Peredvizhniki

Peredvizhniki

Peredvizhniki ( _ru. Передвижники), often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who in protest at academic restrictions formed an artists' cooperative which evolved into the Society for Traveling Art Exhibitions in 1870.

The society formed in 1870 in St. Petersburg under Ivan Kramskoi, Grigoriy Myasoyedov, Nikolai Ge and Vasily Perov's initiative during a struggle of the avant-garde art forces of the country for democratic ideals, and in a counterbalance to the official center of art — the St.Petersburg Academy of Arts. The society developed the best traditions of the Artel of Artists headed by Kramskoi, who became the leader of the new association.

Peredvizhniki were influenced by the public and aesthetic views of Vissarion Belinsky and Nikolai Chernyshevsky.Like most Slavophiles, Chernyshevsky was a liberal and ardently supported the emancipation of serfs, which was finally realized in emancipation reform of 1861. Press censorship, serfdom, and capital punishment were viewed as baneful Western influences. Due to his political activities, any of his written works, including his dissertation, were prohibited from publishing. Although with some delays, the dissertation still found its ways to the artworld of the XIX century Russia. In 1863, almost immediately after the emancipation of serfs in Russia, the realization of Chernyshevsky’s work in practice came to the reality through the protest of the fourteen students of the Royal Academy of Fine Arts. They manifested their protest during the annual Academy contest of works, declaring their secession from the Academy of Art. They drew the inspiration for this gesture of what could be considered as an apparent economic suicide from the ideas of “bringing art to people." [Gray, Camilla, Russian Experiment in Art. (Thames and Hudson Ltd, London, 2002); 9.] Seven years later most of the fourteen formed the kernel of the Society of Wandering Exhibitions, also known as The Wanderers or Itenerants (they thought to put their ideas into practice by organizing travelling exhibitions throughout the countryside of Russia). They founded a new artistic code that was based on social and political critique, as opposed to the pure aestheticism, and interpreted Chernyshevsky’s ideas by laying an emphasis on the subject matters if their works, justifying (like their friends and contemporaries Feodor Dostoevsky, Leo Tolstoy, Ivan Turgenev, and others) their activity by the attempt to make their art useful to society, and rejecting the “art for art’s sake” philosophy of concurrent academic tradition. [Gray, Camilla, Russian Experiment in Art.(Thames and Hudson Ltd, London, 2002); 9.]

From 1871 to 1923 the society arranged 48 mobile exhibitions in St.Petersburg and Moscow, after which they were shown in Kiev, Kharkov, Kazan, Orel, Riga, Odessa and other cities.

As realist artists they showed the many-sided characters of social life, often with critical tendency. Their art showed not only poverty but also the beauty of folk way of life; not only suffering but also fortitude, strength of characters. In the humanistic art of Peredvizhniki there was resolute condemnation of the Russian autocratic orders; the emancipation movement of Russian people was shown with empathy ("The Arrest of Propagandist"; "Refuse from Confession"; "Not Expected" by Ilya Yefimovich Repin). The most important meaning in their art was social-urban life, and later in historic art depicting the people ("The Morning of the Execution of Streltsy" by Vasily Surikov).

The Peredvizhniki’s society, during their blossoming (1870-1890), developed an increasingly wider scope, and increasing naturalness and freedom of the images. In contrast to the traditional dark palette of the time, they chose a freer, wider manner with a lighter palette in depicting light. They aimed for naturalness in their images, and depiction of peoples relationship with their surroundings. The innovative, originally folk art of Peredvizhniki, served as effective means of democratic, public, moral and aesthetic education of many generations and became an important factor of development of Russian emancipation movement by helping grow the revolutionary consciousness of the society. V.I. Lenin, and advanced the people of Russian revolutionary movement.

The society united almost all most talented art forces of the country. Among Peredvizhniki there were artists of Ukraine, Latvia, and Armenia. The society also showed the work of Mark Antokolski, Vasili Vereshchagin, and Andrei Ryabushkin. Important in the development of Peredvizhniki’s art was critic and democrat Vladimir Stasov, and Pavel Mikhailovich Tretyakov who showed them in his gallery and rendered them important material and moral support.

The authority and public influence of the society steadily grew, and the autocracy had to stop the initial tactics of clip (sic) and hunting of Peredvizhniki. Attempts were made to subordinate their activity, and raise the falling value of Academy of Arts sanctioned works.

By the 1890s in Academy of Arts structure was including Peredvizhniki art, and showing their influence in national art schools.

At the turn of the 20th century Peredvizhniki began to lose their depth as a reflection of a life. The influence of the society waned, and some of the artists began showing socialist ideas reflecting the development of working class movement. Many of the Peredvizhniki entered in the Soviet art culture, carried the realistic traditions of 19th century and helped form the art of Socialist realism.

