Final Fantasy XIII

Final Fantasy XIII
Final Fantasy XIII
A woman with a long cape wields a sword. On the right, two figures surrounding a planet is positioned near the center of the Final Fantasy XIII logo. The logo is done in a pastel watercolor style
European box art with Lightning and the logo for Final Fantasy XIII, designed by Yoshitaka Amano
Developer(s) Square Enix Product Development Division 1[1]
Publisher(s) Square Enix
Director(s) Motomu Toriyama
Producer(s) Yoshinori Kitase
Artist(s) Isamu Kamikokuryo
Tetsuya Nomura
Writer(s) Daisuke Watanabe
Motomu Toriyama
Composer(s) Masashi Hamauzu
Series Final Fantasy
Fabula Nova Crystallis
Engine Crystal Tools
Platform(s) PlayStation 3, Xbox 360
Release date(s)
  • JP December 17, 2009
  • NA / PAL March 9, 2010
  • INT December 16, 2010
Genre(s) Role-playing game
Mode(s) Single-player
Rating(s)

Final Fantasy XIII (ファイナルファンタジーXIII Fainaru Fantajī Sātīn?) is a console role-playing video game developed and published by Square Enix for the PlayStation 3 and the Xbox 360. Released in 2009 in Japan and 2010 in North America and PAL regions, it is the thirteenth installment in the Final Fantasy series. The game includes fast-paced combat, a new system for the series for determining which abilities are developed for the characters called "Crystarium", and a customizable "Paradigm" system to control which abilities are used by the characters. Final Fantasy XIII includes elements from the previous games in the series, such as summoned monsters, chocobos, and airships.

The game takes place in the fictional floating world of Cocoon, whose government, the Sanctum, is ordering a purge of civilians who have supposedly come into contact with Pulse, the much-feared world below. The former soldier Lightning begins her fight against the government in order to save her sister who has been branded as an unwilling servant to a god-like being from Pulse, making her an enemy of Cocoon. Lightning is soon joined by a band of allies, and together the group also become marked by the same Pulse creature. They rally against the Sanctum while trying to discover their assigned task and whether they can avoid being turned into monsters or crystals at the completion.

Development began in 2004 and the game was first announced at Electronic Entertainment Expo (E3) 2006. Final Fantasy XIII is the flagship title of the Fabula Nova Crystallis collection of Final Fantasy games and is the first game to use Square Enix's Crystal Tools engine. Final Fantasy XIII received mostly positive reviews from video game publications, which praised the game's graphics, presentation, and battle system. Reviewers were more mixed in their opinion about the game's story and linearity compared to previous games in the series. Selling 1.7 million copies in Japan in 2009, Final Fantasy XIII became the fastest-selling title in the history of the series. As of May 2010, the game had sold 6.2 million copies worldwide. On January 18, 2011, Square Enix announced a sequel titled Final Fantasy XIII-2, to be released later that year.

Contents

Gameplay

The player directly controls the on-screen character through a third-person perspective to interact with people, objects, and enemies throughout the game. The player can also turn the camera around the characters, which allows for a 360° view of the surroundings.[2] The world of Final Fantasy XIII is rendered to scale relative to the characters in it; instead of a caricature of the character roaming around miniature terrain, as found in the earlier Final Fantasy games, every area is represented proportionally. The player navigates the world by foot or by Chocobo.[3] Players may save their game to a hard disk drive using save stations, where the player can also purchase items from retail networks or upgrade their weapons.[4] An in-game datalog provides a bestiary and incidental information about the world of Final Fantasy XIII.[5] The Final Fantasy XIII Ultimate Hits International version of the game, released in Japan, also contains an "Easy" mode option.[6]

Battle system

The Final Fantasy XIII battle system, with the "Paradigm Shift" option, the Active Time Battle (ATB) bar filling beneath it with five slots and two actions queued, and the three active characters' health and roles displayed. The enemy's name and damage percentage are shown in the upper right corner.

