Queen's Theatre, Long Acre

Infobox Theatre
name = Queen's Theatre


caption =
address = Long Acre, Covent Garden
city = Camden, London
country =
designation = "Demolished"
latitude = 51.513028
longitude = -0.12425
architect = Richard Westmacott
owner = John Hullah
capacity = 1847 3,000 seated 1867 4,000 seated
type = Lecture hall, concert rooms, Theatre, Variety theatre
opened =
yearsactive = 1847–1878
rebuilt = 1862 unknown 1867 C. J. Phipps
closed =
othernames = 1847 St Martin's Hall 1850 St Martin's Music Hall 1867 New Queen's Theatre 1868 Queen's Theatre
Queen's Theatre of Varieties 1877 National Theatre
production =
currentuse = Block of flats (on site)
website = The Queen's Theatre was established in 1867, as a theatre on the site of St Martin's Hall, a large concert room that opened in 1850. It stood on the corner of Long Acre and Endell Street, with entrances in Wilson Street and Long Acre (formerly Charles Street). The theatre, one of the largest in London, closed in 1878, despite a comfortable house and a company consisting of many famous actors. The site is within the modern Camden part of Covent Garden [http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A2000.01.0004&query=head%3D%2336 Walter Thornbury "Old and New London: A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Volume 3"] accessed 1 April 2008]

History

t Martin's Hall

St Martin's Hall was built for John Hullah, in 1847, by William Cubitt, from a design by Richard Westmacott. The scheme was financed by subscription and it was built on a parallelogram of land, convert|149|ft|m|1 by convert|61|ft|m|1 wide, connected to a plot on Long Acre (convert|44|ft|m|1 by convert|22|ft|m|1); and consisted of a main hall with connected anterooms, galleries and a 500–seat lecture hall. [ [http://www.arthurlloyd.co.uk/QueensLongacre.htm "St. Martin's Music Hall"] 16 February 1850 "The Builder", at Arthur Lloyd theatre history site, accessed 1 April 2008] It was built in the Elizabethan style, with a large domed iron roof. The music hall was capable of seating 3,000 persons and was opened in 1850 by Hullah, the founder of a new "school of choral harmony". In addition to his singing classes, Hullah directed oratorios and concerts, both instrumental and vocal, at the hall. The German Reed Entertainments were initially presented here in 1855 – known as "Miss P. Horton's Illustrative Gatherings" – before moving to the more intimate Gallery of Illustration and later St George's Hall. [cite book|last=Williamson|first=David, ed.|year=1895|title=The German Reeds and Corney Grain; records and reminiscences|locatin=London|publisher=A.D. Innes]

Charles Dickens first appeared as a public lecturer, here in April, 1858, on behalf of the Hospital for Sick Children, in Great Ormond Street, and a week or two later on his own account. The hall was used for musical recitals, lectures and political meetings. On 26 August 1860, a fire broke out in a nearby coach factory and the hall was destroyed, together with its organ

The hall was rebuilt as a concert hall, opening in 1862. The final musical entertainment was given in 1867.

Queen's theatre

In 1867, a 4,000-seat theatre was built within the shell of the existing building by C. J. Phipps for Henry Labouchère and his partners, with interior decoration by Albert Moore and Telbin. [Sherson p. 201] A new company of players was formed, including Charles Wyndham, Henry Irving, J. L. Toole, Lionel Brough, Ellen Terry, and Henrietta Hodson. The theatre opened as the New Queen's Theatre, with a production of Charles Reade's "The Double Marriage" on 24 October 1867. An early success was "Dearer Than Life", by H. J. Byron, with Brough, Toole, Wyndham, Hodson and Irving, coupled with W. S. Gilbert's "La Vivandière", a burlesque of "La fille du régiment". [Sherson, p. 202] The theatre continued with melodrama, adaptions and classic revivals, dropping the epithet 'new' the following year.

Initially, the management was run by the actor Alfred Wigan, who also appeared in its productions. By 1868, Hodson and Labouchère were living together out of wedlock, [ [http://www.labouchere.co.uk/linkpages/labbyanddora.htm "Labby and Dora"] (Labouchere genealogy site) accessed 1 April 2008] as they could not marry until her first husband finally died in 1887. [ [http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9A0CE4DA123BE033A25754C1A9679C94629FD7CF&oref=slogin "London Facts and Gossip"] 17 January 1883 "The New York Times" accessed 1 April 2008] Labouchère bought out his partners and used the theatre to showcase Hodson's talents. [ [http://www.gabrielleray.150m.com/ArchiveTextH/HenriettaHodson.html Feature on Hodson in Footlights Notes] ] The theatre hosted historical dramas, such as Tom Taylor's "Twixt Axe and Crown" (1870), comedies, such as F. C. Burnand's "The Turn of the Tide" (1870), popular revivals of Shakespeare starring such famous actors as Samuel Phelps and Tommaso Salvini, dramatisations of Dickens novels, burlesques and extravaganzas. Although the theatre was among the largest and best equipped in London, and featured some of London's most famous stars, it lacked the guidance of an actor-manager of the stature of Henry Irving or Herbert Tree. [Sherson pp. 209–10]

In 1877, the theatre became the National Theatre and hosted a series of promenade concerts under Riviere and Alfred Cellier [Sherson p. 208] followed by an ambitious dramatisation of "The Last Days of Pompeii" (Lord Lytton's eponymous novel) that was meant to feature a staged eruption of Vesuvius, an earthquake and a sybriatic Roman feast. However, the earth did not quake, the volcano did not erupt, acrobats fell onto the cast below, and the production was an expensive flop. [Sherson p. 204] The same year, the theatre was joined by overhead wires to the Canterbury Music Hall in Lambeth, and public demonstrations of the Cromwell Varley telephone were given. Several simple tunes were transmitted and emitted softly from a large drum-like apparatus suspended over the proscenium. [ [http://www.victorianlondon.org/publications5/londoners-44.htm "London and Londoners in the Eighteen-Fifties and Sixties"] , Alfred Rosling Bennett (1924) Chapter 44 "The Drama" (The Victorian Dictionary) accessed 1 April 2008]

The theatre closed in April 1878. The interior was converted into a department store for the "Clerical Co-operative Society" and later occupied by the Odhams Press. The façade remained until redeveloped into a residential block in the 1970s. The name Queen's Theatre has been used for a number of other theatres in central London, including the Queen's Theatre, Dorset Garden (from 1685 to 1705), Her Majesty's Theatre (from 1705 to 1714), Scala Theatre (during the period 1831–1865) and the modern Queen's Theatre in Shaftesbury Avenue (since 1907).

Notes

References

*Earl, John and Michael Sell. "Guide to British Theatres 1750-1950", pp. 249 (Theatres Trust, 2000) ISBN 0-7136-5688-3
*Sherson, Erroll. "London's Lost Theatres of the Nineteenth Century", Chapter IX (Ayer Publishing, 1925) ISBN 0405089694
* [http://www.arthurlloyd.co.uk/QueensLongacre.htm "Queen's Theatre"] (Arthur Lloyd theatre history site)

External links

* [http://www.victorianlondon.org/entertainment/queenstheatre-stmartins.htm Description of the theatre at the Victorian London site]
* [http://nachofoto.com/photo-of-Plaque-commemorating-the-site-of-the-Queens-Theatr-A4777a88ceac8 Photo of Historic Theatreland plaque at the site of the theatre]