embodiment of imagination, hope and faith. After she is abandoned by her father, a circus performer at Sleary's circus, Gradgrind offers Sissy the chance to study at his school and to come and live at Stone Lodge with the Gradgrind children. Sleary also offers her a place and tells her she will be treated like one of the family, but Sissy follows her father's wishes of her having a good education, goes to live with Gradgrind. She goes through "hard times" when she is with the Gradgrinds at the beginning because she does not understand the difference between a life based upon facts and one based upon fancy, like hers. When she does notice this, she leaves school in order to look after ill Mrs. Gradgrind. She always asks Mr. Gradgrind if a letter from her father arrived.
Due to Sissy's high morals and natural warm-heartedness she has a huge influence on the Gradgrind family. When Mrs Gradgrind dies she largely takes over the role of mothering the younger Gradgrind Children: Jane, Adam Smith and Malthus.
She is the biggest representative of fancy in the novel. She offers the contrast between fact and fancy. She finishes happy and surrounded by children.
Thomas (Tom) Gradgrind, Junior is the oldest son and second child of the Gradgrinds. Tom develops as a thoroughly contemptible character. Initially sullen and bitterly resentful of his father's Utilitarian Gradgrindian education, Tom has a very strong relationship with his sister Louisa. At length, Tom starts work in Bounderby's bank (which he later robs), and descends into sybaritic gambling and drinking - he is indiscreet over Louisa's marriage to Bounderby with James Harthouse. Nonetheless Louisa never ceases to deeply adore Tom, and she aids Sissy and Mr. Gradgrind in saving her brother from arrest. It is also hinted that Tom has romantic feelings for Sissy that are partly reciprocated. He is, ultimately, an insecure wastrel.
He tells Blackpool to wait for him outside the bank and if he has something to give him, he will make sure Bitzer gives it to him. He tricks him by doing so as he only does so in order to make him look as if it was he who robbed the bank, maybe as a form of revenge after Bounderby sacked him. He is found out in book three where Blackpool is shown to be innocent. Mr. Gradgrind makes signs to put them up in the whole town clearing Blackpool's name and putting the blame on his own son.
Stephen Blackpool, or "Old Stephen" as he is referred to by his fellow Hands, is a worker at one of Bounderby's mills. His life is immensely strenuous, and he is married to a constantly inebriated wife who comes and goes throughout the novel. She remains anonymous and unidentified throughout the novel. He forms a close bond with Rachael, a co-worker. After a dispute with Bounderby, he is dismissed from his work at the Coketown mills and is forced to find work elsewhere. Whilst absent from Coketown he is accused of a crime for which he has been framed. Tragically, on his way back to vindicate himself, he falls down a mine-shaft. He is rescued but dies of his injuries.
Stephen is a man "of perfect integrity", a man who will never give up his moral standpoint to follow along with the crowd, a quality which leads to the conflict with Slackbridge and the Trade Union.
Bitzer – is a very pale classmate of Sissy's and brought up on facts and is taught to operate according to self-interest. He takes up a job in Bounderby's bank, and later tries to arrest Tom.
Rachael - is the supportive friend of Stephen Blackpool who attests to his innocence when he is accused of robbing Bounderby's bank. She is a factory worker, childhood friend of Blackpool's drunken and often absent wife, and becomes the literary tool for bringing the two parallel story lines together at the brink of Hell's Shaft in the final book.
Mrs. Sparsit – is a "classical" widow who has fallen upon despairing circumstances. She is employed by Bounderby, yet her officiousness and prying get her fired in a humorous send-off by Bounderby.
James Harthouse – enters the novel in the 2nd book. James is an indolent, languid, upper-class gentleman, who attempts to woo Louisa, and gets sent away by Sissy.
Mrs. Pegler – is a "mysterious old woman" who turns out to be Bounderby's mother.
Slackbridge – is a trade union leader
Various circus folk", including Signor Jupe (Sissy's father, who never actually appears in the novel), his dog Merrylegs, Mr. Sleary (the lisping manager of the circus) and Cupid, used to represent that the world of the circus is not always as pure as is represented by Sissy and Sleary.