As in Final Fantasy XII, enemies are integrated into the open field and can be approached or avoided by the player. When the player's character touches an enemy, the screen transitions from the regular map to a separate battle screen similar to those used in previous Final Fantasy titles.[7] A maximum of three characters may be used in battles, which use a variant on the series' traditional Active Time Battle (ATB) system designed by Hiroyuki Ito and first featured in Final Fantasy IV. Under this system, the player selects an action from the menus, such as Attack, Magic, and Item. Unlike previous games in the series, the player only controls the lead character while the remaining two characters are controlled by the game's artificial intelligence (AI). Each action requires a specific number of slots on the ATB bar, which continually refills to a set maximum number of slots. The ATB bar gradually increases in size throughout the game from two slots to six.[8] The player may select less than the maximum number of possible actions or may stop the filling of the ATB bar and perform as many actions as can be done with the current ATB amount. The player may select an autobattle command, which fills the ATB slots with actions chosen automatically. Actions cannot be performed outside of battle, and the characters' health is fully restored after each battle.[8]

Each enemy has a meter, called a chain counter, consisting of a percentage starting at 100 which increases when the enemy is struck by attacks or spells. Attacks by different roles have different effects; some raise the chain by a larger amount while others give the player longer before the chain counter resets. The amount of damage performed by an attack is multiplied by the chain percentage before it is applied to the enemy. When the chain counter reaches a preset amount, different for each enemy, the enemy is placed into Stagger State. In this mode, the enemy has lowered defense and may be launched into the air.[9] The Paradigm system allows the player to program six different roles which the characters can then assume to perform certain formations in battle in response to the specific conditions. The roles consist of Commando, a warrior-type role; Ravager, a black mage-type role which uses damage-dealing magic; Medic, a White Mage-type role which can heal; Saboteur, which can weaken enemies; Synergist, which can strengthens allies; and Sentinel, which has protective abilities.[10] Each of the characters can initially take on only three roles, but the player has access to all of them later in the game (although the other three roles are limited in their abilities for those players which choose them). The player can select which roles the controlled character and the AI characters are using both outside and during battle, which is the only way that the player can control the AI characters during battle.[10] The player can only choose from specific sets of paradigms that the player has set up beforehand outside of battle.[9]

Each character can summon a specific Eidolon into battle.[8] These summoned creatures include series staples Odin, Shiva, Alexander, and Bahamut, and newcomers Hecatoncheir and Brynhildr.[11] When summoned, the Eidolon stays in combat while the characters accompanying the summoner leave the party.[12] While an Eidolon is summoned, the player can trigger a feature called Gestalt Mode, in which the Eidolon transforms into a different form and performs different attacks while the summoning character rides them.[13]

Crystarium

The Crystarium is a leveling system consisting of six crystals and resembles the Sphere Grid from Final Fantasy X.[14][15] Each crystal in the Crystarium represents one of the six Paradigms, and is divided into ten levels. Each level contains various nodes that supply bonuses to health, strength, or magic, or provide new abilities and accessory slots. These nodes are connected by a semi-linear path. The player may advance down the path by acquiring Crystarium Points, which are awarded after defeating enemies.[16] The full Crystarium is not available to the player at the beginning of the game; at specific points in the game's plot, the player gains access to new crystals or levels.[17]

Plot

Setting

Final Fantasy XIII is set within the world of Gran Pulse. Central to the story is Cocoon, a massive artificial sphere that floats above Pulse's surface and is ruled by the Sanctum, a theocratic government. The two worlds are controlled by fal'Cie (play /fælˈsiː/), beings with godlike power. The Cocoon fal'Cie are responsible for keeping Cocoon floating, as well as providing light and water to the people that live inside. Each fal'Cie handles a specific task.[18] The fal'Cie have the capability of marking the humans that live in Pulse and Cocoon as their servants. These servants, called l'Cie, are branded with a symbol representing either Pulse or Cocoon and are given a "Focus"—a task to complete.[19] If the l'Cie complete their task in time, they are transformed to crystal and according to legend gain eternal life; otherwise they become mindless monsters called Cie'th.[20] The l'Cie are not explicitly told their Focus, but are instead given visions that they must interpret.[21]

