Art Institute of Chicago Building


Art Institute of Chicago Building

The Art Institute of Chicago Building houses the Art Institute of Chicago, and is located in the Chicago Landmark Historic Michigan Boulevard District in the Loop community area of Chicago, Illinois. The building is also located in Grant Park on the east side of Michigan Avenue, and marks the third address for the Art Institute. The building was built for the joint purpose of accommodating the 1893 World's Columbian Exposition and subsequently the Art Institute. The core of the current complex, located opposite Adams Street, officially opened to the public on December 8 1893.cite web|url=http://www.artic.edu/aic/aboutus/wip/formative/index.html|accessdate=2007-06-20|title=1879-1913: The Formative Years|publisher=The Art Institute of Chicago|date=2007] There have been numerous building additions over the years. In 1968, the core central building was renamed the Allerton Building. Currently the building is in the midst of major construction with a new Modern Wing funded in part by Pat Ryan.cite web|url=http://www.artic.edu/aic/modern_wing/news.html|accessdate=2007-06-26|date=2007|title=Latest News|publisher=The Art Institute of Chicago] This new building that will increase gallery space by 33% and accommodate new educational facilities is scheduled to open to the public in 2009.cite web|url=http://www.artic.edu/aic/modern_wing/building/index.html|accessdate=2007-06-26|date=2007|title=The Building|publisher=The Art Institute of Chicago]

Buildings

History

The Art Institute of Chicago opened as the Chicago Academy of Fine Arts on May 24 1879 and changed to its current name on December 23 1882."Art Institute of Chicago: Fact Sheet," January 2007 edition, distributed at information desk.] It was originally established as both a school and museum, and stood on the southwest corner of Michigan Avenue and Monroe Street, [cite web|url=http://www.artic.edu/aic/aboutus/wip/index.html|accessdate=2007-06-20|title=History|publisher=The Art Institute of Chicago|date=2007] where it rented space. Before taking over its current building it occupied a four-story Romanesque building by Burnham & Root at 81 East Van Buren Street, where the Chicago Club is now situated.Sinkevitch, p. 44.] Steiner, p. 9.] The Art Institute, which moved there at the time it changed names, originally leased and later purchased the space."The Art Institute of Chicago Museum Studies'" p. 8.] With the coming of the 1893 World's Columbian Exposition and its need for a new home for its expanding collection and growing student body, the Art Institute's trustees negotiated for a new structure at what has come to be the current building. Although Aaron Montgomery Ward opposed the development of Grant Park with public buildings along the lakefront, he did not oppose the Art Institute.Sinkevitch, p. 14.]

The new building was funded by the sale of the Van Buren Street building to the Chicago Club for $ 265,000, by donation of the land by the Chicago Park District, by $120,000 public subscription, and by $200,000 contribution of the Fair Corporation in cooperation with the Exposition. The World Congress Auxiliary of the World's Columbian Exposition occupied the new building from May 1 to October 31 1893, after which the Art Institute took possession on November 1. The building was built in the place of William W. Boyington's Illinois Inter-State Industrial Exposition Building (1873), which had been intended as a temporary structure."The Art Institute of Chicago Museum Studies'" pp. 33-4.]

Upon his death in 1905, lumber merchant Benjamin Franklin Ferguson bequeathed almost $1 million for the purpose of establishing a public sculpture fund to be administered by the Art Institute.Sinkevitch, p. 291.] The first gift from this memorial fund was the Fountain of the Great Lakes, which was commissioned in 1907."The Art Institute of Chicago Museum Studies'" p. 14.]

Architecture

The current building is a classical Beaux-Arts building, by Shepley, Rutan and Coolidge of Boston, Massachusetts. The Fullerton Auditorium and Ryerson Library were added to the building in 1898 and 1901 respectively. The building is composed of 273 galleries that total ft2 to m2|562000. The following is a summary of all additions.Sinkevitch, p. 41.] The building has a grand Italian Renaissance facade with a pedimented 5-bayed central section that protrudes forward from the 7-bayed wings on either side.Steiner, p. 10.] The arcaded entry loggia is topped by three grand palladian arches that are separated by Corinthian half-columns.

Fullerton Hall was originally built in 1898 by Shepley, Rutan & Coolidge on the north side of the main floor in place of a formerly open court."The Art Institute of Chicago Museum Studies'" p. 9.] It was built to seat an audience of 425. It originally had a stained glass dome and crystal chandelier made by Louis Comfort Tiffany.

Ryerson Library was built in 1901 to the south opposite Fullerton Hall in another open court by Shepley, Rutan & Coolidge. The Burnham Library of Architecture, which opened on January 12 1920, was added south of and adjacent to the Ryerson Library by Howard Van Doren Shaw."The Art Institute of Chicago Museum Studies'" p. 16.]

The Grand Staircase was completed in 1910. However, the architectural ornamentation of the neighboring gallery continued intermittently until 1929 without ever being completed. Plans for a great dome over this staircase were abandoned when proper financing never arose."The Art Institute of Chicago Museum Studies'" p. 13.]

In 1916, Gunsaulus Hall was built by Shepley, Rutan & Coolidge as a two-story bridge addition spanning the Illinois Central Railroad tracks behind the original building.

McClintock Court was landscaped in 1924. By 1931 the court was remodeled so the "Fountain of the Tritons" could be installed."The Art Institute of Chicago Museum Studies'" p. 17.] Today, this court is open for dining during summer months and still contains the Carl Milles bronze fountain in its center.