Mrs. Gradgrind – the wife of Mr. Gradgrind, who is an invalid and complains constantly. Her marriage to Thomas is a precursor of Louisa's marriage to Bounderby.
Mr. M'Choakumchild – the teacher of the class containing Sissy Jupe and Bitzer, says very little but his name suggests a cold personality that stifles imagination.
Relating back to Dickens' aim to "strike the heaviest blow in my power," he wished to educate readers about the working conditions of some of the factories in the industrial towns of Manchester, and Preston. Relating to this also, Dickens wished to confront the assumption that prosperity runs parallel to morality, a notion which is systematically deconstructed in this novel through his portrayal of the moral monsters, Mr. Bounderby, and James Harthouse. Dickens was also campaigning for the importance of imagination in life, and not for people's life to be reduced to a collection of material facts and statistical analyses. Dickens' favourable portrayal of the Circus, which he describes as caring so "little for Plain Fact", is an example of this.
Fact vs. Fancy
This theme is developed early on, the bastion of Fact being the eminently practical Mr. Gradgrind, and his model school, which teaches nothing but Facts. Any imaginative or aesthetic subjects are eradicated from the curriculum, but analysis, deduction and mathematics are emphasised. Conversely, Fancy is the opposite of Fact, encompassing, fiction, music, poetry, and novelty shows such as Sleary's circus. It is interesting that Mr. Sleary is reckoned to be a fool by the Fact men, but it is Sleary who realises people must be "amuthed" (amused). This is made cognisant by Tom's sybaritic gambling and Louisa, who is virtually soulless as a young child, and as a married woman. Bitzer, who has adhered to Gradgrind's teachings as a child, turns out to be an uncompassionate egotist.
Officiousness and spying
Prying and knowledge is key to several characters, namely Mrs. Sparsit and Mr. Bounderby. Mr. Bounderby spends his whole time fabricating stories about his childhood, covering up the real nature of his upbringing, which is solemnly revealed at the end of the novel. While not a snooper himself, he is undone by Sparsit unwittingly revealing the mysterious old woman to be his own mother, and she unravels Josiah's secrets about his upbringing and fictitious stories. Mr. Bounderby himself superintends through calculating tabular statements and statistics, and is always secretly rebuking the people of Coketown for indulging in conceitful activities. This gives Bounderby a sense of superiority, as it does with Mrs. Sparsit, who prides herself on her salacious knowledge gained from spying on others. Bounderby's grasp for superiority is seen in Blackpool's talks to Bounderby regarding divorce proceedings and a union movement at his factory, accusing him that he is on a quest 'to feast on turtle soup and venison, served with a golden spoon.' All "superintendents" of the novel are undone in one way, or another.
This is closely related to Dickens' typical social commentary, which is a theme he uses throughout his entire œuvre. Dickens portrays the wealthy in this novel as being morally corrupt. Bounderby has no moral scruples; he fires Blackpool "for a novelty". He also conducts himself without any shred of decency, frequently losing his temper. He is cynically false about his childhood. Harthouse, a leisured gent, is compared to an "iceberg" who will cause a wreck unwittingly, due to him being "not a moral sort of fellow", as he states himself. Stephen Blackpool, a destitute worker, is equipped with perfect morals, always abiding by his promises, and always thoughtful and considerate of others, as is Sissy Jupe.
Literary significance & criticism
Critics have had a diverse range of opinions on the novel. Renowned critic John Ruskin declared Hard Times to be his favourite Dickens work due to its exploration of important social questions. However, Thomas Macaulay branded it "sullen socialism", on the grounds that Dickens did not fully comprehend the politics of the time. This point was also made by George Bernard Shaw, who decreed Hard Times to be a novel of "passionate revolt against the whole industrial order of the modern world." Shaw criticized the novel for its failure to provide an accurate account of trade unionism of the time, deeming Dickens' character of Slackbridge, the poisonous orator as "a mere figment of middle-class imagination."