Several hundred years before the events of the game, a battle known as the War of Transgression took place between Pulse and Cocoon. During the battle, l'Cie from Pulse attacked and ripped a large hole in Cocoon.[22] Eventually, the l'Cie completed their focus and were turned to crystal. The hole was patched with material lifted from Pulse, and Cocoon's citizens have since lived in fear of another invasion; this fear is used by the Sanctum to remain in power.[23] The Sanctum oversees two military branches: the Guardian Corps, responsible for keeping order on Cocoon, and PSICOM, the special forces in charge of dealing with any threat related to Pulse.[24] The fal'Cie have given the humans advanced technology, including flying airships and mechanical creatures, and a form of magic also exists. This magic is normally only accessible to l'Cie, fal'Cie, and various monsters in Cocoon and Pulse, though distilled chemical forms can be used by normal humans.[25]

Characters

Main article: Characters of Final Fantasy XIII

The six main playable characters of Final Fantasy XIII are Lightning, the main protagonist of the game, a former soldier and older sister to Serah;[26][27] Snow Villiers, Serah's fiancee and leader of NORA, a paramilitary group;[28] Oerba Dia Vanille, the game's narrator and an exile who is later revealed to be a l'Cie from Pulse;[29] Sazh Katzroy, a civilian pilot and father to a young boy, Dajh;[30] Hope Estheim, a young boy who is struggling within the relationships he shares with his parents;[31] and Oerba Yun Fang, a l'Cie from Pulse who is working with the Sanctum's Cavalry branch.[32] Other characters include Galenth Dysley, the ruler of the Sanctum;[33] Cid Raines, a Sanctum Brigadier General in the Cavalry who does not trust the government;[11] and Serah Farron, Lightning's younger sister and Snow's fiancee.[27]

Story

The playable cast of Final Fantasy XIII. From left to right: Sazh Katzroy, Snow Villiers, Hope Estheim, Lightning, Oerba Yun Fang, and Oerba Dia Vanille

Final Fantasy XIII begins in Cocoon as the citizens of the town of Bodhum are being evicted, or Purged, from Cocoon after coming in contact with something from Pulse.[34] Over the course of the game, the player is shown flashbacks of the events of the previous 13 days, which began when a fal'Cie from Pulse was discovered near Bodhum. Lightning's sister Serah had found the fal'Cie from Pulse and been changed into a l'Cie by it. Lightning and Sazh derail a Purge train bound for Pulse in an attempt to save Serah. In the subsequent battle, Snow leads his resistance group, NORA, to rescue the Purge exiles. Several of them, including Hope's mother, are killed. As Snow heads to the fal'Cie Anima to save Serah, he is joined by two of the exiles: Hope and Vanille. The two groups meet at the fal'Cie, and find Serah just as she turns to crystal. Anima then brands them all as l'Cie and they are cast out into a different part of Cocoon. During this transformation, the newly crested l'Cie all have the same vision: a monster called Ragnarok.[35] The group, arguing over the ambiguous nature of the dreamed Focus, find Serah in her crystallized form; Snow remains with her as the others leave.

Snow meets Cid and Fang after being captured and detained aboard the airship Lindblum. Meanwhile, the others escape from PSICOM, but are separated during an air strike; Hope and Lightning travel to Palumpolum, while Sazh and Vanille travel to Nautilus. In Lightning's scenario, she unintentionally supports Hope's goal of killing Snow as revenge for his mother's death.[36] In Vanille's scenario, Sazh discusses how his son Dajh was turned into a l'Cie by a Cocoon fal'Cie and was taken by PSICOM to discover his Focus.[30] At Palumpolum, Lightning tries to persuade Hope not to go through with his revenge and meets Snow and Fang. Fang reveals that she and Vanille were l'Cie from Pulse who were turned into crystals; they were turned back into humans 13 days prior to the start of the game, sparking the Purge.[37] Hope attempts to murder Snow, but after Snow saves him from an airstrike, he decides not to go through with it.[38] The party then escapes the city with Cid's aid. At Nautilus, Vanille reveals herself to Sazh as a l'Cie from Pulse, and indirectly the reason that Dajh was turned into a l'Cie.[29] PSICOM then captures Sazh and Vanille and detains them on board the airship Palamecia.

