Atsuko Tanaka (artist)

Atsuko Tanaka (田中 敦子, Tanaka Atsuko) (1932-2005) was a pioneering Japanese avant-garde artist.

Biography

Born in Osaka, on February 10, 1932. cite journal |last=Gomez |first=Edward M. |year=2005 |month=April |title=Atsuko Tanaka: Painting the Body Electric |pages=80-83 |accessdate=2008-04-26] . She went to several local art schools where she worked in mostly figurative mode. The schools she had attended were the Art Institute of Osaka Municipal Museum of Art in 1950,and from 1951 on, the Department of Western Painting at Kyoto Municipal College of Art (now Kyoto City University of Arts). There, she had made friends with a man named Akira Kanayama, who had helped her explore new artistic territories. In 1955, she joined the Gutai group, an avant-garde artists' movement, to which she belonged until her marriage with Akira Kanayama in 1965. In the same year, Tanaka had left Gutai with Kanayama. She moved in with him in a house at the temple Myo*ho*ji in Osaka. She produced most of her works at home and in the second floor of her parents’ house, which was ten minutes away from where she had lived.cite web |url=http://www.artnet.com/artist/423970435/atsuko-tanaka.html |title=Atsuko Tanaka |accessdate=2008-04-26 |date=2008 |publisher=Worldwide corporation] . In 1972, Tanaka and her husband had moved from Osaka to Nara. On December 3, 2005 Atsuko had died of pneumonia at the age of 73.cite journal |last=ProQuest LLC |year=2005 |month=December |title=Atsuko Tanaka, 73,avant-garde artistOBITUARIES |journal=International Herald Tribune |url=http://www.highbeam.com/doc/1P1-116314605.html |accessdate=2008-04-26]

Involvement with the Gutai movement

In 1955, Akira Kanayama had introduced Tanaka to his colleagues in an experimental art organization which he had founded called Zero-kai (Zero Society); she had soon joined this association. In the meantime, a skillful easel painter named Jiro Yoshihara, had been offering private lessons in Western Oil-painting. After being influenced by the many abstractionists in Tokyo, Yoshihara had developed a new kind of art practice that would, in his words, “create things that have never existed before.” In 1954, Yoshihara, accompanied with his young colleagues had founded the Gutai Art Association.

Gutai artists had been known to be one of the first to carry out “happenings”; the physical actions they were involved in were documents of the actions, and the actual performances of the pieces. This brought on a new type of art, known today as performance art. Their creations weren’t influenced by doctrinaire theory; they focused more on playful, whimsical inventions. Similarly, Tanaka had displayed the same type of whimsical inventions through her work.

Work

Tanaka’s pieces can be seen as abstract works that rejected conventional notions of how works of art should appear or “perform.” Tanaka's works, which include abstract paintings, sculptures, performances and installations, generally feature objects from everyday life: textiles, door bells, light bulbs and the like. Within the Gutai movement, Tanaka had created some radiant pieces. One of these pieces, called Work Bell, produced in 1955, consisted of a string of electric bells laid out around the border of a gallery; the piece included a button for visitors to press which consequently set off a chain of shrieking rings. Another one of her works, called Work (Yellow Cloth),executed in 1955, Tanaka had taken long pieces of plain, dyed fabric and tacked them to a gallery's walls, creating 'paintings' that removed any suggestion of human handling from their forms and surfaces. Her piece, Stage Clothes, produced in 1956, comprised of gigantic stick-figure frames draped with fabric and light bulbs, and an immense red dress with sleeves convert|30|ft|m|sing=on long sleeves. This turned out to be a multi-part ensemble that she wore at a Gutai performance. She had peeled off each layer rapidly in a costume-changing routine. Tanaka literally inserted her body into the work of art, making herself a part of the performance.

Her best-known work is "Electric Dress", invented in 1956, a burqa-like costume consisting of electrical wires and lit-up coloured lightbulbs. Tanaka wore the dress to exhibitions. Her inspiration for her signature work “Electric Dress” was from a pharmaceutical advertisement illuminated by neon lights. The bulky garment expresses the body's circuitry, and acts like a costume. Here, the work lights up sporadically, giving off the sensation of an alien-like creature. According to the Gutai artists, Tanaka's work symbolized post war Japan’s rapid transformation and urbanization. When Tanaka wore her dress for the first time, her face and hands were the only visible subject. She had noticed the trepidation when she had worn it and flipping the switch: "I had the fleeting thought: Is this how a death-row inmate would feel?"