F. R. Leavis, in his controversial book, The Great Tradition, described the book as essentially being a moral fable, and awarded it the distinction of being a work of art, decreeing it the only significant novel of Dickens worth scrutinizing.
Walter Allen, in an introduction to an alternative edition, characterised Hard Times as being an unsurpassed "critique of industrial society", which was later superseded by works of D. H. Lawrence. Other writers have described the novel as being, as G. K. Chesterton commented in his work Appreciations and Criticisms, "the harshest of his stories"; whereas George Orwell praised the novel (and Dickens himself) for "generous anger."
- Ackroyd, Peter (1991). Dickens: A Biography. Harpercollins. ISBN 0-06-016602-9.
- Dickens, Charles (1854). Hard Times. Wordsworth: Printing Press. ISBN 1-85326-232-3.
- House. M.; Storey. G. & Tillotson. K. (1993). The Pilgrim Edition of the letters of Charles Dickens, Vol VIII.. Oxford University Press. ISBN 0-19-812617-4.
- Leavis, F. R. (1970). The Great Tradition. Chatto and Windus.
- Thorold, Dinny (1995). Introduction to Hard Times. Wordsworth: Printing Press.
- "1870 illustrations of Hard Times". Harry French's Twenty Plates for Dickens's "Hard Times for These Times " in the British Household Edition (1870s). http://www.victorianweb.org/art/illustration/french/pva202.html. Retrieved May 23, 2005.
- "Basic summary of Hard Times". ClassicNotes: Hard Times Short Summary. http://www.gradesaver.com/ClassicNotes/Titles/hard/shortsumm.html. Retrieved May 23, 2005.
- "Hard Times". Appreciations and Criticisms of the Works of Charles Dickens by G.K. Chesterton. http://www.dickens-literature.com/Appreciations_and_Criticisms_by_G.K_Chesterton/16.html. Retrieved July 31, 2007.
- "Hard Times: An Introduction". Hard Times: An Introduction by Walter Ellis. http://home.vicnet.net.au/~hartwell/hardtime/introd.htm. Retrieved May 23, 2005. [dead link]
- Online editions
- Hard Times at Internet Archive.
- Hard Times at Project Gutenberg
- Hard Times complete copyleft-version at GRIN (German publ.house)]
- Hard Times — complete book in HTML one page for each chapter.
- Hard Times — Searchable HTML version.
- Hard Times — Easy-to-read HTML version.
- Hard Times — PDF scan of entire novel as it appeared in Household Words.
- Hard Times — audiobook (MP3 and Ogg) from LibriVox
- Google.co.uk books version
- Hard Times - three pictures for baritone and chamber orchestra music by Enrico Minaglia - text drawn from Charles Dickens' novel (mp3 audio files + pdf libretto)
- Filmed versions
Works by Charles Dickens NovelsThe Pickwick Papers (1836–1837) · Oliver Twist (1837–1839) · Nicholas Nickleby (1838–1839) · The Old Curiosity Shop (1840–1841) · Barnaby Rudge (1840–1841) · Martin Chuzzlewit (1843–1844) · Dombey and Son (1846–1848) · David Copperfield (1849–1850) · Bleak House (1852–1853) · Hard Times (1854) · Little Dorrit (1855–1857) · A Tale of Two Cities (1859) · Great Expectations (1860–1861) · Our Mutual Friend (1864–1865) · The Mystery of Edwin Drood (unfinished) (1870) Christmas books Short storiesSunday Under Three Heads (1836) · The Lamplighter (1838) · A Child's Dream of a Star (1850) · Captain Murderer · The Long Voyage (1853) · The Lazy Tour of Two Idle Apprentices (1857) (with Wilkie Collins) · Hunted Down (1859) · The Signal-Man (1866) · George Silverman's Explanation (1868) · Holiday Romance (1868) Christmas
short storiesA Christmas Tree (1850) · What Christmas is, as We Grow Older (1851) · The Poor Relation's Story (1852) · The Child's Story (1852) · The Schoolboy's Story (1853) · Nobody's Story (1853) · Going into Society (1858) · Somebody's Luggage (1862) · Mrs Lirriper's Lodgings (1863) · Mrs Lirriper's Legacy (1864) · Doctor Marigold's Prescriptions (1865)