The other members of the party stage a rescue mission and reunite with Vanille and Sazh before they confront Galenth Dysley, the Sanctum's Primarch. Dysley reveals himself as the Cocoon fal'Cie ruler Barthandelus.[39] He tells them that their Focus is to transform into the beast Ragnarok and slay the sleeping fal'Cie Orphan, who keeps Cocoon afloat above Pulse. Slaying the fal'Cie Orphan will result in the destruction of Cocoon. The party escapes and learns from Cid that the fal'Cie believe that Cocoon's destruction will summon the Maker, the creator of the worlds. The fal'Cie cannot harm Orphan themselves.[40] Vanille and Fang reveal to the party that they were involved in the War of Transgression centuries prior, and that their Focus then had been the same: to transform into Ragnarok and attempt to destroy Orphan.[41] The party flies away to Pulse and travels to Oerba, Vanille and Fang's hometown, where they hope to learn how to remove their l'Cie marks. They are unsuccessful, and Dysley confronts the group again. He tells them that he is forcing Cid, now the head of the Sanctum, to create chaos in Cocoon to force the Cavalry to attack Cid and Orphan in a coup d'état.[42]

The party infiltrates Cocoon with the goal of preventing its destruction. They head towards Orphan only to find that the Cavalry have been turned into Cie'th. The party encounters Dysley and overpowers him, but Orphan awakens and merges with Dysley, then compels Fang to finish her Focus as Ragnarok while the others are seemingly transformed into Cie'th. The group reappears in human form, preventing Fang from transforming. The party engage and defeat Orphan[43] and escape Cocoon, which is now falling towards Pulse. As the rest of the party turns to crystal for completing their Focus, Vanille and Fang remain on Cocoon and transform into Ragnarok together. They prevent a collision between Cocoon and Pulse by turning themselves into a crystal pillar between the two worlds. The rest of the party awaken from their crystallization on Pulse and find their l'Cie brands gone. The game ends with Lightning and Snow reuniting with Serah and Sazh reuniting with Dajh.

Development

Director & scenario designer Motomu Toriyama at the 2010 Game Developers Conference.

Development of Final Fantasy XIII began in April 2004, after the release of Final Fantasy X-2 International + Last Mission in Japan.[1] The game was developed by Square Enix Product Development Division 1.[1] At the time, the game was intended to be released on the PlayStation 2.[1][44] However, after the positive reception of the tech demo of Final Fantasy VII in May 2005, the team decided to moved the game to the PlayStation 3 and developed it with the new Crystal Tools engine, a seventh generation multiplatform game engine created by Square Enix for its next generation games.[1][45][46] Square Enix believed that developing a new engine would speed up development time later in the project, though it would initially cause a delay in the game's development. However, the delay was longer than originally anticipated as the engine had to accommodate the requirements of several other games in addition to XIII.[47] Final Fantasy XIII was first shown at the 2006 E3 convention.[48] The trailer shown was an artistic concept that did not represent the final concept for the game, since at the time there was no playable form of the game.[47] Announced alongside the game was Final Fantasy Versus XIII and the PlayStation Portable game Final Fantasy Type-0, originally titled Final Fantasy Agito XIII, the three of which form the Fabula Nova Crystallis Final Fantasy series.[49] Square Enix explained that although all three games are thematically linked, they are not directly related in terms of story.[50]

The developers for Final Fantasy XIII were divided into multiple areas, with each developer or team focusing only on a specific task such as developing a specific in-game area or modeling characters.[47] Each physical area of the game was developed separately; after an initial design was approved, teams were assigned to a specific location and filled in details without reusing assets from other areas.[51] Several of the game's developers had worked on previous installments of the series. Director Motomu Toriyama had worked on Final Fantasy X and X-2; producer Yoshinori Kitase had worked on V through VIII and as the producer for X and X-2; main-character designer Tetsuya Nomura had performed the same role for VII, VIII, X, and X-2, and battle-system director Toshiro Tsuchida reprised that role from Final Fantasy X.[52][53] As XIII was the first Final Fantasy game for the PlayStation 3, the development team's internal goal was for the game to have the same "gameplay and craftmanship" impact that Final Fantasy VII and X had as the first games of the series on their respective consoles. They aimed to sell five million copies of the game.[47] Toriyama wanted the game to be "the ultimate single player RPG"[54] and for the game's plot to be "a dramatic story focused on the emotions of the characters."[55]

