The Church at Auvers


The Church at Auvers
The Church at Auvers
Artist Vincent van Gogh
Year 1890
Type Oil on canvas
Dimensions 74 cm × 94 cm (37 in × 29.1 in)
Location Musée d'Orsay, Paris

The Church at Auvers was painted by Dutch post-impressionist artist Vincent van Gogh in 1890.

History

The Church at Auvers — along with other canvases such as The Town Hall at Auvers and several paintings of small houses with thatched roofs — are reminiscent of scenes from the northern landscapes of his childhood and youth.[1] A certain nostalgia for the north had already been apparent in his last weeks at Saint-Rémy-de-Provence: in a letter written a couple of weeks before his departure, he wrote "While I was ill I nevertheless did some little canvases from memory which you will see later, memories of the North"[2]

He specifically refers to similar work done back at Nuenen when he describes this painting in a letter to his sister Wilhelmina:[3]

I have a larger picture of the village church — an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.
Old Cemetery Tower at Nuenen 1885, Van Gogh Museum.

The "simple deep blue" was also used in Portrait of Adeline Ravoux, painted in the same short period in Auvers-sur-Oise.

The foreground of The Church at Auvers is brightly lit by the sun, but the church itself sits in its own shadow, and "neither reflects nor emanates any light of its own."[4] After Van Gogh had been dismissed from the evangelical career he had hoped to continue in the Borinage, he wrote to his brother Theo from Cuesmes in July 1880, and quoted Shakespeare's image from Henry IV, Part 1[5] of the dark emptiness inside a church to symbolize "empty and unenlightened preaching":[6] "Their God is like the God of Shakespeare's drunken Falstaff, 'the inside of a church'"[7]

The motif of diverging paths also appears in Wheat Field with Crows.

In popular culture

The Church at Auvers plays a prominent role in "Vincent and the Doctor", the tenth episode of the fifth series of the science-fiction television programme Doctor Who. In it, the painting depicts a strange creature (called a "Krafayis") at a window of the church, which signifies to the show's time-travelling protagonist, the Doctor, that something evil was lurking in Auvers-sur-Oise. Only when van Gogh himself, played by Tony Curran, defeats the creature at the church, does the painting revert back to its original, unaltered, state. It is interesting to note that the creature is later revealed to have been blind, with blindness to the colors and shapes of the world and sky (as Vincent saw them) being a reoccurring theme of the episode.[8]

Notes and references

  1. ^ Lubin, Stranger on the earth: A psychological biography of Vincent van Gogh, Holt, Rinehart, and Winston, 1972. ISBN 0-03-091352-7, page 230.
  2. ^ Letter 629, 30 April 1890
  3. ^ Letter W22 to Wilhelmina van Gogh, 5 June 1890
  4. ^ Erickson, Kathleen Powers. At Eternity's Gate: The Spiritual Vision of Vincent van Gogh, 1998, ISBN 0-8028-4978-4. Page 171.
  5. ^ "And I have not forgotten what the inside of a church is made of, I am a peppercorn, a brewer’s horse: the inside of a church!" — Act 3, Scene iii.
  6. ^ Erickson, page 172
  7. ^ Letter 133
  8. ^ John Moore (5 June 2010). "Doctor Who series 5 episode 10 review: Vincent And The Doctor". Den of Geek. http://www.denofgeek.com/television/500159/doctor_who_series_5_episode_10_review_vincent_and_the_doctor.html. Retrieved 6 June 2010. 

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