Peter Zumthor

Peter Zumthor (born 26 April, 1943) is a Swiss architect, considered one of the most important in the world.

The son of a cabinet-maker, Zumthor learned carpentry at an early age. He studied at Pratt Institute in New York in the 1960s. During lean years, Zumthor worked on many historic restoration projects, which gave him a further understanding of construction and the qualities of different rustic building materials. As his practice developed, Zumthor was able to incorporate his knowledge of materials into Modernist construction and detailing. His buildings explore the tactile and sensory qualities of spaces and materials while retaining a minimalist feel.

In 1998, Zumthor received the Carlsberg Architecture Prize for his designs of the Kunsthaus Bregenz in Bregenz, Austria and the Thermal Baths at Vals, Switzerland (see below).

Zumthor has taught at Southern California Institute of Architecture in Los Angeles, the Technical University of Munich, the Academy of Architecture Mendrisio, Università della Svizzera Italiana, and the Harvard Graduate School of Design.

Zumthor's work is largely unpublished in part because of his philosophical belief that architecture must be experienced first hand. His published written work is mostly narrative and phenomenological.

Currently, Zumthor works out of his small studio which he founded in 1979, in the town of Haldenstein, Switzerland. He enjoys playing tennis, good cigars, margaritas and jazz.

Zumthor and Heidegger

The Vals spa- famed among architects for evocative sequence of spaces and its exquisite construction details, presents intriguing correspondences between Heidegger’s writing and Zuthor’s architecture. Writing in his architectural manifesto, Thinking Architecture, Zumthor mirrors Heidegger’s celebration of experience and emotion as measuring tools. A chapter entitled “A way of looking at things” begins by describing a door handle: [From "THINKING ARCHITECTURE" by Peter Zumthore, published by Birkhouser]

I used to take hold of it when I went into my aunt’s garden. That door handle still seems to me like a special sign of entry into a world of different moods and smells. I remember the sound of gravel under my feet, the soft gleam of waxed oak staircase. I can hear the heavy front door closing behind me as i walk along the dark corridor and enter the kitchen [...] .(1998:9)

Zumthor always emphasises the sensory aspects of the architectural experience. To him, the physicality of materials can involve an individual with the world, evoking experiences and texturing horizons of place through memory. He recalls places he once measured out at his aunt’s house through their sensual qualities. Here he echoes architectural practitioner and writer Juhani Pallasmaa who argues that, in a world where technologies operate so fast that sight is the only human sense which remains more immediately resonant (1996).

Zumthor’s Vals spa recounts the thinking he describes in his essay, making appeals to all the senses. The architect choreographs materials according to their evocative qualities. Flamed and polished stone, chrome, brass, leather and velvet were deployed with care to enhance the inhabitant’s sense of embodiment when clothed and naked. The touch, smell, and perhaps even taste of these materials where orchestrated obsessively. The theatricality of steaming and bubbling water was enhanced by natural and artificial light, with murky darkness composed as intensely as light. Materials were crafted and joined to enhance or suppress their apparent mass. Their sensory potential was relentlessly exploited with these tactics, Zumthor aimed to celebrate the liturgy of bathing by evoking emotions.

Literature

“Thinking Architecture”

In this book Peter Zumthor expresses his motivation in designing buildings that speak to our feelings and understanding in so many ways and that possess a powerful and unmistakable presence and personality.The book is illustrated throughout with color photographs by Laura Padgett of Zumthor's new home and studio in Haldenstein.

“To me, buildings can have a beautiful silence that I associate with attributes such as composure, self-evidence, durability, presence, and integrity, and with warmth and sensuousness as well; a building that is being itself, being a building, not representing anything, just being. The sense that I try to instil into materials is beyond all rules of composition, and their tangibility, smell, and acoustic qualities are merely elements of the language we are obliged to use. Sense emerges when I succeed in bringing out the specific meanings of certain materials in my buildings, meanings that can only be perceived in just this way in this one building. When I concentrate on a specific site or place for which I am going to design a building, when I try to plumb its depths, its form, its history, and its sensuous qualities, images of other places start to invade this process of precise observation: images of places I know and that once impressed me, images of ordinary or special places places that I carry with me as inner visions of specific moods and qualities; images of architectural situations, which emanate from the world of art, or films, theater or literature.”