Tsuchida's concept for the battle system was to maintain the strategic nature of command-based battles. The system stemmed from a desire to create battles similar to those found in the film Final Fantasy VII Advent Children.[56] Magic points (MP), which had been a part of the battle system in previous Final Fantasy titles, were removed in the game's battle system as Tsuchida and the other designers felt that it gave players an incentive to not use their most powerful magic attacks due to the MP cost, in turn making battles less interesting. The Paradigm system was designed early in the battle system's development, with the intent of making battles rely on quickly changing strategies and feel fast-moving. Originally there were only five roles, but the Saboteur was later added as the designers felt that its abilities were missing from the game and did not fit with the other roles. Together with the maximum of three characters in a combat situation, the groupings of enemies were designed to force the player to switch Paradigms to keep them engaged in the battles.[57]

Toriyama wanted Lightning to be a new type of female character with an athlete's body and a less feminine nature than some of the previous female characters of the series.[44][58] His guideline to Nomura was to make her "strong and beautiful", and she was intended to be reminiscent of Final Fantasy VII's Cloud Strife.[44][59] Fang was initially meant to be a male character, but the gender was changed to coincide with the updated character designs during the latter part of development.[60] The game's villains were intended by Kitase to have "their own motivations and beliefs" and act realistically.[61] The graphics capabilities of the PS3 and Xbox 360 compared to previous consoles allowed Nomura to use more complex elements in the character designs than before, such as Lightning's cape and detailed facial features.[62] This in turn meant that the art team had to do much more work for each character or area than in previous games.[63] Nomura did not take an involved role in the creation of the non-playable characters.[62]

Unlike previous games in the series which were more inspired by Asian locations and culture, Final Fantasy XIII was intended by the art team to be reminiscent of the United States. Pulse was based on landscape photographs the team took from across the country, and Cocoon was intended to be a "melting pot" of different ethnicities.[63] Art director Isamu Kamikokuryo revealed that many additional scenarios such as Lightning's home, which were functioning in an unreleased build during development, were left out of the final version due to concerns about the game's length and volume.[64] Kamikokuryo said the content they cut was, in itself, enough to make another game.[64] According to Toriyama, the cuts were made in "various stages of [the game's] development", and that some of the content was removed just before the game's completion.[54] The game, unlike previous titles in the series, includes no explorable town areas; Toriyama said in an interview that the team was unable to make them as graphically appealing as the rest of the game and chose to eliminate them.[65] Toriyama intended to have a piece of downloadable content available for the game that would include a new area, weapons and quests, but was forced to cut it as well due to quality concerns so late in the project and difficulties with the different systems for extra content on the two gaming consoles.[66]

A playable demo of Final Fantasy XIII was included in the Japanese version of Final Fantasy VII Advent Children Complete, released on April 16, 2009.[67][68] Toriyama stated that the release of the demo, which was not in the original development schedule, helped the team recognize a shared vision for what the game should look and feel like, a problem which had been plaguing the development team up until then. It helped the team prioritize the work that still needed to be done, which increased the development speed for the remainder of the project. The game was intended to appeal to both Western and Japanese audiences, and focus groups from both regions were used. The English localization began while development was still in progress to lessen the delay between the Japanese and worldwide releases.[47] The game was initially going to be released solely for the PlayStation 3, but an Xbox 360 version was announced late in the game's development cycle. The Xbox version, due to technical limitations, runs at a lower resolution (720p maximum) than the PlayStation version.[69]

