Gita Govinda

The Gita Govinda (Sanskrit गीत गोविन्द) ("Song of Govinda") is a work composed in the 12th century by the great poet, Jayadeva of Puri, Orissa. It describes the relationship between Krishna and the "gopis" (cowgirls) of Vrindavana, and in particular one gopi named Radha. This work has been of great importance in the development of the bhakti traditions of Hinduism. [ [http://www.telugubhakti.com/telugupages/Monthly/Bhaktas/Bhaktas.htm Life Sketch of Bhakta Kavi Jayadeva] ]

The Gita Govinda is organized into twelve chapters. Each chapter is further sub-divided into twenty four divisions called "Prabandha"s. The prabandhas contain couplets grouped into eights, called "Ashtapadis".

The first English translation of the Gita Govinda was published by Sir William Jones in 1792, where "Kalinga" (ancient Orissa) is referred to as the origin of the text. Since then, the Gita Govinda has been translated to many languages throughout the world, and is considered to be among the finest examples of Sanskrit poetry.

Gita Govinda and Vaishnavism

The Gita Govinda was an instrument that completely revolutionised, or rather re-vitalised, Vaishnavism, which encumbered by inner conflict of different Brahmanical sects and eroded by Islam and Islamic invasions frequently storming the subcontinent, was heading towards a point of collapse. Instead of metaphysical dogmatism, the Gita Govinda discovered Vaishnavism in love, devotion and absolute submission, the instruments that dispelled duality and led the self to unite with the Supreme Self.

What the Gita Govinda presented was a completely changed perception of Vaishnavism. It neither looked for a divine aura nor for a monarchical frame, which had so far defined its Vaishnava God or even Krishna as one of the Vaishnava incarnations. Jayadeva had seen that Indian kingship, once possessed of divine aura, was unable to sustain against Islamic onslaught and was fast waning. Maybe, he hence thought it better to separate his God from this monarchical frame and let Him be one like masses. This not only humanised Him but also turned an abstract concept into a living reality that one could feel and realise. The Gita Govinda hence wove its theme around Krishna, its hero, who it conceived as a humble cattle-grazing cowherd, very much like others, and enshrined in him Vaishnava Godship. This transformed Vaishnavism into a thing of masses.

Contrary to Puranic position, the Gita Govinda attributes all Vaishnava incarnations to Krishna, not Vishnu. Here Krishna is seen as the prime manifestation of God incarnating in various forms. Each incarnation has a specific role but Krishna hasn't any, not even his crusade against evil forces. [ [http://www.exoticindiaart.com/article/gita_govinda The Gita Govinda: A Journey Into Realms Of Delight] , by Dr. P. C. Jain.]

Notes

ee also

* Love Song of the Dark Lord
* Jayadeva
* Early Medieval literature
* List of Sanskrit poets
* Sanskrit literature
* Odissi
* Rasa lila
* Turiya

External links

* [http://www.odia.org www.odia.org] Oriya version of the Gita Govinda