- Bow porcelain factory
The Bow porcelain factory (active ca 1747-1764, closed 1776) was an emulative rival of the
Chelsea porcelain factory in the manufacture of earlysoft-paste porcelain in Great Britain. The factory was located nearBow, London . Designs imitated imported Chinese and Japanese porcelains and the wares being produced at Chelsea, at the other end of London. Meissen figures were copied, both directly, and indirectly through Chelsea. Quality was notoriously uneven; [Charles Truman, reviewing exhibitions of Bow porcelain in "The Burlington Magazine" 124 No. 952 (July 1982), p. 465; J.V.G. Mallet: "The wares of Bow do not, even in the years of Frye's association with the factory, show much consistency either in design or in execution" Mallet 1984:238.] the warm, creamy body of Bow porcelains is glassy and the glaze tends towards ivory.Early patents applied for by
Thomas Frye and his silent partnerEdward Heylyn [Heylin, a merchant of the parish of Bow and the freeholder of the land on which the "china works" were built, appears to have dropped out of active involvement in the venture at an early stage.] in December 1744 (enrolled 1745) and a totally different patent of 1 November 1748 (enrolled March 1749), both apparently intended broadly to cover the uses of china clay, [The first discovery of "china stone" (petuntse ) and "china clay" (kaolin ) in Great Britain were made byWilliam Cookworthy of Plymouth, and appeared in Cookworthy'sPlymouth porcelain and Bristol.] do not seem to have resulted in any actual manufacture before about 1749, though Frye's published epitaph claimed that he was 'the inventor and first manufacturer of porcelain in England.' "Heylyn and Frye do not appear to have had a factory of their own, but probably carried on their experiments at a factory already existing at Bow, having first secured the services of a well-skilled workman whose name has not been preserved, and who may have been the real inventor of English porcelain," a writer noted in 1911. ['Industries: Pottery: Bow porcelain', "A History of the County of Middlesex: Volume 2: General; Ashford, East Bedfont with Hatton, Feltham, Hampton with Hampton Wick, Hanworth, Laleham, Littleton" (1911), pp. 146-50. [http://www.british-history.ac.uk/report.asp?compid=22166. Date accessed: 17 May 2007.] ]The earliest Bow porcelains are of soft-paste incorporating bone-ash, forming a phosphatic paste that was a precursor of English "
bone china ". [In 1867, wasters were excavated at the site of one of the Bow factory kilns on Stratford High Street, Essex, near Bow Bridge, and tested by a chemist at the direction of Lady Charlotte Schreiber, as she then was. Further chance finds on the opposite side of the High Street were published by Aubrey J. Toppin, "Bow Porcelain: Some Recent Excavations on the Site of the Factory" "The Burlington Magazine for Connoisseurs" 40 No. 230 (May 1922), pp. 224+228-230+233.] By 1750 Frye was serving as manager of the factory, under new owners John Crowther and Weatherby. In 1753 they were advertising inBirmingham for painters and a modeller. Sources for the early history of the Bow manufactory were collected byLady Charlotte Guest in memoranda, diaries, and notebooks, including a diary of John Bowcocke, who was employed in the works as a commercial manager and traveller. The works, designated 'New Canton,' [Inkstands at theBritish Museum and at the Worcester museum bear the year 1750 and the inscription "Made at New Canton", according to Bernard Rackham, "The Chronology of Bow Porcelain" "The Burlington Magazine for Connoisseurs" 25 No. 133 (April 1914, pp. 33-35+38-40), p 33. ] were sited on the Essex side of theRiver Lea , close to Bow Bridge.About 1758, the manufactory's high point, three hundred person were employed, ninety of whom were painters, all under one roof. "An account of the business returns for a period of five years shows that the cash receipts, which were £6,573 in 1750-1, increased steadily from year to year, and had reached £11,229 in 1755. The total amount of sales in 1754 realized £18,115." ["A History..." 1911] The firm had a retail shop in Cornhill and a warehouse at St. Katharine's near the Tower, though the West End shop that was opened in 1757 in the Terrace in St. James's Street closed the following year. The part-owner Weatherby died in 1762 and his partner Crowther was listed as bankrupt the following year. Three sales dispersed his effects in March and May 1764. Though Crowther continued in business in a small way, in 1776 what remained of the Bow factory was sold for a small sum to William Duesbury, and all the moulds and implements were transferred to Derby: see
Chelsea porcelain factory .The chaser and enamellist
George Michael Moser , a key figure in the EnglishRococo and a founder of theRoyal Academy , modelled for Bow, the sculptorJoseph Nollekens was told years later; [J.T. Smith, "Nollekens and his Times" 1828.] the sculptorJohn Bacon also modelled for Bow in his youth. The large white figure of the "Farnese Flora", a high point in the Bow production, was taken, it has been suggested, from a terracotta byMichael Rysbrack .A pair of Bow figures of
Kitty Clive and Henry Woodward as "the Fine Lady" and 'the Fine Gentleman" inDavid Garrick 's mythological burlesque "Lethe", 1750-52 "are probably the earliest full-length portrait figures in English porcelain"; [J.V.G. Mallet in "Rococo: Art and Design in Hogarth's England" (London: Victorian and Albert Museum) 1984 (exhibition catalogue) O14 p 248. Some figures bear the incised date 1750, the earliest dates on Bow porcelain (Rackham 1914:33). ] some were enamelled byWilliam Duesbury [Duesbury's London account book, noted by Mallet 1983.] Some Bow figures were imitated from Chelsea models. Bow porcelain adopted the newly-invented technique of transfer-printing fromBattersea enamel s in the 1750s.Notes
References
*Adam, Elizabeth and David Redstone, "Bow Porcelain" (London: Faber & Faber Monographs on Pottery & Porcelain) (1981) 1991.( [http://www.museumoflondon.org.uk/ceramics/pages/publication.asp?pub_id=116710 Museum of London Bow porcelain illustrated] )
*Bradshaw, Peter "Bow Porcelain Figures circa 1748-1774" (London: Barrie & Jenkins) 1992.
*Gabszewicz, Anton, with Geoffrey Freeman. "Bow Porcelain, The Collection formed by Geoffrey Freeman" (Lund Humphries, 1982)
*Gabszewicz, Anton, "Made at New Canton: Bow Porcelain from the Collection of The London Borough of Newham" (London: English Ceramic Circle) 2000
*'Industries: Pottery: Bow porcelain', "A History of the County of Middlesex: Volume 2: General; Ashford, East Bedfont with Hatton, Feltham, Hampton with Hampton Wick, Hanworth, Laleham, Littleton" (1911), pp. 146-50. [http://www.british-history.ac.uk/report.asp?compid=22166. Date accessed: 17 May 2007.]
*Mallet, J.V.G. "Rococo in English ceramics" in "Rococo: Art and Design in Hogarth's England" (Victoria and Albert Museum), exhibition catalogue 1984.
*Tait, Hugh, "Bow porcelain in R.J. Charleston, ed. "British Porcelain 1745-1850" (London: Benn) 1965External links
* [http://www.british-history.ac.uk/report.asp?compid=22166 "Industries: Pottery: Bow porcelain", A History of the County of Middlesex: Volume 2: General; Ashford, East Bedfont with Hatton, Feltham, Hampton with Hampton Wick, Hanworth, Laleham, Littleton (1911), pp. 146-50]
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