Boston Baroque


Boston Baroque

Boston Baroque, the oldest continuing period instrument orchestra in North America, was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.

The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981.

With Mr. Pearlman as its music director, the ensemble presents an annual subscription concert series in Greater Boston, Massachusetts; has performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, and at the Ravinia and Tanglewood festivals; and has toured internationally.

The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for international commercial distribution.

As of 2007, there are eighteen recordings in the series, three of which have received Grammy nominations. These recordings are distributed in thirty countries worldwide and are broadcast on classical radio in North America, South America, Europe, and Asia.

Boston Baroque is the resident professional ensemble for Boston University's Historical Performance Program, where it is helping to train the next generation of period-instrument performers.

Notable Performances

*Boston's period-instrument premiere of Handel's Messiah in 1981.
*American premiere of the opera Zoroastre by Jean-Philippe Rameau in 1983.
*Boston’s first period-instrument performances of the complete concertos of Johann Sebastian Bach in 1984-1985 to mark Bach’s Tercentenary.
*American period-instrument premiere of Mozart's Don Giovanni, broadcast nationally on public radio in 1986.
*American period-instrument premieres of Beethoven's Seventh Symphony and Violin Concerto in 1987-88
*Boston’s period-instrument premiere of Joseph Haydn’s The Creation in 1989.
*Modern world premiere of "Der Stein der Weisen" ("The Philosopher's Stone") in 1998, a Singspiel collaboratively written by members of Mozart's circle--with the likely participation of Mozart himself--which sheds new light on the composition of The Magic Flute one year later.
*Boston's first complete cycle of the three surviving Monteverdi operas (semi-staged in 2001-2003) with new performing versions of L'Incoronazione di Poppea and Il ritorno d'Ulisse in patria written by Martin Pearlman.
*Boston Baroque’s European debut, performing Handel's Messiah in Krakow and Warsaw, Poland in 2003.
*Boston Baroque’s tour of the Monteverdi Vespers of 1610 to Walt Disney Concert Hall in Los Angeles, and the summer music festivals at Ravinia and Tanglewood in 2004
*First professional Boston performances of Luigi Cherubini's Requiem in C minor in 2005, a neglected work highly praised by leading composers of the day and favorably compared with Mozart's Requiem.

Notable Recordings

Boston Baroque has performed and recorded period-instrument performances of Bach’s Brandenburg Concertos, Handel’s Messiah, Purcell’s Dido and Aeneas, Monteverdi Vespers of 1610, Bach’s Mass in B minor, Handel's Concerti Grossi, Op. 6, Gluck’s Iphigénie en Tauride, Mozart’s The Impresario & Mozart's Circle’s The Beneficent Dervish, Handel’s Music for Royal Fireworks and Water Music, Bach: The Complete Orchestral Suites, Mozart: Flute Concertos and Symphony No. 41 "Jupiter", Vivaldi’s Gloria, Bach’s Magnificat, Cherubini’s Requiem in C minor (1816) & March funèbre (1820), Beethoven’s Elegiac Song (Elegischer Gesang), Op. 118.

Boston Baroque has received three Grammy Nominations
*Handel’s Messiah, 1992: Best Performance of a Choral Work
*Montiverdi’s Vespers of 1610, 1998: Best Performance of a Choral Work
*Bach’s Mass in B Minor, 2000: Best Performance of a Choral Work

