Theodore Eisfeld

Theodore Eisfeld (April 11, 1816, Wolfenbüttel, Braunschweig, Germany – 16 September1882, Wiesbaden) was a conductor, most notably of New York Philharmonic Society, which became the New York Philharmonic.

Eisfeld's chief instructor in musical composition was Carl Gottlieb Reissiger, of Dresden. Between 1839 and 1843 he served as Kapellmeister of the Court Theatre at Wiesbaden.Thomas (1905), p. 35] He came to New York in 1848, and in 1849 was the first man chosen to by the New York Philharmonic Society to be sole conductor for an entire season (prior to this time it had been customary for several musicians to share the conducting duties). He began the custom of giving an annual Christmas performance of Handel's "Messiah". He also introduced the first regular concerts of chamber music in New York.

In 1849 Eisfeld became the first man appointed as sole conductor of the New York Philharmonic Society for the entire season. From 1849 through the 1865/1866 season, when he resigned, Eisfeld often served as conductor of the New York Philharmonic Society.Thomas (1905), p. 149] At this time the post of conductor would change from season to season, sometimes with two men sharing the duties. On 18 February 1851, he began a series of quartet concerts, the first being given at Hope Chapel. Eisfeld was also the first conductor of the Brooklyn Philharmonic Society, which was founded in 1857. [Thomas (1905), p. 144] He continued in this position, alternating with Theodore Thomas between 1862 and 1865, before Thomas took over.

On Eisfeld's return trip from a visit to Europe in September 1858, he was one of the few survivors of the burning of the steamship SS "Austria" where he was lashed to a platform and so drifted on the ocean, without food, for nearly two days and nights. Eisfeld never recovered from this extraordinary prostration, returning to Germany in 1866, and remained there until his death in Wiesbaden at 66.

In his autobiography, Theodore Thomas described Eisfeld as follows: cquote|Eisfeld belonged to the class of "time-beaters" and would make corrections in the harmonies of master-works he did not understand

Conductors of the New York Philharmonic Society, 1849 - 1865

* 1849-1854 EisfeldRitter (1883), p. 348]
* 1854-1855 Eisfeld and Henry Timm
* 1855-1856 Carl Bergmann
* 1856-1858 Eisfeld
* 1858-1859 Bergmann
* 1859-1865 Bergmann and Eisfeld

References

ources

* [http://groups.yahoo.com/group/OPERAlmanac/messages/2128 "Opera Almanac"]

Bibliography

* cite book
title=Music in America
first=Frédéric Louis
last=Ritter
location=New York
publisher=Charles Scribner's Sons
year=1883
oclc=23862794
url=http://books.google.com/books?id=3CcQAAAAYAAJ
*cite book
first=Theodore
last=Thomas
authorlink=Theodore Thomas (conductor)
coauthors=George P Upton (ed.)
title=Theodore Thomas: a Musical Autobiography
location=Chicago
publisher=A.C. McClurg & Co.
year=1905
oclc=932580
url=http://books.google.com/books?id=yPQ5AAAAIAAJ