Billy Budd (opera)

"Billy Budd" is an opera by Benjamin Britten, first performed at the Royal Opera House, Covent Garden, London on 1 December 1951. It is based on the short novel "Billy Budd" by Herman Melville.

Britten had heard E. M. Forster discuss the novel in his Clark lectures at Cambridge University and the two had met before the Second World War and built up a friendship. In 1948, the question arose of whether Forster would provide a libretto for Britten, and by that November, Britten seems to have mentioned "Billy Budd" as a possibility. In fact, Forster agreed to this project, and worked with Eric Crozier to write the opera's libretto. [ [http://arts.guardian.co.uk/features/story/0,,1655436,00.html James Fenton, "The sadist and the stutterer". "The Guardian", 2 December 2005.] ]

Originally, the opera was written in four acts, but, in 1960, Britten revised it substantially in preparation for a BBC broadcast revival, compressing it into two acts and cutting Vere's appearance at the end of Act I. This meant that his first appearance after the prologue was not a public speech but a private moment alone in his cabin. The two-act version is generally considered the more dramatically effective, but the four-act version is occasionally revived and has been recorded.

The title role was originally reserved by Britten for Geraint Evans, who prepared it, but withdrew because it lay too high for his voice. Britten then chose Theodor Uppman, and Evans sang a different role, Mr Flint. Britten conducted the premiere, there were 17 curtain calls, and Uppman was acclaimed a new star.

Other leading baritones who have sung the role of Billy Budd include Sir Thomas Allen, Simon Keenlyside, Rod Gilfry, Bo Skovhus, Thomas Hampson, and Teddy Tahu Rhodes.

Roles

ynopsis

:Place: On board the battleship HMS "Indomitable", a "seventy-four":Time: The French Revolutionary Wars in 1797

Prologue

Captain Edward Fairfax Vere, an old man, reflects on his life and his time in the navy. He reflects on the conflict between good and evil, he is tormented by guilt over the case of Billy Budd on board his ship, HMS "Indomitable", some years earlier.

Act 1

The crew of the Indomitable works on deck. For slipping and bumping into an officer, the Novice is sentenced to be flogged. At the same time a cutter approaches, returning from a merchant ship where it has pressed three sailors into England's Navy.

One of these sailors, Billy Budd, seems overjoyed with his situation - entirely different from the other two who are not so happy. Claggart, the Master-at-Arms, calls him "a find in a thousand," despite the slight defect of a stammer. Billy says a jaunty farewell to the "Rights o' Man", his former ship, innocent of what his words imply. The officers take his words as a deliberate provocation and order the men below decks. Claggart tells Squeak, the ship's corporal, to keep an eye on Billy and give him a rough time.

The Novice returns from his flogging, unable to walk and helped along by a friend. Billy is shocked at the cruelty of the punishment, but is certain that if he follows the rules he will be in no danger. Dansker, an old sailor, nicknames Billy "Baby Budd" for his innocence.

At this point in the four-act version came the climax of Act I, in which Captain Vere appeared on deck to give a speech to the men. In the two-act version, Dansker simply tells the others Vere's nickname, "Starry Vere," and this is enough for the impulsive Billy to swear his loyalty to the unseen captain.

In his cabin, Captain Vere muses over classical literature. His officers enter, and they discuss the revolution in France and the mutinies in the British Navy sparked by French ideas of democracy. The officers warn that Billy may cause trouble, but Vere dismisses their fears and expresses his love for the men under his command.

Below decks the sailors rough-house, but old Dansker remains gloomy. Billy goes for some tobacco to cheer him up, and discovers Squeak rifling through his kit. In a rage, Billy begins to stammer. He knocks Squeak to the ground as Claggart and the corporals enter. Billy is still unable to speak, but Claggart takes his side and sends Squeak to the brig. However, when alone, Claggart reveals his hatred for Billy and vows to destroy him. He orders the Novice to try and bribe Billy into joining a mutiny, and the broken-spirited Novice quickly agrees. Billy refuses the bribe and believes he will be rewarded, but Dansker warns him to beware of Claggart.

Act 2

Claggart begins to tell Vere about the danger that Billy represents, but is interrupted by the sighting of a French ship. The Indomitable attacks, but loses the enemy in the mist. Claggart returns, and tells Vere that Billy poses a threat of mutiny. Vere does not believe him and sends for Billy so that Claggart may confront him.

Later, in Vere's cabin, Claggart repeats the false charge to Billy's face. Once again, Billy begins to stammer in rage. Unable to speak, he strikes Claggart, killing him. The Captain is forced to convene an immediate court-martial, and the officers find Billy guilty and sentence him to hang. Billy begs Vere to save him, and the officers appeal to him for guidance, but Vere remains silent and accepts their verdict. He goes into the cabin where Billy is being held, and the orchestra suggests a tender offstage meeting as the captain informs Billy of the death sentence. This was the end of Act 3 in the four-act version.

Billy prepares for his execution in his cell. Dansker brings him a drink and reveals that the crew is willing to mutiny for his sake, but Billy is resigned to his fate. Four o'clock that morning, the crew assembles on deck, and Billy is brought out. The Articles of War are read, and show that Billy must be hanged. Just before his execution, he praises Vere with his final words, singing "Starry Vere, God Bless you!" echoed by the rest of the crew.

Epilogue

Vere, as an old man, remembers Billy's burial at sea, reflecting that the man he failed to save has instead blessed and saved him. As he recalls Billy's blessing, he realises he has discovered genuine goodness and can be at peace with himself.

References

External links

* [http://operabase.com/oplist.cgi?is=Billy%20Budd Current performances of "Billy Budd"] from Operabase
* Allen, Stephen Arthur, " "Billy Budd": Temporary Salvation and the Faustian Pact", "Journal of Musicological Research", Vol. 25, Issue 1, January 2006:43-73. (Also can be purchased at [http://www.informaworld.com/smpp/content~content=a742087353~db=all Informaworld.com] )
* [http://www.operadis-opera-discography.org.uk/CLBRBILL.HTM Further "Billy Budd" discography]