Notable premiere recordings by Boston Baroque include:
*First period instrument recording of Mozart’s Requiem Mass in D minor in the completion by Robert D. Levin, in which Levin addresses the issues of instrumentation, grammar and structure raised by the traditional Sussmayr completion.
*Lost Music of Early America, the first and sole professional CD recording of American Moravian Church music—the first early American classical music. Martin Pearlman researched the music at the Moravian Music Foundation in Salem, N. Carolina, and chose and arranged the hymns into patterns appropriate for the Moravian Lovefeast or Liebesmahl, primarily a song service with hymns, psalms and anthems. Included are Lovefeasts for Christmas, Lent and Thanksgiving.
*The Philosopher's Stone, (Der Stein der Weisen), 1790, a collaboratively composed Singspiel with a story based on the same set of fairy-tales from which The Magic Flute was drawn, which attracted renewed attention in 1996, when musicologist David J. Buch discovered a previously unknown copy. Besides numerous correlations with Mozart’s final operatic work, The Magic Flute, which was written for the same company a year later, this copy of The Philosopher’s Stone suggested the likelihood of Mozart’s participation in the composition of more of the music than had been previously thought. Boston Baroque was chosen by David J. Buch to give the modern-day world premiere of The Philosopher‘s Stone. The work was presented in concert form in Boston’s Jordan Hall (1999) and recorded for Telarc.
*First period instrument recording of Luigi Cherubini's long neglected Requiem in C minor, which premiered on January 21, 1817, in a memorial concert below the abbey church of St. Denis to commemorate the anniversary of the executions of Louis XVI and Marie Antoinette. Though held in the highest esteem by Beethoven, Brahms, Berlioz and Wagner, and performed widely in its own day, the piece fell into obscurity along with most of Cherubini's output by the end of the 19th century.

Collaborations

*Boston Baroque performed with Mark Morris and the Mark Morris Dance Group in five performances of Henry Purcell's Dido and Aeneas, in Chicago and Ann Arbor, in 1996.
*Boston Baroque performed Boston's first fully staged production of Alceste by Christoph Willibald Gluck in a co-production with Opera Boston at the Cutler Majestic Theatre in 2005
*Boston Baroque performed Handel's Semele, in a fully staged production with Opera Boston at the Cutler Majestic Theatre in February 2008.

External links

*http://www.bostonbaroque.org/home.php Boston Baroque Website
*http://www.bach-cantatas.com/Bio/Boston-Baroque.htm Bach-cantatas.com: Boston Baroque
*http://www.bostonbaroque.org/recordings.php Discography
*http://ffaire.com/stein/parallels.html Parallels between The Philosopher’s Stone and The Magic Flute


Wikimedia Foundation. 2010.

Look at other dictionaries:

  • Baroque orchestra — The Baroque orchestra iSz the earliest example of a true orchestra which came into existence in the mid late 1600s. Its origins were in France where Jean Baptiste Lully added the newly re designed hautboy and transverse flutes to his vingt quatre …   Wikipedia

  • Boston arts organizations — The city of Boston, Massachusetts is home to many arts organizations in many disciplines. They include:* ArtsBoston * The Art Institute of Boston * Boston Arts Academy * Boston Ballet * Boston Baroque * Boston Center for the Arts * Boston… …   Wikipedia

  • Boston, Massachusetts — Boston Pour les articles homonymes, voir Boston (homonymie). Boston …   Wikipédia en Français

  • Boston (Massachusetts) — Boston Pour les articles homonymes, voir Boston (homonymie). Boston …   Wikipédia en Français

  • Baroque music — Private baroque theatre in Český Krumlov …   Wikipedia

  • Boston — Pour les articles homonymes, voir Boston (homonymie). 42° 21′ 28″ N 71° 03′ 42″ W …   Wikipédia en Français

  • Boston University College of Fine Arts — The Boston University College of Fine Arts (CFA) is unit of Boston University. The College consists of the School of Music, the School of Theatre, and the School of Visual Arts. Each of the individual schools offer degrees in the performing and… …   Wikipedia

  • Boston Chamber Music Society — The Boston Chamber Music Society (BCMS) is an American organization of musicians located in Boston, MA that is dedicated to the performance and promotion of chamber music. The organization performs works from the Baroque era to the present day… …   Wikipedia

  • Boston Early Music Festival — The Boston Early Music Festival (BEMF) is a music festival held every two years in Boston, Massachusetts, USA, for all people interested in historical music performance.It was founded in 1980 by a group of musicians interested in promoting… …   Wikipedia

  • The Boston Camerata — Datos generales Origen Estados Unidos Información artística …   Wikipedia Español


Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”

We are using cookies for the best presentation of our site. Continuing to use this site, you agree with this.