In the 2000s, Tanaka's works were featured in numerous expositions in Japan and abroad, including at the Kyoto National Museum of Modern Art, the Nagoya Gallery HAM, the New York Grey Art Gallery and Paula Cooper Gallery as well as at the Innsbruck Galerie im Taxispalais. The Grey Art Gallery focuses on Tanaka's Gutai period and also includes a video and documentation of the movement. This gallery includes a reconstructed version of Electric Dress. Here, the work lights up periodically, buzzing with life like an alien creature.cite journal|last=Daily |first=Meghan |year=2008 |month=April |title=Atsuko Tanaka: New York University Grey Art Gallery/ Paula Cooper Gallery |journal=Artforum International|accessdate=2008-04-23] . In 2005, the University of British Columbia's Morris and Helen Belkin Art Gallery in Vancouver mounted a major exhibition of Tanaka's work entitled "Electrifying art : Atsuko Tanaka, 1954-1968". "Electric Dress" and other works were on display at the 2007 "documenta 12" in Kassel.

Atsuko Tanaka's work is included in a number of internationally important public collections, including that of New York's Museum of Modern Art (MOMA). MOMA's online collection (see external links) features a large, untitled 1964 Tanaka work (synthetic polymer paint on canvas). Nearly convert|12|ft|m tall and over convert|7|ft|m wide, this piece, according to MOMA's online description, "evolved from Tanaka's performance "Electric Dress", and "vividly records the artist's gestural application of layers and skeins of multicolored acrylic paint on the canvas as it lay on the floor." [http://www.moma.org/collection/browse_results.php?criteria=O%3ATA%3AE%3Aex4502%7CA%3ATA%3AE%3Aex4502&page_number=5&template_id=1&sort_order=1]

ee also

*Gutai group
*Performance art
*Wearable art

References

*cite journal |last=Gomez |first=Edward M. |year=2005 |month=April |title=Atsuko Tanaka: Painting the Body Electric |pages=80-83 |accessdate=2008-04-26
*cite web |url=http://www.artnet.com/artist/423970435/atsuko-tanaka.html |title=Atsuko Tanaka |accessdate=2008-04-26 |date=2008 |publisher=Worldwide corporation
*cite journal |last=ProQuest LLC |year=2005 |month=December |title=Atsuko Tanaka, 73,avant-garde artistOBITUARIES |journal=International Herald Tribune |url=http://www.highbeam.com/doc/1P1-116314605.html |accessdate=2008-04-26
*cite journal|last=Daily |first=Meghan |year=2008 |month=April |title=Atsuko Tanaka: New York University Grey Art Gallery/ Paula Cooper Gallery |journal=Artforum International|accessdate=2008-04-23
* Atsuko Tanaka; Ming Tiampo; Mizuho Kato; Morris and Helen Belkin Art Gallery. "Electrifying art : Atsuko Tanaka, 1954-1968" (Vancouver : Morris and Helen Belkin Art Gallery, 2004) (Worldcat link: [http://www.worldcatlibraries.org/oclc/55973009&referer=brief_results] ) ISBN 0888656327. [Please note: though Worldcat gives 2004 as the date of this book, the exhibition itself, according to the gallery's website (see External links), took place from 21 January to 20 March, 2005]
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* [http://www.artnet.com/artist/423970435/atsuko-tanaka.html Atsuko Tanaka's entry] on "artnet.com"

Footnotes

External links

* [http://www.askart.com/askart/artist.aspx?artist=135513 Askart.com reference pages on Tanaka] , including two color images of works by the artist
* [http://www.galerieimtaxispalais.at/ausstellungen/tanaka/tanaka_progindex_engl.htm Galerie im Taxispalais] , information about Tanaka's 2002 exhibition
* [http://www.belkin.ubc.ca/past/ElectrifyingArt Morris and Helen Belkin Art Gallery] , information about Tanaka's 2005 exhibition
* [http://mocoloco.com/art/archives/001084.php Atsuko Tanaka's entry] on "Art Mo Co"
* [http://www.moma.org/collection/browse_results.php?criteria=O%3ATA%3AE%3Aex4502%7CA%3ATA%3AE%3Aex4502&page_number=5&template_id=1&sort_order=1 Museum of Modern Art (New York)] , essay/description of a Tanaka work in the MOMA collection, with color image