Music

Main article: Music of Final Fantasy XIII

Masashi Hamauzu composed the game's soundtrack. His previous work on the series was as a co-composer for Final Fantasy X and as the main composer for Dirge of Cerberus: Final Fantasy VII.[52] The game was the first main-series Final Fantasy game to not include any compositions by original series composer Nobuo Uematsu; although he was originally announced to compose the main theme of the game, this role was taken over by Hamauzu, after Uematsu signed on to compose the soundtrack to Final Fantasy XIV. The score features some pieces orchestrated by Yoshihisa Hirano, Toshiyuki Oomori, and Kunihito Shiina, with the Warsaw Philharmonic Orchestra.[70][71] The song "My Hands", from British singer Leona Lewis' second album Echo, was chosen to replace Final Fantasy XIII's original theme song, "Kimi ga Iru Kara" by Sayuri Sugawara, for the game's international release.[72] Square Enix President Yoichi Wada later said that it would have been better if the American branch of the company had produced a theme song from scratch, but a lack of staff led to the decision of licensing an existing song.[73]

Music from the game has been released in several albums. Square Enix released the main soundtrack album, Final Fantasy XIII Original Soundtrack, on four Compact Discs in 2010.[74] The album sold 16,000 copies the day of its release.[75] Square Enix released selections from the soundtrack on two gramophone record albums in 2010: W/F: Music from Final Fantasy XIII and W/F: Music from Final Fantasy XIII Gentle Reveries.[76][77] An album of arranged pieces from the soundtrack, Final Fantasy XIII Original Soundtrack -PLUS-, was also released by Square Enix in 2010, as was an album of piano arrangements.[78][79] For Life Music published a single of the theme song for the Japanese version of the game, "Kimi ga Iru Kara" (君がいるから, "Because You're Here"), in 2009.[80]

Versions and merchandise

Art director Isamu Kamikokuryo (left) and producer Yoshinori Kitase (right) at the Final Fantasy XIII London Launch Event at HMV in March, 2010. The event was hosted by Alex Zane (holding microphone).

The game was released In Japan on December 17, 2009, and in North America, Europe and Australia on March 9, 2010. Alongside the release of the game in Japan, Japanese alcoholic beverage distributor Suntory released the "Final Fantasy XIII Elixir" to promote the game.[81] On the same day, a Final Fantasy XIII PlayStation Home personal space was made available for free in Japan until January 13, 2010, along with a costume and personal space furnishings;[82] they were released to the Asian, European, and North American versions of PlayStation Home on March 11, 2010.[83]

The game was released bundled with consoles in different regions. The game was bundled in Japan with a limited-edition white PlayStation 3 with a pink color print of Lightning on the surface of the console,[84] and with an Xbox 360 with the silver strip on the hard drive emblazoned with the Final Fantasy XIII logo in the western release. A limited quantity of themed Xbox faceplates created by Nomura was made available through a select few retailers in Europe, North America, and Australia. PAL territories received a limited collector's edition of the game for both Xbox 360 and PlayStation 3, with the Final Fantasy XIII Original Sound Selection "best of" soundtrack CD and The World of Final Fantasy XIII, a hardback book featuring character artwork, CG-rendered artwork, and environments from across the game production.[85] Square Enix published three Ultimania books: the Final Fantasy XIII Scenario Ultimania and the Final Fantasy XIII Battle Ultimania on January 28, 2010, and the Final Fantasy XIII Ultimania Ω on September 30, 2010.[86] The Battle Ultimania provides a description and analysis of the new battle system and its components, and developer interviews.[87] The Scenario Ultimania describes the main scenarios in the game, profiles on the characters and areas in Cocoon and Gran Pulse, developer interviews, and details on each location.[88] The last guide, the Ultimania Ω, includes voice actor and additional staff interviews, the complete story of Final Fantasy XIII including additional character profiles, a collection of artworks and illustrations, and additional dissections of the story and background.[89]

While the game was released on both PlayStation 3 and Xbox 360 in western regions, the game was a PlayStation 3 exclusive in Asian territories.[90] Final Fantasy XIII was the first game in the series to receive an official release in Chinese.[91] An international version of the game for the Xbox 360 called Final Fantasy XIII Ultimate Hits International was released in Asia on December 16, 2010.[92] The game includes an "Easy" mode option, and features the English voices. It comes with a bonus booklet titled Final Fantasy XIII Corridor of Memory that contains content that was previously left out of the original version of the game and a short story epilogue titled Final Fantasy XIII Episode I.[6]

