Santa Maria del Parral

A convent of the Hieronymite just outside the walls of Segovia, Santa Maria del Parral was founded by King Henry IV of Castile in 1454, who despite a generally irreligious life was finally buried in the sister-house of Sta Maria de Guadalupe. He gifted a number of pieces of art (probably commissionned by his father, a much more religious man), conceivably in order to clear house space. (Author's note: Partisan POV, retained because it might be provable).

It was closed as part of the secularisation program of 1835, and its works of art were moved to the Convent of La Trinidade at Atocha in Madrid between then and 1838. In the 1870s they were again moved to the Royal Gallery of El Prado in Madrid, where they were stored with little further research until some greater investigation took place between 2000 and 2003.

One work in particular, The Fountain of Grace (The Triumph of the Church over the Synagogue), listed in the Convent's Libero de Bercero (Vellum Book) as a gift of the King in 1454, was originally attributed to a follower of the School of Jan van Eyck, as it uses the same symbolic language and constructional forms as part of the Mystic Lamb polytych in St Bavo's Cathedral in Gent, Belgium. A 2003 exhibition lists the work as one which has had a major revision to its attribution, and there is some reason to suspect that it may have been a rushed copy of a lost original originally commissioned by Pope Eugene IV for a chapel in Brussels, possibly undertaken by Jan van Eyck during a diplomatic mission he undertook to the Iberian Peninsula in the 1430s.

Following a Papal Decree of 1925, the Hieronymite Order was reestablished here in the following years which was finally granted its Rule in 1969.