Ann Pancake

Ann Pancake is an American fiction writer and essayist. She has published short stories and essays describing the people and atmosphere of Appalachia, often from the first-person perspective of those living there. While fictional, her short stories contribute to an understanding of poverty in the 20th Century, as well as the historical roots of American and rural poverty.

The Context of Her Work

Many of Pancake's character's make their home in rural West Virginia. This includes the Potomac Highlands and areas in the southern part of the state. For example, her story "Wappatomaka" describes the Trough region of the Highlands, where severe flooding on the Potomac River often occurs.

Poverty can be reflected in violence, and in her stories Pancake addresses both the Vietnam War and domestic abuse. "Dirt" chronicles a family's reflection of a son taught to burrow shafts in the Vietnam War, and the entrapment and dread that this environment echoes for them at home. In "Jolo", a boy's neglect by his family is literally seared into his skin in a trailer fire.

Pancake's characters live in opposition to mainstream American society, often without conscious choice. Others revel in their outsider status and maintain a connection to nature that resists societal pressures. Her title character in the story "Jolo" is wanted by police investigating a series of arsons. While the boy is a fugitive he agrees to secretly meet with a local girl, Connie, in a remote location on the banks of a river. The river serves as a reminder of Jolo's untamed nature and his preference for the wilderness over village life. At the same time, Connie sees how cut off he is from the rural society both of them were born into. This is a virtue of physical deformities he has suffered, but also because of the comparative economic poverty of his upbringing.

While some critics have chosen to place Pancake firmly in the tradition of Appalachian writing, [Judd, Elizabeth. Books in Brief: Given Ground. New York Times, August 12, 2001.] her stories describe more than regional color, history, and concerns. The subtext of much of her work is the separation of individuals from the rest of society, often in cycles of poverty. Early motherhood, hunger, and alienation from mainstream economies are manifest in stories such as "Ghostless" and "Tall Grass". The sharply divided interests of urban and rural Americans and the powerful determinant of social class is manifest in "Bait" and "Redneck Boys" where the death toll of rural highways is both the cause of nonchalance and horror.

tyle

Pancake's work often stresses voice, contrasting perspectives and colloquial speech with unusual sentence structure and unusual use of dialogue and dialogue markers. She also has a specialized vocabulary for describing natural phenomena and colors.

"They're moving. The night fishermen across the water, mumbly drunk, to be avoided, and the single night train, baying its lonesomeness, and the corn pollen a green sensation in the back of their throats, not quite smell, not quite taste."

[Pancake, Ann. Given Ground. Hanover, NH: Middlebury/University of New England Press. 2001. p. 26]

The Short Stories

Pancake's stores include several published in her short story collection "Given Ground", [Pancake, Ann. Given Ground. Hanover, NH: Middlebury/University of New England Press. 2001. 152 p.] including the following with original publication information in parentheses:

* Ghostless ("The Virginia Quarterly Review")
* Revival ("The Virginia Quarterly Review")
* Jolo ("Mid-American Review")
* Wappatomaka ("Antietam Review")
* Dirt ("The Chariton Review")
* Tall Grass ("Shenandoah")
* Sister ("Wind")
* Bait ("Sundog")
* Getting Wood ("Antietam Review")
* Redneck Boys ("Glimmer Train Stories")
* Crow Season ("The Chattahoochee Review")
* Cash Crop: 1897 ("Massachusetts Review")

Additional stories include:

* Dog Song (Shenandoah)
* Coop (Quarterly West)
*

Novel: "Strange As This Weather Has Been"

Ann Pancake's first novel [http://www.amazon.com/dp/159376166X/"Strange As This Weather Has Been] " was published by [http://www.shoemakerhoard.com/ Shoemaker & Hoard/Counterpoint] in October 2007. Set in southern West Virginia, the novel has been widely reviewed, and was termed by Wendell Barry "one of the bravest novels I've ever read." [Frizelle, Christopher. Literature: Ones to Watch, Ann Pancake. The Stranger, Pullout Section. http://www.thestranger.com/seattle/Content?oid=23583.]

Film: Black Diamonds

Ann provided some initial research and interview assistance for the film "Black Diamonds: Mountaintop Removal and the Fight for Coalfield Justice" (2006). [http://www.blackdiamondsmovie.com/Accessed Online Dec. 20 2006. ]

For a discussion of the themes, geography, and production of this film, see Bret McCabe's article "Tragic Mountains" from the Baltimore City Paper. [http://www.citypaper.com/news/story.asp?id=11640 McCabe, Bret. "Tragic Mountains: Local Filmaker Catherine Pancake Hopes to Bring the Devastation of Mountaintop Removal Mining to a Theater Near You." Baltimore City Paper, March 29, 2006. Accessed Online Dec. 20, 2006]

Biographical Information

Originally from Romney, West Virginia, she is the sister of filmmaker Catherine Pancake and actor Sam Pancake. She is a distant relative of the writer Breece D'J Pancake. Ann Pancake graduated summa cum laude from West Virginia University with a degree in English. She earned her M.A. in English from the University of North Carolina, and a Ph.D. in English from the University of Washington.

She has taught English in The United States, American Samoa, Japan, and Thailand. [Backcountry: Contemporary Writing In West Virginia. Ed Irene McKinney. Morganown, WV: Vandalia Press. 2002.] She currently lives in Seattle, Washington. More information is available on her [http://www.annpancake.com website] .

References