Reception

 Reception
Aggregate scores
Aggregator Score
GameRankings 85.17% (PS3)[93]
82.18% (X360)[94]
Metacritic 83/100 (PS3)[95]
82/100 (X360)[96]
Review scores
Publication Score
1UP.com A-[97]
Computer and Video Games 9.2/10[98]
Edge 5/10[99]
Eurogamer 8/10[10]
Famitsu 39/40[100]
GameSpot 8.5/10[101]
IGN 8.9/10[102]
Official PlayStation Magazine (UK) 9/10[103]
Play Magazine 7.9/10[104]

Final Fantasy XIII sold over one million units on its first day of sale in Japan,[105] and had sold 1.7 million copies in Japan by the end of 2009.[106] Square Enix had anticipated high initial sales for the game and shipped close to two million units for its launch.[107] The game sold more than one million copies in North America in its release month. In March 2010, Square Enix stated that Final Fantasy XIII was the fastest-selling title in the franchise's history.[108] By April of the same year, American game sales for the PlayStation 3 and Xbox 360 reached an estimated 800,000 and 500,000 units respectively.[109] As of May 18, 2010, Final Fantasy XIII had shipped 6.2 million copies worldwide.[110]

Final Fantasy XIII received generally positive reviews. It was rated 39 out of 40 by the Japanese gaming magazine Famitsu.[100] Dengeki praised the game for the battle system, stating that the battles are by far the most exciting in the series, and concluded Final Fantasy XIII deserved a score of 120, as 100 would not be enough.[111] The game was voted as the second best game of 2009 in Dengeki Online's reader poll,[112] and in January 2010, it was voted the best game ever in Famitsu's reader poll.[113] The game received a Best RPG of the year award nomination at the Spike Video Game Awards.[114]

Universal praise was given to the technical milestones achieved by the game's graphics and presentation. Edge felt that Cocoon in particular was an "inspired setting [...] blessed with a vibrancy and vivid colour that often leaves you open-mouthed".[99] GameSpot called the art design "magnificent".[101] Further praise was given to the pre-rendered animation sequences[98][115][116] and the almost seamless transition of visual quality between these and the realtime gameplay.[115] Many also appreciated the game's soundtrack,[98][101] with Masashi Hamauzu providing "a score with catchy hooks and blood-pumping battle melodies", according to Wired.[116]

The battle system of Final Fantasy XIII received widespread praise. The increased pace of battles was appreciated, with several reviews describing it as "thrilling";[10][98] Edge's description of the battle system summarized it as "among the genre's finest".[99] 1UP.com said that "Despite the fact that two-thirds of your party is AI-controlled, FFXIII's battles may be the most involving the series has ever seen."[97] The story got a mixed reception, with Wired remarking that the plot was "a little more human and less esoteric than in previous games".[116] 1UP.com felt that the story was "hardly world-class writing", but that the writers clearly knew the medium well and had attempted to avoid clichés.[97] Reviewers felt that the characters worked well together,[97][101] and that the interactions among them as the game progressed made up for shortcomings in the story.[10]

Linearity

While critics generally praised Square Enix's attempt to revitalize the Final Fantasy series formula, many reacted negatively to the linear nature of the game, especially in the first ten chapters on Cocoon,[97][117] an issue which many felt was compounded by the large reduction of towns and interaction with non-player characters.[118] GamePro described the gameplay as "a long hallway toward an orange target symbol on your mini-map that triggers a cutscene, a boss fight, or both,"[118] and 1UP.com criticized the linear aspect as the game's "biggest shortcoming", and felt the first section was "superficial."[97] Edge and others awarded the game especially lower scores as a result of these aspects, with Edge in particular lowering the score they awarded the game to a five out of ten primarily due to the game's linear nature.[99]

In contrast, reviewers from GamesRadar and Computer and Video Games appreciated the linear nature; the former stated that "the streamlined, focused structure eliminates potential tedium without dumbing anything down",[9] while the latter felt it was "a clever move",[98] and kept the player from being "[bogged] down with mundane number crunching, [and] finicky and repetitive leveling-up."[98] Many negatively noted the gradual unfurling of the player's abilities over this first part of the game, from battle gameplay to selecting the party leader.[10][97] Due to this aspect, combined with the game's linear nature, some reviews went as far as to describe these chapters as "boring" until the world of Gran Pulse was revealed.[99][116][117] Edge noted that while it did not do enough to make up for the opening chapters, at Gran Pulse the game "hits a sweet spot" as the narrative offers "hunting side-quests and the simple joy of exploring to see what visual marvel is around the next corner."[99]