“Atmospheres”

Atmospheres is a poetics of architecture and a window into Peter Zumthor's personal sources of inspiration. In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses.Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him.From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design. In conclusion, Peter Zumthor has described what really constitutes an architectural atmosphere as "this singular density and mood, this feeling of presence, well-being, harmony, beauty...under whose spell I experience what I otherwise would not experience in precisely this way."

Principal works

*1983 Elementary school Churwalden, Churwalden, Graubünden, Switzerland.
*1983 House Räth, Haldenstein, Graubünden, Switzerland.
*1986 Shelters for Roman archaeological site, Chur, Graubünden, Switzerland.
*1986 Atelier Zumthor, Haldenstein, Graubünden, Switzerland.
*1989 Saint Benedict Chapel, Sumvitg, Graubünden, Switzerland.
*1990 Art Museum Chur, Graubünden, Switzerland.
*1993 Residential home for the elderly, Masans, Chur, Graubünden, Switzerland.
*1994 [http://storiesofhouses.blogspot.com/#112755602494291613 Gugalun House] , Versam, Graubünden, Switzerland.
*1996 Spittelhof housing, Biel-Benken, Basel, Switzerland.
*1996 Therme Vals, Vals, Graubünden, Switzerland.
*1997 Art Museum Bregenz, Bregenz, Vorarlberg, Austria.
*1997 Topography of Terror, International Exhibition and Documentation Centre, Berlin, Germany.
*1997-2000 Swiss Pavilion EXPO 2000, Hannover, Germany.
*1997 Villa in Küsnacht am Zürichsee Küsnacht, Switzerland.
*1997 Lichtforum Zumtobel Staff, Zürich, Switzerland.
*1997-2000 Kolumba - Erzbischöfliches Diözesanmuseum, Cologne (Köln), Germany.
*1999 Cloud Rock Wilderness Lodge Moab.
*2007 [http://www.danda.be/gallery/171/ Bruder Klaus Kapelle]

Awards

*1987 Auszeichnung guter Bauten im Kanton Graubüunden, Switzerland.
*1989 Heinrich Tessenow medal, Technische Universität Hannover, Germany.
*1991 Gulam, European wiid-glue prize.
*1992 Internationaler Architekturpreis für Neues Bauen in den Alpen, Graubünden, Switzerland.
*1993 Best Building 1993 award from Swiss tc's '10 vor '10, Graubünden, Switzerland.
*1994 Auszeichnung guter Bauten im Kanton Graubüunden, Switzerland.
*1995 International Prize for Stone Architecture, Fiera di Verona, Italy.
*1995 Internationaler Architekturpreis für Neues Bauen in den Alpen, Graubünden, Switzerland.
*1996 Erich-Schelling-Preis für Architektur, Erich-Schelling-Stiftung, Germany.
*1998 Carlsberg Architectural Prize.
*2006 Spirit of Nature Wood Architecture Award.
*2006 Thomas Jefferson Foundation Medal in Architecture, University of Virginia.
*2008 Praemium Imperiale, Japan Arts Association

External links

* [http://www.kunsthaus-bregenz.at Kunsthaus Bregenz]
* [http://www.danda.be/gallery/architect/peter-zumthor/ Image Galleries: Peter Zumthor]
* [http://cafe-artes.blogspot.com/2007/02/peter-zumthor.html/Peter Zumthor - Biography and works]
* [http://www.danda.be/gallery/171/ Bruder Klaus Kapelle]
* [http://www.architectour.net/architetti/scheda_arc.php?id_arc=47/ Peter Zumthor on Architectour.net]
* [http://www.0lll.com/lud/pages/architecture/archgallery/zumthor_vals/pages/vals_01.htm/ Therme Baths in Vals, Switzerland]