Pushpaka Brahmin

Pushpaka Brahmins are a class of Brahmins in Kerala. The Pushpaka Brahmins show attributes of both the Brahmins and Kshatriyas. Hence this caste is generally considered as an intermediate caste between Brahmins and Kshatriyas. They are commonly known as Arddhabrahmanar i.e. Semi-Brahmins. They carry on the various activities of the temple, though not the actual ceremonies. Pushpakas lived on the income of the temple and were under its care. Pushpaka Brahmins are generally clubbed under the Ambalavasi community in Kerala.

Introduction

Even though they learn Sanskrit, Shlokas, Mantras etc. and do priestly duties and ceremonies for the lower castes on behalf of the Namboothiri priest. Besides all, the foreign travellers in Kerala classed the Pushpaka Brahmins (Ambalavasis) with the Foreign Brahmins like Konkanastha Brahmins, Iyers etc while making records.

Classification

Pushpaka Brahmins formed an intermediate class between Brahmins and Kshatriyas. There are similar Brahmin communities found all over India. Niyogi Brahmins of Andhra, Chithpaavan Brahmins of Maharashtra, Bhumihars of Bihar, Mohyal of Punjab, Tyagis of West Uttar Pradesh etc. are Brahmin communities which have the same status of Ambalavasis in Kerala.

ubcastes/Surname Variations

Pushpaka Brahmins include various subcastes within itself. They encompasses surnames like Unni, Nambeesan, and Nambidi. However, they use the surname Sharma in common. The surname Nambeesan is used by the Pushpakas in the North and Middle Kerala. Surname Unni is used in Middle and Southern Kerala. The surnames Nambi and Nambidi are generally found in Southern Kerala.

Gotra

Pushpaka brahmins belong to the Viswamitra Gotram. They wear Yajñopavitam and adhere to the 'Gayatri' mantra.

Origin

As per the famous Parasurama myth, the warrior sage Bhargava Rama (Parasurama) is said to have brought a group of Brahmins to Kerala of which 64 families were allowed to conduct the ceremonies in the temples. They became the Namboothiris. The remaining families of Brahmins became their assistants and were not allowed inside the Sree Kovil or main shrine of the temple. They came to known as Pushpaka Brahmins as their work was associated mainly with flowers.

Since they resided in the premises of temple, like many other castes in kerala , they were also clubbed under the community Ambalavasis, meaning "Temple-inmates".

The Pushpaka Brahmins lived within the temple premises managing the various affairs (other than the ceremonies in Sree Kovil) of the temple. Their work was socially very respectable.

ervices

Pushpaka Brahmins were temple employees but they were not aristocratic like the Namboodiris. In the past they resided within the temples in their quarters and were sustained by the temple. They were simple people who lived at the benevolence of the temple.

Other than their services in the temple the Ambalavasis were the priests for the lower castes as well.

Art Forms

The contribution of Pushpaka Brahmins of Kerala to the cultural heritage of India in the fields of art is substantial in everysense. They have through the centuries developed several art forms of a religious or quasi-religious character. The major art forms developed by Pushpakas are:

*Tīyāttu
*Brahmanippattu

These art forms grew in the atmosphere of temples which have all long been centres of great cultural activity.

Customs

Most of the Pushpaka Brahmins used to follow complex rituals in connection with major events in their lives, such as pregnancy, childbirth, education, marriage, and death.

Pumsavanam

A ritual connected with third month of pregnancy. If it is the first pregnancy, it can be performed in the forth month also. The pregnant woman consumes one head of barley and two beads of black grain, along with a little curd. This is accompanied by religious chanting. (Among Nayars and Ezhavas the ceremony is known as 'Pulikudi' - a customary rite in which women, during their first pregnancy, drink the juice of sour fruits)

Seemantam

This sacrament is performed in the fourth month of a woman's first pregnancy. Seemantam is conducted for the protection of the mother at the critical period of gestation. If the child is still-born, this has to be prepared during the next pregnancy.

Jātakarmam

Jatakarman is meant for the development of the intellect of the child. When a male child is born, the ritual connected with birth is performed immediately (within 90 Naazhika). A small portion of a mixture of gold, ghee and honey is given to the new born infant.

Nāmakaranam (Perideel)

This ceremony is performed to name the child. It is performed on the12^th day after birth. The father calls the child's name in its right ear three times. At this time, male children are given the surname ‘Sharma’ and female children are given the surname 'De'. Then the mother takes the child by calling him (her) without surname. (Among the Nayars and Ezhavas this ritual is done on the 28th day.)

Nishkramanam (Vathilpurappadu)

This is when the child is first taken out of its home and into the open. The child is usually taken out only in the 4th month.

Annaprāsam (Chorūnu)

This ritual, which takes place when a child is six months old, is the first time the child eats solid food. A few grains of rice mixed with ghee are fed to the infant. This is an important ritual among all sections of Hindus. "Chorūnu" literally means "rice-eating" in the South Indian language of Malayalam.

Vidyārambham (Ezhuthiniruthu)

This is done either when the child attains three or five years. On the tongue of the child the letters "Hari Sri Ganapataye Namah Avignamastu "and all the alphabets are written with a piece of gold. The child is made to write the same letters from "Hari Sri" onwards with its ring finger on raw rice in a bell metal vessel and the child is made to utter each word when it is written. Either the father of the child or an eminent teacher officiates at this ritual.

Choodakaranam (Choulam)

In the child's third or fifth year, the head is shaved, leaving behind a small tuft of hair known as a 'Kutuma'. (Nowadays this ritual is not practiced.)

Karnavedham (Kaathukuthu)

Piercing the ears. This is done with a particular thorn. Butter is applied to the wound. It is applicable to both male and female children. (In the modern age, this is done only for female children.)

Upanayanam

When the child attains eight years, the wearing of the sacred thread “Yajñopaveetam”, is ceremoniously done. This is only in the case of the boys. It is taking the child to the teacher for initiation of formal education. Along the sacred thread, the hide of the antelope called Krishnajinam is also worn by the boy.

Praishartham

Learning of Vedas and Upanishads in‘Gurukulam’ or ‘Pāṭhaśāla’. In the beginning of each academic period there is a ceremony called Upakarma and at the end of each academic period there is another ceremony called Upasarjana.

Samāvartanam (Snanam)

The ceremony associated with the end of formal education of Vedas in ‘Gurukulam’ or ‘Pāṭhaśāla’

Rithusuddhi

This is a ceremony associated with a girl’s first mensturation.

Vivaham – Marriage

Nishekam – First sexual intercourse. In the night of 4th day after marriage.

Anthyeshti – Rituals associated with Funeral.

Sanchayanam – A function performed in the 4th day, after funeral.

Pindam – A function performed in the 11th day after funeral.

Sapindi

Bali

Prominent Pushpakas

* Kottarathil Sankunni- Famous Malayalam
* Divya Unni - Actress
* Ramya Nambissan - Actress

ee also

* Brahmin
* Ambalavasi
* List of Ambalavasi Families
* Sree Pushpaka Seva Sangham
* Pushpakadhwani
* Namboothiri Brahmins

References

External links