John Henry Dearle

John Henry Dearle or J. H. Dearle (1860-1932) was a British textile and stained glass designer trained by Pre-Raphaelite artist and craftsman William Morris. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898.

Critical assessment of Dearle's work underwent a significant change during the final decades of the twentieth century, recognizing Dearle's mature work as having a unique artistic vision of its own. Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue to be sold as Morris patterns. Dearle always remained close to Morris's esthetic, yet from the 1890s onward Dearle incorporated a distinctive set of Persian and Turkish influences.

Career

Henry Dearle began his career as an assistant in Morris & Co.'s retail showroom in Oxford Street in 1878Parry, Linda: "Textiles of the Arts & Crafts Movement", Thames and Hudson, revised edition 2005, p. 122] , and then transferred to the company's glass painting workshop, where he worked mornings and studied design in the afternoons.Waggoner, Diane: "The Beauty of Life: William Morris & the Art of Design", Thames and Hudson, 2003, p. 99-107] Morris recognized Dearle's talents as a draftsman, and took him on as his tapestry apprentice. Morris had finished his first solo effort at tapestry in September 1879Parry, Linda: "William Morris Textiles", New York, Viking Press, p. 103-104] , and shortly thereafter Morris and Dearle set up a tapestry loom at Queen Square. Dearle executed Morris and Co.'s first figural tapestry from a design by Walter Crane in 1883. Dearle was soon responsible for the training of all tapestry apprentices in the workshop and partnered with Morris on designing details such as fabric patterns and floral backgrounds for tapestries based on figure drawings or "cartoons" by Burne-Jones (some of them repurposed from stained glass cartoons) and animal figures by Philip Webb.

In the late 1880s, Dearle began designing repeating patterns for wallpapers and textiles, and it is likely that his designs for large-scale embroideries also date from around this time. Parry, Linda: "William Morris Textiles", p. 30-31]

From 1890, Dearle was head designer for the firm, handling interior design commissions and supervising the tapestry, weaving, and fabric-printing departments at Merton Abbey [Parry, Linda, ed.: "William Morris", Abrams, 1996, p.54] He was appointed Art Director of Morris & Co. following Morris's death in 1896. Dearle managed the company's textile works at Merton Abbey until his death in 1932.

Designs

Fabric and wallpaper designs attributed to Henry Dearle include "Cherwell" (registered 1887), "Trent" (1888), "Persian Brocatel" (c. 1890), "Daffodil" (c. 1891), "Compton" (1896), "Tulip" (1895-1900), "Artichoke" (1897), and "Persian" or "New Persian" (1905). Parry, Linda: "William Morris Textiles", p. 150-172]

Dearle also designed embroidery panels for screens and portieres in the Art Needlework style under the tutelage of May Morris, including "Anemone" (1895-90), and the well-known "Owl" and "Pigeon" (or "Partridge") (c. 1895). Examples of the latter two designs worked on "Oak" silk damask grounds by Mrs. Battye [Mrs. Battye was a customer of Morris & Co.] are in the Victoria and Albert Museum. [Parry, Linda, ed.: "William Morris" p. 248-250]

Critical assessment

Henry Dearle's contributions to textile design were long overshadowed by the towering figure of William Morris. However, Dearle originally exhibited his designs under the Morris name rather than his own, especially in the Arts and Crafts Exhibitions and the major Morris retrospective of 1899Parry, Linda: "William Morris and the Arts and Crafts Movement: A Sourcebook", New York, Portland House, 1989, p. 9-10] , and even today many Dearle designs are popularly offered as "William Morris" patterns.

As late as 1981, the catalog of an exhibit of Morris & Co. textiles dismissed Dearle's style as "rarely more than a pastiche of his master's"Fairclough, Oliver and Emmeline Leary, "Textiles by William Morris and Morris & Co. 1861-1940", Birmingham Museums and Art Gallery, 1981, p. 15] , citing as a source Lewis F. Day's assessment of 1905. [ Day, Lewis F., "A Disciple of William Morris", "Art Journal", 1905, p. 84-89, cited in Fairclough and Leary, "Textiles by William Morris and Morris & Co. 1861-1940", p. 73] . But by 1989, textile historians had begun recognizing Dearle's talents as a designer. Linda Parry, a curator of textiles at the Victoria and Albert Museum, has suggested that the incorporation of Near and Middle Eastern designs in Morris & Co. textiles from the late 1880s may show the influence of Dearle's taste [Parry, Linda, "Textiles", "The Earthly Paradise: Arts and Crafts by Wiliam Morris and his Circle in Canadian Collections", edited by Katharine A. Lochnan, Douglas E. Schoenherr, and Carole Silver, Key Porter Books, 1993] . Parry identifies Dearle's mature artistic voice from the 1890s in designs such as "Seaweed" wallpaper, "Tulip" woven fabric and "Eden" printed cotton , the latter reflecting Dearle's interest in Turkish and Persian textiles in the South Kensington Museum (now the Victoria and Albert). [Parry, Linda: "William Morris and the Arts and Crafts Movement: A Sourcebook", New York, Portland House, 1989, p. 9-10 and Plate 12a] .

Notes

References

*Coote, Stephen: "William Morris: His Life and Work", Smithmark Publishers, 1995, ISBN 1-85833-479-9
*Fairclough, Oliver and Emmeline Leary, "Textiles by William Morris and Morris & Co. 1861-1940", Birmingham Museums and Art Gallery, 1981, ISBN 0-89860-065-0
*Parry, Linda, "Textiles", in "The Earthly Paradise: Arts and Crafts by Wiliam Morris and his Circle in Canadian Collections", edited by Katharine A. Lochnan, Douglas E. Schoenherr, and Carole Silver, Key Porter Books, 1993, ISBN 1-55013-450-7
*Parry, Linda, ed.: "William Morris", Abrams, 1996, ISBN 0-8109-4282-8
*Parry, Linda: "William Morris and the Arts and Crafts Movement: A Sourcebook", New York, Portland House, 1989 ISBN 0-517-69260-0
*Parry, Linda: "William Morris Textiles", New York, Viking Press, 1983, ISBN 0-670-77074-4
*Parry, Linda: "Textiles of the Arts & Crafts Movement", Thames and Hudson, revised edition 2005, ISBN 0-500-28536-5
*Waggoner, Diane: "The Beauty of Life: William Morris & the Art of Design", Thames and Hudson, 2003, ISBN 0-500-28434-2

External links

* [http://www.huntington.org/ArtDiv/morris.html William Morris: Creating the Usefuland the Beautiful] , an exhibit at the Huntington Library
* [http://www.mertonpriory.org/history/morris.html Morris & Co. at Merton Abbey]