Response to criticism

After release, director Motomu Toriyama felt that the lower-than-expected review scores for a main Final Fantasy series game came from reviewers who approached the game from a Western point of view. These reviewers were used to games in which the player was given an open world to explore, he said, noting that this expectation contrasted with the vision the team set out to create. He noted that it "becomes very difficult to tell a compelling story when you're given that much freedom".[119] Toriyama and Kitase later said, in July 2011, that the biggest complaints about the game were that it was too linear and that there was not enough interaction between the player and the world, which they described as a lack of towns and minigames. They also named the amount of time it took to access all of the gameplay elements as a common criticism, saying that people interpreted it as a "lengthy tutorial".[120]

Square Enix president Yoichi Wada made his thoughts about the reception of the game known to Gamasutra. He said, "Some value it highly, while others really don't like it."[121] He added, "Should Final Fantasy become a new type of game or should Final Fantasy not become a new type of game? The customers have different opinions. It's very difficult to determine which way it should go."[121]

Sequel

Main article: Final Fantasy XIII-2

At the Square Enix First Production Department Conference held on January 18, 2011, Square Enix announced that they were developing a direct sequel to Final Fantasy XIII, entitled Final Fantasy XIII-2, which intends to build on the game's story and characters while taking on board the criticism and other feedback about the original. It has an expected release date of December 15, 2011 in Japan, January 31, 2012 in North America and February 3, 2012 in Europe, for both the PlayStation 3 and the Xbox 360.[122][123] Motomu Toriyama and Yoshinori Kitase will reprise their respective roles as director and producer. The game takes place immediately after the events of Final Fantasy XIII. Final Fantasy XIII-2 is set to star Lightning once again, and will feature a modified version of the Active Time Battle system from the original game.[124] Toriyama stated in the Ultimania Omega companion book prior to the sequel's announcement that he hoped to write a story "where Lightning ends up happy", though at the time Square Enix had no plans to make a sequel.[66]

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  18. ^ Datalog - Sanctum Fal'Cie: The Sanctum fal'Cie are the unfathomable entities that constructed the floating shell of Cocoon in ages past, and even now watch over the world's human inhabitants. Each is assigned a specific task that supports the existence of Cocoon's grateful populace, such as generating energy or manufacturing food. Square Enix. Final Fantasy XIII. (Square Enix). PlayStation 3, Xbox 360. (2010-03-09)
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  30. ^ a b Sazh: My son Dajh. He was picked. He's a l'Cie. He said he wanted to see a fal'Cie. So, I took him on a tour of the Euride Gorge plant. Thought I surprised him with a Chocobo chick to take home, but the second I turned my back... ...into the energy plant he went. Square Enix. Final Fantasy XIII. (Square Enix). PlayStation 3, Xbox 360. (2010-03-09)
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  37. ^ Fang: I've got a few screws loose, but I'm a l'Cie, same as you. Difference being... ...I wasn't born on Cocoon. I'm from Gran Pulse. The 'world below' you all hate so much. My partner and I'd turn to crystal and gone to sleep. But when we came around, here we were. The reason Cocoon's in such an uproar is the same reason that you're here now. Vanille and I woke up. Square Enix. Final Fantasy XIII. (Square Enix). PlayStation 3, Xbox 360. (2010-03-09)
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  39. ^ Dysley: Oh child, perish the thought. I am more than that! Barthandelus: I am fal'Cie. My name is Barthandelus. Voice of the Sanctum, and Lord-Sovereign of the Cocoon fal'Cie. Square Enix. Final Fantasy XIII. (Square Enix). PlayStation 3, Xbox 360. (2010-03-09)
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Final Fantasy XIII (Characters (Lightning) • Music) • XIII-2 • Versus XIII • Type-0
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