We Gotta Get out of This Place

Infobox Single
Name = We Gotta Get out of This Place


Artist = The Animals
from Album =
B-side = "I Can't Believe It"
Released = July 1965 (UK)
September 1965 (U.S.)
Format = 7" single
Recorded = 1965
Genre = Rock
Length = 3:17
Label = Columbia Graphophone (UK)
MGM Records (U.S.)
Writer = Barry Mann, Cynthia Weil
Producer = Mickie Most
Chart position =

#2 (UK)

#13 (U.S.)

#2 (CDA)

Reviews =
Last single = "Bring It On Home to Me"
(1965)
This single = "We Gotta Get out of This Place"
(1965)
Next single = "It's My Life"
(1965)"We Gotta Get out of This Place", occasionally written "We've Gotta Get out of This Place", [Spelling on original Columbia Graphophone single release label used the "We've" form; the sleeve left out the "Of". However, song publisher BMI registers it as "We" (see [http://repertoire.bmi.com/TitleSearch.asp?querytype=WorkName&page=1&fromrow=1&torow=25&keyname=we%20gotta%20get%20out%20of%20this%20place&blnWriter=True&blnPublisher=True&blnArtist=False&blnAltTitles=False BMI searchable database] ) as do the large majority of music references sources and album labels.] is a rock song written by Barry Mann and Cynthia Weil and recorded as a 1965 hit single by The Animals. It has become an iconic song of its type and was immensely popular among United States Armed Forces during the Vietnam War.

In 2004 it was ranked number 233 on "Rolling Stone"'s The 500 Greatest Songs of All Time list; it is also in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list.

History

Barry Mann and Cynthia Weil were husband and wife (and future Hall of Fame) songwriters associated with the 1960s Brill Building scene in New York City. [cite web | url=http://mann-weil.com/biographies.html | title=Barry Mann & Cynthia Weil | publisher=The Official Barry Mann and Cynthia Weil Web site | accessdate=2007-02-18]

"We Gotta Get out of This Place" was written and recorded as a demo by Mann and Weil, with Mann singing and playing piano. It was intended for The Righteous Brothers (for whom them they had written the epic hit "You've Lost That Lovin' Feelin'"), and indeed the demo almost sounds like a Righteous Brothers recording, with the piano supplying the easily-recognized bass line and both a pop and blue-eyed soul feeling accompanying the foreboding lyrics.cite news | author=Dale Kawashima | url=http://www.songwriteruniverse.com/mannweil.htm | title=Legendary Songwriting Duo Barry Mann & Cynthia Weil Talk About Their Classic Hits and New Projects | publisher="Songwriter Universe" | accessdate=2007-02-18 Demo audio stream at end of article.] But then Mann gained a recording contract for himself, and his label Redbird Records wanted him to release it instead. Meanwhile, record executive Allen Klein had heard it and given the demo to Mickie Most, the producer for The Animals. Most already had a call out to Brill Building songwriters for material for the group's next recording session (the Animals hits "It's My Life" and "Don't Bring Me Down" came from the same call [cite web | url=http://www.spectropop.com/CarlD/index.htm | title=Songwriter Carl D'Errico Interviewed by Mick Patrick | publisher=Spectropop | accessdate=2007-02-18] ), and The Animals recorded it before Mann could.

In The Animals' rendition, the lyrics were slightly reordered and reworded from the demo, and opened with what seemed to be a reference to their industrial, working class Northern England origins:

:"In this dirty old heart of the city:"Where the sun refused to shine:"People tell me, there ain't no use in tryin'

Next comes a verse about the singer's father at the end of his life with little to show for it, followed by one of The Animals' call-and-response buildups, finally leading through delayed tension to the well-known chorus:

:"We gotta get out of this place!:"If it's the last thing we ever do ...:"We gotta get out of this place,:"'cause girl, there's a better life ... for me and you

The arrangement featured a unique bass lead, played by Chas Chandler. It also included unusual organ work from Dave Rowberry. Eric Burdon's vocals range from a calm whisper to a primal roar. "Rolling Stone" described the overall effect as a "harsh white-blues treatment from the Animals. As singer Eric Burdon put it, 'Whatever suited our attitude, we just bent to our own shape.'" [cite web | url=http://www.rollingstone.com/news/story/6596078/we_gotta_get_out_of_this_place | title=We Gotta Get out of This Place | publisher="Rolling Stone" | date=2004-12-09 | accessdate=2007-02-18]

The song reached number 2 on the UK pop singles chart on August 14, 1965 (held out of the top slot by The Beatles' "Help!"). [cite web | url=http://www.rockhall.com/hof/inductee.asp?id=58 | title=The Animals | publisher=Rock and Roll Hall of Fame | date=1994 | accessdate=2007-02-18] The following month, it reached number 13 on the U.S. pop singles chart, its highest placement there.In Canada the song also reached number 2, September 20th, 1965.

The two versions

In fact, the UK and U.S. single releases were different versions from the same recording sessions. The take that EMI, The Animals' parent record company, sent to MGM Records, the group's American label, was mistakenly one that had not been selected for release elsewhere. The lyric most used to spot the difference is at the beginning of the second verse: the U.S. version went "See my daddy in bed a-dyin'," while the UK version went "Watch my daddy in bed a-dyin'." It is not surprising there were differences among takes; even during later Animals performances, Burdon would ad lib or alter lyrics of the song.