In 1898, their influence was superseded by Mir iskusstva, which advanced modern trends in Russian art.

The 48th exhibition of Peredvizhniki in 1923 was the last one. Most members joined the Association of Artists in Revolutionary Russia (AKhRR), whose members leaned on the traditions of Peredvizhniki and aspired to create works of art understandable by people and faithfully reflecting the Soviet validity.

Peredvizhniki participants

"Peredvizhniki" artists include: [http://www.russianpaintings.net/doc.vphp?id=128 The Immortal Itinerants (Peredvizhniki) ]
*Abram Arkhipov
*Nikolai Ge
*Arkhip Kuindzhi
*Ivan Kramskoi
*Isaac Levitan
*Rafail Sergeevich Levitsky
*Vladimir Makovsky
*Vassili Maximovitch Maximov
*Grigoriy Myasoyedov
*Leonid Pasternak
*Vasily Perov
*Vasily Polenov
*Illarion Pryanishnikov
*Ilya Repin
*Andrei Ryabushkin
*Konstantin Savitsky
*A.K. Savrasov
*Valentin Serov
*Emiliya Yakovlevna Shanks
*Ivan Shishkin
*Vasily Surikov
*Apollinary Vasnetsov
*Viktor Vasnetsov
*N.A. Yaroshenko

References

External links

* [http://www.rollins.edu/Foreign_Lang/Russian/travex.html Society of Traveling Exhibitions (1870-1923)]
* [http://www.russianpaintings.net/doc.vphp?id=128 The Immortal Itinerants]
* [http://estrand.bol.ucla.edu/ Peredvizhniki (Wanderers)]


Wikimedia Foundation. 2010.

Игры ⚽ Поможем написать реферат

Look at other dictionaries:

  • Peredvizhniki — Ambulants Cet article fait partie de la série Peinture Liste des peintres Portail de la Peinture Les Ambulants ou Itinérants (en russe : Передвижники, Peredvižniki …   Wikipédia en Français

  • Peredvizhniki — ▪ Russian art       (Russian: The Wanderers), group of Russian painters who in the second half of the 19th century rejected the restrictive and foreign inspired classicism of the Russian Academy to form a new realist and nationalist art that… …   Universalium

  • Rafail Levitsky — Rafail Sergeevich Levitsky (or Rafael Sergeevich Levitsky, ru. Рафаил Сергеевич Левицкий; 1847 1940 was a Russian genre, romantic, and impressionist artist who was an active participant in the Peredvizhniki (Itinerant) Movement. His letters to… …   Wikipedia

  • painting, Western — ▪ art Introduction       history of Western painting from its beginnings in prehistoric times to the present.       Painting, the execution of forms and shapes on a surface by means of pigment (but see also drawing for discussion of depictions in …   Universalium

  • Arkhip Kuindzhi — Arkhip Ivanovich Kuindzhi (or Arkhip Kuinji , ru. Архип Иванович Куинджи (January 27, 1842 (?) – July 24, 1910) Russian landscape painter. Arkhip Kuindzhi was born in January 1841 in Mariupol (present day Ukraine), but he spent his youth in the… …   Wikipedia

  • Viktor Vasnetsov — Viktor Mikhailovich Vasnetsov (Виктор Михайлович Васнецов) (Lop jal, May 15 (N.S.), 1848 mdash; Moscow, June 23, 1926) was a Russian artist who specialized in mythological and historical subjects. He is considered a key figure of the revivalist… …   Wikipedia

  • Russian culture — Saint Basil s Cathedral on the Red Square, Moscow …   Wikipedia

  • Vassily Maximov — Vassily Maximovich Maximov ( ru. Василий Максимович Максимов) (1844 1911) was a Russian painter, a prominent member of the Peredvizhniki group.Maximov was born to a peasant family in the village of Lopino near Novaya Ladoga. He became an orphan… …   Wikipedia

  • Mikhail Konstantinovich Clodt — Forest view in midday, 1878 Mikhail Konstantinovich Clodt baron von Jürgensburg (Russian: Михаил Константинович Клодт; 1832–1902; both Saint Petersburg) was a Russian realistic painter.[1] …   Wikipedia

  • Ilya Repin — Ilya Yefimovich Repin ( ru. Илья Ефимович Репин, uk. Ілля Юхимович Рєпін, (OldStyleDate|5 August|1844|24 July, Chuhuiv, Russian Empire (now in Ukraine) ndash; September 29 1930, Kuokkala, Finland) was a leading Russian [… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”