Mary Ann Doane

Mary Ann Doane is currently George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is a pioneer in the study of gender in film.^[1]

In 1974, Doane received a B.A. in English from Cornell University and in 1979, earned her Ph.D. in Speech and Dramatic Art from the University of Iowa. Doane specializes in film theory, feminist theory and semiotics,^[2] and has written, published, and co-edited numerous articles and books, including Femmes Fatales: Feminism, Film Theory, Psychoanalysis^[3] and The Emergence of Cinematic Time: Modernity, Contingency, the Archive.^[4] Doane will be joining the UC Berkeley Film and Media faculty in Fall 2011.

References

1. ^ "Speaking the "mind's voice": double discursivity in Jane Campion's The Piano.". Post Script. 2004-01-01. http://www.accessmylibrary.com/coms2/summary_0286-18773007_ITM. Retrieved 2008-05-29. 
2. ^ "Gender and Sexuality Studies Board: Affiliated Faculty.". Pembroke Center for Teaching and Research on Women.. Brown University. http://www.pembrokecenter.org/instruction/facultypage.php?id=10007. Retrieved 2008-05-29. 
3. ^ Doane, Mary Ann (1991). "Femmes Fatales: Feminism, Film Theory, Psychoanalysis", Routledge, New York. ISBN 9780415903202.
4. ^ Doane, Mary Ann (2002). "The Emergence of Cinematic Time: Modernity, Contingency, the Archive", Harvard University Press, Cambridge. ISBN 9780674007840.

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