Brian Andreas

Brian Andreas (born 1956 in Iowa City, Iowa) is an American writer, painter, sculptor and publisher. Most notable of his works are the StoryPeople objects he makes using salvaged wood from old homesteads. [Young 1996, p. C3.] These mixed-media works include a short story that focuses on a moment or a memory, [Webb 2006, p. 2D.] and the deliberately crude shapes display bright yet soothing colors and shadowy amorphous faces to go along with the simple, declarative language of the prose. [Watts 1995, Sketchbook.] This style eventually led to a wide-ranging array of works, from the publication of nine books, to the production of brightly painted furniture hand-stamped with short stories. The diversity of his interests led to the 1994 foundation of his StoryPeople company.

=Background= Andreas was born in 1956 in Iowa City, Iowa, and grew up in Chicago, Illinois. He graduated from Luther College in Decorah, Iowa, in 1979 and went on to receive his MFA in Fiber and Mixed Media in 1992 from the John F. Kennedy University in Orinda, California, [Langton 1998, cover.] where he studied with an emphasis on electronic community (focusing on stories as human community.) [Brainard 1994, B8.] It was during 1992-1993, in conjunction with the Graduate School of Arts and Consciousness at JFK University, that he coordinated an early Internet experiment called the Hall of Whispers.

Hall of Whispers

Andreas set out to ask people to share stories about their experience of being alive, using the Internet of the early 1990s. [Wiley 1995, p. 2A.] Of this experiment, he wrote:

"Hall of Whispers takes its name from an ancient Babylonian myth of a specially constructed room in one of the ziggurats (stepped pyramids) where a whisper would stay alive forever. I have an image of the electronic networks whispering ceaselessly with the voices of our times.

"The form of the project is deceptively simple . . . to create a situation . . . where we could join each other around a technological campfire . . . to create a virtual community using an ancient fundamental of community-making: shared stories . . . a council model for understanding our world . . . that it is in the sharing that greater wisdom evolves. Finally, in a turbulent world, it is easy to lose sight of the small beauties and moments of grace that occur constantly around us. I wanted Hall of Whispers to give voice to that side of ourselves that recognizes that this is as much a time of renewal as it is a time of decay." [Andreas 1993, pp. 256-257.]

Using the then-infantile Internet in accompaniment with fax, phone and standard mail, [Andreas 1993, pp. 256-257.] Andreas ultimately gathered more than 4,000 stories from around the world. [Brainard 1994, p. B8.] At the time, Andreas was living with his wife and two young sons in Berkeley, and had artistically set out down the monochromatic path of stone sculpting. "I had lots of white, black and beige around but no color." [Nathan 1998, p. 25.] Finally, his wife is reported to have told him, "Please don't talk to me again until you have some color." [Langton 1998, cover.]

StoryPeople

With his wife's words and two young sons as motivation, Andreas went out into his backyard and pulled a board from the fence and began to play with the boards and place little stories and some color onto them. Soon, shaped as 'people,' they began to sell. [Nathan 1998, p. 25.] Encouraged by the results, Andreas and his wife, Ellen Rockne, along with their sons, subsequently left Berkeley early in 1994 and returned to Decorah, Iowa, where the two had previously attended Luther College. [Langton 1998, cover.] Of the results of the Hall of Whispers and the fence-board experiments, it was eventually written that "he discovered the StoryPeople waiting to be carved out of rough barn board, painted in bright colors, and hand-lettered with their individual stories." [Wiley 1995, p. 1A.] He "gives voice to the vision of the child and the unsophisticated in books that listen to unnamed 'StoryPeople,' who express themselves through hand-stamped print, as if epigrammatically." [Marty 1998, p. 14.] Andreas established the StoryPeople headquarters in downtown Decorah, Iowa, in May 1994 and spent the next decade directing the production of wood sculptures, print reproductions, books, greeting card sets and furniture all bearing his trademark "bright colors . . . and hand-lettered stories." He and his family have since moved back to California [Webb 2006, 2D.] where they have recently moved into their new eco-friendly "green" home. Andreas continues to innovate with new stories and new media, currently creating original works on large canvases while also overseeing the development of a new website. Of his work, Andreas says, "I like art that admits to being a part of life. The moments I have with my friends and family are really all that I need. I like to take them and weave them into stories that are filled with laughter and music and lunacy. And they are mostly true, but I'm not telling which parts. . . " [Brainard 1994, B8.] "I have a real quirky view of the world. A century ago I would have been standing on a soapbox in Hyde Park telling people about a better way of seeing." [Young 1996, C3.]

Andreas' first book of hand-stamped stories and black-and-white line drawings, entitled "Mostly True", was first published in August, 1993. "Still Mostly True" followed in May 1994, and to date Andreas' publications include a total of nine books. [Brainard 1994, p. B8.]

Bibliography

*"Mostly True" (1993)
*"Still Mostly True" (1994)
*"Going Somewhere Soon" (1995)
*"Strange Dreams" (1996)
*"Story People" (1997)
*"Hearing Voices" (1998)
*"Trusting Soul" (2000)
*"Traveling Light" (2003)
*"Some Kind of Ride" (2006)

References

Further reading

*Andreas, B (1993). [http://links.jstor.org/sici?sici=0024-094X(1993)26%3A3%3C256%3AHOWAVO%3E2.0.CO%3B2-U "Hall of Whispers: A Virtual Opera,"] LEONARDO, Vol. 26, No. 3, pp. 256-257.
*Brainard, L (June 16, 1994). "Arts and stories lead to StoryPeople," Decorah Journal, p. B8.
*Langton, C (Fall, 1998). "Stories, Sketches, Trunks, and the Art of Life," Vesterheim News, cover.
*Marty, M (July, 1998). [http://links.jstor.org/sici?sici=0002-7162(199807)558%3C13%3ARTMOAR%3E2.0.CO%3B2-Q "Revising the Map of American Religion,"] Annals of the American Academy of Political and Social Science, Vol. 558, Americans and Religions in the Twenty-First Century, pp. 14, 15.
*Nathan, J (Sept., 1998). "The StoryPeople: A Publishing Tale," Fore"W"ord, p. 25.
*Watts Jr., J (May 21, 1995). [http://www.tulsaworld.com/news/article.aspx?articleID=513020 "Artist's Work Like Prism Held Up to Light of Life,"] Tulsa World, Sketchbook.
*Webb, J (Dec. 8, 2006). "Slices of life, served with color," Billings Gazette, pp. 2D-3D.
*Wiley, D (Feb. 27, 1995). "His art speaks to people," Des Moines Register, pp. 1A-2A.
*Young, L (Nov. 7, 1996). "Funny People Hanging Around At the Library," New York Times, p. C3.

External links

* [http://www.StoryPeople.com www.StoryPeople.com]
* [http://www.StoryPeople.net www.StoryPeople.net]