In the U.S. the song (in its "mistaken" take) was included on the album "Animal Tracks", released fall 1965, and again on the popular compilation "The Best of The Animals" released in 1966. The song was not on any British Animals album during the group's lifetime.

Once Animals reissues began occurring during the compact disc era, Allen Klein, by now owner of ABKCO and the rights to this material, dictated that the "correct" British version be used on all reissues and compilations everywhere. Although The Animals' catalogue has always been chaotic, this decision was for the most part adhered to. Thus, as U.S. radio stations converted from vinyl records to CDs, gradually only the British version became heard. This dismayed collectors and fans in the U.S. (as evidenced by letters to "Goldmine" magazine), who believed that the U.S. version featured an angrier and more powerful vocal from Burdon, and who in any case wanted to hear the song in the form that they had grown up with. Finally with the 2004 remastered SACD "Retrospective" compilation from ABKCO, the U.S. version was included.

German Version

Udo Lindenberg released a german adaption in the 70tees. The commercial success was small.

Later Version

On CD "ERIC BURDON & THE ANIMALS GREATEST HITS" a totally new arrangement is released (beside new arrangements of "House of the Rising Sun", "Don´t let me be Misunderstood" and "It ´s My Life").

Impact

At the time, the title and simple emotional appeal of "We Gotta Get out of This Place" lent itself to some obvious self-identifications — for instance, it was a very popular number to be played at high school senior proms and graduation parties.

More notably, the song was very popular with United States Armed Forces members stationed in South Vietnam during the Vietnam War. It was frequently requested of, and played by, American Forces Vietnam Network disc jockeys. [cite news | url=http://www.dinfosalum.org/afvn_reunion.htm | title='Nam deejays air their memories | author=Will Higgins | publisher="The Indianapolis Star" | date=2002-04-29 | accessdate=2007-02-18] During 2006 two University of Wisconsin-Madison employees, one a Vietnam veteran, began an in-depth survey of hundreds of Vietnam veterans, and found that "We Gotta Get out of This Place" had resonated the strongest among all the music popular then: "We had absolute unanimity is this song being the touchstone. This was the Vietnam anthem. Every bad band that ever played in an armed forces club had to play this song." [Brian Mattmiller, [http://www.news.wisc.edu/12188.html "‘We Gotta Get out of This Place:’ Music, memory and the Vietnam War"] , University of Wisconsin-Madison, February 16, 2006. Retrieved February 17, 2007.] Indeed, just such a band played the song in an episode ("USO Down", by Vietnam veteran Jim Beaver) of the American television series about the war, "Tour of Duty", and the song is hauntingly reprised in the episode's final scene.

The iconic "We Gotta Get out of This Place" was also used in Dennis Potter's late 1965 television play "Stand Up, Nigel Barton" and in the BBC's 1996 Newcastle-set "Our Friends in the North", which partially took place in the 1960s. In America it was used as the title credits song in some episodes of the Vietnam-war-set television series "China Beach". It was then applied to the Bin Laden family, having to leave the United States in the aftermath of the September 11th terrorist attacks, in Michael Moore's 2004 "Fahrenheit 9/11". It was also the memorable soundtrack in the 1987 movie "Hamburger Hill".

Cultural references

The song's title and theme have become a common cultural phrase over the years.

It formed the basis for the title of academician Lawrence Grossberg's "", detailing the conflict between American conservatism and rock culture. Similarly, it formed the title basis for Gerri Hirshey's 2002 account "We Gotta Get out of This Place: The True, Tough Story of Women in Rock".

It has also been used as the title of editorials by "American Journalism Review" [cite news | url=http://findarticles.com/p/articles/mi_hb3138/is_199803/ai_n7808353 | title=We gotta get out of this place.(Editorial) | publisher="American Journalism Review" | author=Rem Rieder | date=March 1998 | accessdate=2007-02-18] and other publications. The title was even used to name an art exhibit, curated by Stefan Kalmar at the Cubitt Gallery in London in 1997.

Other versions

As a ready-made anthem, "We Gotta Get out of This Place" has been recorded or performed in concert by numerous artists, including The Partridge Family (1972), Bruce Springsteen (performed only a handful of times in his career, but acknowledged by him as one of his primary influences in the 1970s [cite news | url=http://www.doubletakemagazine.org/mag/html/backissues/12/steen/ | title=Will Percy Interviews Bruce Springsteen | publisher="DoubleTake" | accessdate=2007-02-18] ), Blue Öyster Cult (1978), Angelic Upstarts (1980), Grand Funk Railroad (1981), David Johansen (1982, and a hit on album oriented rock radio and MTV as part of an Animals medley), Fear (1982), The Angels (1986), Richard Thompson (1988), Jello Biafra and D.O.A. (1989), Randy Stonehill (1990), Bon Jovi (1992, again as part of an Animals medley for an MTV special), Space (1998), Southside Johnny (concerts in the 2000s), and Ann Wilson with Wynonna Judd (2007) and many others.

In 1990 Eric Burdon returned to the song, joining Katrina and the Waves for a recording of it for use by the aforementioned "China Beach". In 2000 Barry Mann revisited the song, performing it with Bryan Adams on Mann's retrospective solo album "Soul & Inspiration".

Notes