In 1958, Blackstone Hall, which had been added adjacent to the east wall of the original building in 1903 and once housed over 150 plaster casts of architectural artwork, [Harris, p. 16.] was redesigned (further redesign continued in 1959). After the redesign Blackstone Hall no longer exhibited the Greek and Roman, Renaissance and modern sculptures. [Harris, p. 17.] Now the Hall is partitioned into several galleries. Also in 1958, the Benjamin F. Ferguson Memorial Building was constructed by Holabird & Root & Burgee to accommodate administrative and curatorial offices, which relieved space in the previously existing buildings for more gallery space."The Art Institute of Chicago Museum Studies'" p. 18.]

In 1960, the Stanley McCormick Memorial Court (north garden) was constructed by Holabird & Root & Burgee."The Art Institute of Chicago Museum Studies'" p. 19.] The south garden was constructed in 1965, when the "Fountain of the Great Lakes" was moved and reinstalled."The Art Institute of Chicago Museum Studies'" p. 20.]

In 1962, The Morton Wing was added south of the central building to provide additional exhibition space and galleries. This balanced the Ferguson building by restoring symmetry.

In 1968, the original central building was named the Allerton Building after longtime trustee Robert Allerton.cite web|url=http://www.artic.edu/aic/aboutus/wip/expansion/index.html|accessdate=2007-06-25|date=2007|publisher=The Art Institute of Chicago|title=1955-1977: Expansion Mid-Century]

In the 1970s, the growth of the school and visitor attendance necessitated the Rubloff Building to accommodate new studios, classrooms, and a film center for the school, and new public spaces for the museum. Ground was broken in 1974, and the dedication was held October 6 1976."The Art Institute of Chicago Museum Studies'" p. 21.]

In 1988, the Daniel F. and Ada L. Rice Building was added to show the dramatically increased contemporary art collection and to exhibit popular large traveling exhibitions.cite web|url=http://www.artic.edu/aic/aboutus/wip/end/index.html|accessdate=2007-06-25|date=2007|publisher=The Art Institute of Chicago|title=1985-2000: End of The Century]

The Adler & Sullivan-designed Chicago Stock Exchange Building (1893-1972) Trading Room was salvaged from demolition and installed in the Columbus Drive Addition in 1977. This building fragment, which includes Louis Sullivan's exquisite stenciling, is described as the "Wailing Wall of Chicago preservationists".

Modern Wing

The new Modern Wing, funded in part by Pat Ryan, will include the ft2 to m2|15000 Ryan Education Center on the first floor. The new wing will double the student capacity of the School of the Art Institute of Chicago and will have high visibility from Millennium Park. The building will increase the museums gallery space by 30 percent by adding ft2 to m2|65000 of new galleries.cite web|url=http://www.artic.edu/aic/modern_wing/making_way/reinstall.html|accessdate=2007-06-26|date=2007|title=Reinstallation|publisher=The Art Institute of Chicago] The new building will incorporate cutting-edge green technologies.cite web|url=http://www.artic.edu/aic/modern_wing/making_way/design.html|accessdate=2007-06-26|date=2007|title=Design and Construction|publisher=The Art Institute of Chicago] The building will use a modern sunshade to filter daylight. The sunshade, dubbed "The Flying Carpet", will be made of white extruded aluminum and will be linked to the lighting system to adjust and compensate for incandescent fixtures.cite web|url=http://www.artic.edu/aic/modern_wing/building/engineering.html|accessdate=2007-06-26|date=2007|title=Building Engineering|publisher=The Art Institute of Chicago] The building will also be linked by the Nichols Bridgeway to Millennium Park.

Entrance

Flanking the exterior Michigan Avenue entrance stairs are two bronze lions by sculptor Edward Kemeys that were a gift from Mrs. Henry Field for the Art Institute's Opening at its current location in 1893. Although the lions have no official names, the sculptor designated the lions by their poses as "stands in an attitude of defiance" (south lion) and "on the prowl" (north lion). [cite web|url=http://www.artic.edu/aic/aboutus/faq.html|accessdate=2007-06-20|publisher=The Art Institute of Chicago|title=FAQs|date=2007] These lions, along with those pairs in front of the Main branch of the New York Public Library on Fifth Avenue and the pair in the grand staircase of the Boston Public Library, are part of an Italian Renaissance revival by 19th-century Romantic artists."The Art Institute of Chicago Museum Studies'" pp 47-8.] Guardian lions had been an important architectural theme of the World Columbian Exposition, where six pairs guarded the entrance of the Palace of Fine Arts. Kemeys had sculpted one of these pairs, which may have served as his model for the Art Institute lions."The Art Institute of Chicago Museum Studies'" pp. 51-2.] The lions were moved back Ft to m|12 toward the museum in 1909-10 in conjunction with the widening of Michigan Avenue and the addition of a balustrade and terrace to the east, west and north sides of the building."The Art Institute of Chicago Museum Studies'" p. 10.]

When a Chicago sports team makes the playoffs, the lions are frequently dressed in that team’s uniform.

Notes

References

*Harris, Neil, "Chicago's Dream, a World's Treasure," 1993, The Art Institute of Chicago, ISBN 0-86559-121-0
*Sinkevitch, Alice, "AIA Guide to Chicago" (2nd edition), 2004, Harcourt Books, ISBN 0-15-602908-1
*Steiner, Frances H., "The Architecture of Chicago's Loop", 1998, Sigma Press, ISBN 0-9667259-0-5
*"The Art Institute of Chicago Museum Studies'" Volume 14, no. 1, 1988, The Art Institute of Chicago, ISBN 0-226-02813-5


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