Non-fiction Poetry & plays Journalism CollaborationsHousehold Words: The Seven Poor Travellers (1854) (with Wilkie Collins, Adelaide Proctor, George Sala and Eliza Linton) · The Holly-tree Inn (1855) · (with Wilkie Collins, William Howitt, Harriet Parr, and Adelaide Procter) · The Wreck of the Golden Mary (1856) (with Wilkie Collins, Adelaide Proctor, Harriet Parr, Percy Fitzgerald and Rev. James White) · The Perils of Certain English Prisoners (1857) (with Wilkie Collins) · A House to Let (1858) (with Wilkie Collins, Elizabeth Gaskell and Adelaide Procter)
All the Year Round: The Haunted House (1859) (with Wilkie Collins, Elizabeth Gaskell, Adelaide Procter, George Sala, and Hesba Stretton) · A Message from the Sea (1860) (with Wilkie Collins, Robert Buchanan, Charles Allston Collins, Amelia Edwards, and Harriet Parr) · Tom Tiddler's Ground (1861) (with Wilkie Collins, John Harwood, Charles Allston Collins, and Amelia Edwards) · The Trial for Murder (1865) (with Charles Allston Collins) · Mugby Junction (1866) (with Andrew Halliday, Charles Allston Collins, Hesba Stretton and Amelia Edwards) · No Thoroughfare (1867) (with Wilkie Collins)
Articles & essaysA Visit to Newgate (1836) · Epitaph of Charles Irving Thornton (1842) · In Memoriam W. M. Thackeray (1850) · A Coal Miner's Evidence (1850) · Frauds on the Fairies (1853) · The Lost Arctic Voyagers (1854)
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Hard Times — Titre original The Hard Times of RJ Berger Genre Sitcom Créateur(s) David Katzenberg Seth Grahame Smith Production David Katzenberg Seth Grahame Smith Pays d’origine … Wikipédia en Français
Hard Times — (1854) a book by Charles ↑Dickens about life in an imaginary industrial city in northern England. One of its main characters is the businessman Thomas Gradgrind, who is only interested in facts and practical matters, and teaches his children that … Dictionary of contemporary English
hard times — noun a time of difficulty (Freq. 1) • Hypernyms: ↑time * * * hard times see ↑hard, 1 • • • Main Entry: ↑time * * * Hard Times [Hard Times … Useful english dictionary
hard times — a time of poverty and drought and famine We endured hard times in the 1930s. We were all poor … English idioms
hard times — difficult period, trying times, troubled times (caused by economic problems, etc.) … English contemporary dictionary
Hard Times — a novel (1845) by Charles Dickens. It tells how Thomas Gradgrind, a tough businessman, tries to bring up his children according to strict principles, and realizes too late that his very practical character has made their lives unhappy. * * * … Universalium
hard times — /had ˈtaɪmz/ (say hahd tuymz) plural noun a period of deprivation or difficulty … Australian English dictionary
Hard, Hard Times — is a traditional Newfoundland folk song/ballad. There is an earlier version, from England, called Rigs of the Times . The latest version written in 1936 at the time of the Great Depression by William Emberley of Bay de Verde and performed by Dick … Wikipedia
Hard Times Café — is a cooperatively owned restaurant in the Cedar Riverside neighborhood of Minneapolis, Minnesota. It is known for its punk and hippie ideology, its gritty ambience, and its large selection of vegan and vegetarian food. It is open 22 hours a day … Wikipedia
Hard Times (disambiguation) — Hard Times can refer to: * Hard Times , a novel by Charles Dickens * , a book by Studs Terkel * Hard Times , a song by Stephen Foster * At least seven movies. See Hard Times (film). * Hard Times , a song by Public Image Limited … Wikipedia